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Greenlit explains how to develop, research, pitch and sell your idea for any type of factual or reality television show. It gives the inside track on what channel executives are really looking for, stories of how hit shows actually came about and advice from channel commissioners and development producers.
This book explores the discourse by and about refugees and asylum seekers in relation to memory with a particular focus on the United Kingdom. A series of studies using different analytical approaches is undertaken, and together the studies shed light on this overlooked area of research. The studies or ‘facets’ presented in the monograph cover a range of contexts and discursive genres: a joint BBC/refugee-authored television documentary, refugees’ oral histories, creative life writing by asylum seekers, parliamentarians’ debates, a reworking of canonical texts and sites in a protest campaign, and non-fiction testimonies and fictional works by later generations of refugee background. The monograph introduces ‘facet methodology’ to memory studies, arguing that this approach could encourage interdisciplinary research in the field.
The first book length anthropological study of voluntary assisted dying in Switzerland, Leaving is a narrative account of five people who ended their lives with assistance. Stavrianakis places his observations of the judgment to end life in this way within a larger inquiry about how to approach and understand the practice of assisted suicide, which he characterizes as operating in a political, legal, and medical “parazone,” adjacent to medical care and expertise. Frequently, observers too rapidly integrate assisted suicide into moral positions that reflect sociological and psychological commonplaces about individual choice and its social determinants. Leaving engages with core early twen...
Tom Hart Dyke has a bit of a thing about plants. You might call it an obsession. You might call him certifiable, in fact. But it's a truth universally acknowledged that a single man in possession of a large ramshackle country estate and an obsession with plant collecting could want for only one thing - in Tom's case it's a walled garden containing examples of plants collected from every corner of the globe. Tom's infectious enthusiasm for anything with chlorophyll in it and the hugely ambitious World Garden project he has undertaken at his family home, Lullingstone Castle, in Kent have been documented in a 12-part television series for BBC 2. The first six parts (Save Lullingstone Castle) we...
Never has the time been more critical for film-making to help make a difference to the natural world. This book shows you how. A complete 'how to' guide, aimed at both film-makers and conservationists who want to use film as a tool for conservation. Covers all pre-production activities including how to raise funds. How to choose and use the filming equipment you need, plus a guide to post-production. Explores reaching audiences, organising screenings, using social media, monitoring effectiveness and ethical considerations. Features case studies from leading conservation film-makers including Mike Pandey, Rob Stewart (Sharkwater and Revolution), Will Anderson (Hugh's Fish Fight) and Shekar Da...
From the writers, editors and compilers of the highly successful The Writer's Handbook comes the first edition of The Screenwriter's Handbook, an indispensible companion for everyone who commissions screenwriters, works with them or writes (or wants their chance to write) for the screen. Containing thousands of entries covering every aspect of scriptwriting, with provocative articles and useful advice from leading representatives of the trade, this practical, straightforward guide, with indexes to aid quick searches, provides full details on the core markets and the way the television and film industries are going. In addition to the key areas of UK and US film and TV agents and production companies, writers' courses and circles, festivals, grants and prizes, the guide also offers invaluable expert advice on contracts, copyright, and taxation.
Focusing on the growing power of transnational media corporations in an increasingly globalized environment for distribution of television content, and on the effects of mergers and acquisitions involving local and independent television production companies, this book examines how current and recent re-structurings in ownership across the television industry reflect changing business models, how they affect creativity and diversity of television output, and to what extent they call for new approaches to regulation and policy. Based on a major study of the UK production sector as a case study, it offers a unique analysis of wider transformations in ownership affecting the television production industry worldwide and of their economic, socio-cultural and policy implications.
This book looks at how Europe’s refugee crisis has provoked different political and humanitarian responses, all similarly driven by technology. The author first explores the transformation of Europe into an increasingly militarised space, where technologies are mainly used to exercise surveillance and to distinguish between citizens and unwanted migrants. She then shifts the attention to refugees’ practices of connectivity by looking at how technologies are used by refugees to communicate, perform and resist their exile. Finally, the book examines the opportunities and challenges that characterise the impact of digital social innovation in humanitarian settings. By focusing on how technologies are used to promote solidarity in crisis contexts, the volume provides an original contribution to studying the role of tech for good activism within the space of Fortress Europe. Based on interviews with refugees, digital humanitarians and social entrepreneurs, the book timely questions what Europe means today, and why dialogue is now more important than ever.
In late 1911, the final year of the Edwardian age, a British naval captain and a Norwegian conqueror of the North-West Passage embarked on the most gruelling race ever run. Their aim was not only to lead the first expedition to the South Pole, but also to live to tell the tale. Six months later, Robert Falcon Scott and four of his party were dead, while Roald Amundsens victory had been wired around the world. A century on, the debate still rages. Was Scott unfortunate or incompetent? Was Amundsen a genius or lucky? In a unique television experiment, two teams led by the Norwegian explorer Rune Gjeldnes and the television anthropologist Bruce Parry, star of the BBC2 series Tribe, set out to r...
“Urgent and moving.”—Publishers Weekly ★ An elegant blend of "polemic, industrial history, nautical writing, elegy and ecology" (The Scotsman), The Two-Headed Whale charts the tragic history of the post-war whaling industry alongside the author's thrilling memoir of sailing the Antarctic. In 2016, Sandy Winterbottom embarked on an epic six-week tall-ship voyage from Uruguay to Antarctica. At the mid-way stop in South Georgia, her pristine image of the Antarctic was shattered when she discovered the dark legacy of twentieth century industrial-scale whaling. Enraged by what she found, she was quick to blame the men who undertook this wholescale slaughter, but then she stumbled upon the...