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Contemporary Russia stands apart as one of the most prolific generators of conspiracy theories and paranoid rhetoric. Conspiracy Culture traces the roots of the phenomenon within the sphere of culture and history, examining the long arc of Russian paranoia from the present moment back to earlier nineteenth-century sources, such as Dostoevsky’s anti-nihilist novel Demons. Conspiracy Culture examines the use of conspiracy tropes by contemporary Russian authors and filmmakers including the postmodernist writer Viktor Pelevin, the conservative author and pundit Aleksandr Prokhanov, and the popular director Timur Bekmambetov. It also explores paranoia as an instrument within contemporary Russian political rhetoric, as well as in pseudo-historical works. What stands out is the manner in which popular paranoia is utilized to express broadly shared fears not only of a long-standing anti-Russian conspiracy undertaken by the West, but also about the destruction of the country’s cultural and spiritual capital within this imagined "Russophobic" plot.
Many blacks in the workplace face a set of dynamics unique to being African American in a traditionally white, male-dominated world. In this landmark book, authors Ancella Livers and Keith Caver-- co-facilitators of the Center for Creative Leadership's African-American Leadership Program for the past five years-- explain how the leadership experience for blacks is radically different from the experiences of their white colleagues. These differences, of which most white managers are unaware, can lead to miscues and distortions in communication and ultimately get in the way of effective performance and optimal productivity for organizations. In Leading in Black and White, the authors not only clearly explain how things go wrong, they also provide sensible solutions for both the white manager and the black manager on how to make them right.
Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examin...
The Liver: Morphology, Biochemistry, Physiology, Volume I focuses on the advancement of knowledge on the liver under normal and pathological conditions, as revealed by morphological and physiological studies. The selection first offers information on the embryonic liver and anatomy of the liver, including morphology and physiology of the embryonic liver, histology of the liver, surgical segments, and vascular gross anatomy of the liver. The text then elaborates on the structure of the liver sinusoids and the sinusoidal cells and the cyto- and histochemistry of the liver. Topics include protein reactions, nucleic acids, glycogen, lipids, heavy metals, and morphological aspects of lining cells. The publication examines electron microscopy of the liver; acinar units and the pathophysiology of the liver; and dynamics of circulation in the liver. Discussions focus on oxygen transport and consumption in the liver; experimental alterations of the hepatic circulation; hexagonal pattern and the interdigitation of the afferent and efferent vascular trees; and simple liver acinus. The selection is a dependable source of data for morphologists, biochemists, pharmacologists, and clinicians.
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Companion to Victor Pelevin, a collaborative undertaking by a group of emerging Russianist scholars, focuses on the work of one of the most important and hotly debated post-Soviet writers. It provides a valuable resource to scholars, teachers, and students, including how best to teach Pelevin to university-level students, and which critical debates invite further investigation. The contributors offer new readings of Pelevin texts that cover a broad time span and pay due attention to the philosophical and aesthetic complexities of Pelevin’s oeuvre in its development from the early post-Soviet years to the second decade of the present millennium. Examining all of Pelevin’s major works and all Peleviniana currently available in English, the Companion aims to prompt further inquiry into this author’s intellectually stimulating and socially prescient work.
A fresh interpretation of the contexts, meanings, and consequences of the revolutions of 1989, coupled with state of the art reassessment of the significance and consequences of the events associated with the demise of communist regimes. The book provides an analysis that takes into account the complexities of the Soviet bloc, the events' impact upon Europe, and their re-interpretation within a larger global context. Departs from static ways of analysis (events and their significance) bringing forth approaches that deal with both pre-1989 developments and the 1989 context itself, while extensively discussing the ways of resituating 1989 in the larger context of the 20th century and of its lessons for the 21st.Emphasizes the possibility for re-thinking and re-visiting the filters and means that scholars use to interpret such turning point. The editors perceive the present project as a challenge to existing readings on the complex set of issues and topics presupposed by a re-evaluation of 1989 as a symbol of the change and transition from authoritarianism to democracy.
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