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This unparalleled collection, international and innovative in scope, analyzes the dynamic tensions between masculinity and dance. Introducing a lens of intersectionality, the book’s content examines why, despite burgeoning popular and contemporary representations of a normalization of dancing masculinities, some boys don’t dance and why many of those who do struggle to stay involved. Prominent themes of identity, masculinity, and intersectionality weave throughout the book’s conceptual frameworks of education and schooling, cultures, and identities in dance. Incorporating empirical studies, qualitative inquiry, and reflexive accounts, Doug Risner and Beccy Watson have assembled a uniqu...
The Kete dance form, once exclusive to royal courts, carries intricate movements, symbolic gestures, and rhythms that mirror Ghanaian history and values. It embodies storytelling, often depicting tales of bravery, unity, or significant historical events. These dances were traditionally reserved for specific occasions within the royal setting, symbolizing prestige, honor, and tradition. With the passage of time, the transmission of Kete royal dance has transcended its original palace context, finding its way into academic domains. Universities and cultural institutions now extend the legacies of this dance form and even act as custodians of this art form, where scholars, dancers, and enthusia...
An encyclopedia about various methods of qualitative research.
This is the first volume devoted to the topic of dance and quality of life. Thirty-one chapters illuminate dance in relation to singular and overlapping themes of nature, philosophy, spirituality, religion, life span, learning, love, family, teaching, creativity, ability, socio-cultural identity, politics and change, sex and gender, wellbeing, and more. With contributions from a multi-generational group of artists, community workers, educators, philosophers, researchers, students and health professionals, this volume presents a thoughtful, expansive-yet-focused, and nuanced discussion of dance’s contribution to human life. The volume will interest dance specialists, quality of life researchers, and anyone interested in exploring dance’s contribution to quality of living and being.
A comparative examination of black rural communities' claims to land and their connections to the broader fight against racism in Brazil.
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This year's conference explores the ways in which dance forms circulate across communities, regions and nations, acquiring new meanings as they travel. While the term "globalization" has gained currency in scholarly debates of recent years, the dispersion of performance practices is hardly a new phenomenon. Thus, the conference includes both historical and contemporary analyses of dances' migrations. What happens when dances migrate? It is common knowledge that founding figures in European and Euro-American modern dance appropriated Asian movement vocabularies in their choreographies. But scholars are only beginning to examine the ways in which Latin American, African, and Asian "fokloric" d...
The founding of the university in 1867 created a unique community in what had been a prairie. Within a few years, this creative mix of teachers and scholars produced innovations in agriculture, engineering and the arts that challenged old ideas and stimulated dynamic new industries. Projects ranging from the Mosaic web browser to the discovery of Archaea and pioneering triumphs in women's education and wheelchair accessibility have helped shape the university's mission into a double helix of innovation and real-world change. These essays explore the university's celebrated accomplishments and historic legacy, candidly assessing both its successes and its setbacks. Experts and students tell t...
The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts. Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh
In The Second Battle for Africa, Erik S. McDuffie establishes the importance of the US Midwest to twentieth-century global Black history, internationalism, and radicalism. McDuffie shows how cities like Chicago, Detroit, and Cleveland, as well as rural areas in the heartland, became central and enduring incubators of Marcus Garvey’s Black nationalist Universal Negro Improvement Association (UNIA) and its offshoots. Throughout the region, Black thinkers, activists, and cultural workers, like the Grenada-born activist Louise Little, championed Black freedom. McDuffie explores Garveyism and its changing facets from the 1920s onward, including the role of Black midwesterners during the emergence of fascism in the 1930s, the postwar US Black Freedom Movement and African decolonization, the rise of the Nation of Islam and Malcolm X in the 1950s and 1960s, and the continuing legacy of Garvey in today’s Black Midwest. Throughout, McDuffie evaluates the possibilities, limitations, and gendered contours of Black nationalism, radicalism, and internationalism in the UNIA and Garvey-inspired movements. In so doing, he unveils new histories of Black liberation and Global Africa.