You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The German printmaker, draughtsman, and sculptor Kathe Kollwitz's images of mothers and children and of protest against social injustice have long been admired by both critics and the public. Kollwitz adhered to a figurative style in the era of abstraction and she depicted socially-engaged subject matter when it was unfashionable. Critics have often focused on those issues and have rarely studied the ways in which the artist manipulated technique and resolved formal problems. This illustrated book redresses this imbalance, portraying Kollwitz as an innovative and virtuosic artist rather than a mere chronicler of particular themes.
A catalog of the German artist's work is critically introduced in an essay which illuminates her social consciousness
One of the great German Expressionist artists, Kaethe Kollwitz wrote little of herself. But her diary, kept from 1900 to her death in 1945, and her brief essays and letters express, as well as explain, much of the spirit, wisdom, and internal struggle which was eventually transmuted into her art.
This collection explores Kollwitz’s most creative years, examining her sequences of images, with a focus on the tension between making and meaning. German printmaker Käthe Kollwitz (1867–1945) is known for her unapologetic social and political imagery; her representations of grief, suffering, and struggle; and her equivocal ideas about artistic and political labels. This volume explores her most creative years, roughly the late 1890s to the mid-1920s, highlighting the tension between making and meaning throughout her work. Correlating Kollwitz’s obsessive printmaking experiments with the evolution of her images, it assesses the unusually rich progressions of preparatory drawings, proo...
This insightful book examines the genesis, impact, and legacy of Käthe Kollwitz's work against the backdrop of World Wars I and II.
None
Gathers dramatic ethings, lithographs, woodcuts, and drawings which deal with hunger, war, and death.
The Dresden Kupferstich-Kabinett (Museum of Prints, Drawings and Photographs of the Staatliche Kunstsammlungen Dresden) has particularly important and unique holdings of the work of the German graphic artist Käthe Kollwitz (1867?1945). Kollwitz formed a long association with Max Lehrs (1855?1938), a leading art historian and then the director of the Dresden Kupferstich-Kabinett, and Lehrs became Kollwitz?s discerning supporter. 0The catalogue tells the circumstances and story of the earliest public holding of Kollwitz?s work to be established and of Kollwitz?s full development of her major themes? of war and death, of motherhood and love, and not least of self-portraiture, one of the most fascinating aspects of her oeuvre. 00Exhibition: Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden, Germany (19.10.2017-14.01.2018).0.
Käthe Kollwitz (1867-1945) developed a mastery of graphic art which quickly established her reputation in Germany, then further afield as her influence spread internationally after the First World War. Establishing herself in an art world dominated by men, Kollwitz developed a vision centred on women and the working class. 'Portrait of the Artist' looks at her work through the exploration of self-portraits and portraits of working women, her two great series concerned with social injustice: Ein Weberaufstand (A Weavers' Revolt, 1897) and Bauernkrieg (Peasants' War, 1908), the ever-present imagery of death, especially a mother's grief, and finally the theme of war and remembrance after her younger son, Peter, had been killed at the beginning of the First World War. The exhibition is drawn from the collection of the British Museum and is complemented by a small number of loans from a private owner and The Barber Institute of Fine Arts at the University of Birmingham.