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This look at the colorful and complex history of cosplay and fandom fashion examines the relationship between franchises and the cosplayers they inspire and the technology that helps bring the details of costumes to life.
When the world's greatest supervillain dies, his son must decide to follow in his footsteps or chart a new path. The world's greatest super-villain, Abyss, has been killed... and that's the start of the story? Comedic, dysfunctional and heroic adventures begin when oblivious billionaire heir Eric Hoffman inherits his father's fortune, killer robot, and infamous legacy.
Whether we are watching TV, surfing the Internet, listening to our iPods, or reading a novel, we are all engaged with media as a member of an audience. Despite the widespread use of this term in our popular culture, the meaning of the "audience" is complex, and it has undergone significant historical shifts as new forms of mediated communication have developed from print, telegraphy, and radio to film, television, and the Internet. Media Audiences explores the concept of media audiences from four broad perspectives: as "victims" of mass media, as market constructions & commodities, as users of media, and as producers & subcultures of mass media. The goal of the text is for students to be able to think critically about the role and status of media audiences in contemporary society, reflecting on their relative power in relation to institutional media producers.
New Punk Cinema is the first book to examine a new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream. An array of established and emerging scholars trace and map the contours of new punk cinema, from its roots in neorealism and the French New Wave, to its flowering in the work of Lars von Trier and the Dogma 95 movement. Subsequent chapters explore the potentially democratic and even anarchic forces of digital filmmaking, the influences of hypertext and other new media, the increased role of the viewer in arranging and manipulating the chronology of a film, and the role of new punk cinema ...
The essays in Rethinking Media Change center on a variety of media forms at moments of disruption and cultural transformation. The editors' introduction sketches an aesthetics of media transition—patterns of development and social dispersion that operate across eras, media forms, and cultures. The book includes case studies of such earlier media as the book, the phonograph, early cinema, and television. It also examines contemporary digital forms, exploring their promise and strangeness. A final section probes aspects of visual culture in such environments as the evolving museum, movie spectaculars, and "the virtual window." The contributors reject apocalyptic scenarios of media revolution, demonstrating instead that media transition is always a mix of tradition and innovation, an accretive process in which emerging and established systems interact, shift, and collude with one another.
A comprehensive guide to all aspects of new media, information technologies and the internet.
A collection of Star Wars comics originally published between 1981 and 1984, following Luke, Leia, Han Solo, and other characters as they meet up with Admiral Ackbar and the Calamarians, survive the water world of Aquaris, explore themysteries of the Massassi temple ruins, and have other adventures.
The first collection to address the collective transformation happening in response to the rise of social media With the rise of web 2.0 and social media platforms taking over vast tracts of territory on the internet, the media landscape has shifted drastically in the past 20 years, transforming previously stable relationships between media creators and consumers. The Social Media Reader is the first collection to address the collective transformation with pieces on social media, peer production, copyright politics, and other aspects of contemporary internet culture from all the major thinkers in the field. Culling a broad range and incorporating different styles of scholarship from foundati...
“What the future fortunes of [Gramsci’s] writings will be, we cannot know. However, his permanence is already sufficiently sure, and justifies the historical study of his international reception. The present collection of studies is an indispensable foundation for this.” —Eric Hobsbawm, from the preface Antonio Gramsci is a giant of Marxian thought and one of the world's greatest cultural critics. Antonio A. Santucci is perhaps the world's preeminent Gramsci scholar. Monthly Review Press is proud to publish, for the first time in English, Santucci’s masterful intellectual biography of the great Sardinian scholar and revolutionary. Gramscian terms such as “civil society” and “...
Collects Star Wars: Empire (2002) #5-6, 8-13, 15; Star Wars: X-Wing Rogue Squadron (1995) #1/2; Star Wars: A New Hope Special Edition (1997) #1-4; Star Wars: Tag & Bink Are Dead (2001) #1; material from Star Wars Tales (1999) #1, 6, 8-10, 12, 14, 16, 19. The Empire era concludes - and a New Hope dawns! General Dodonna, one of the Old Republic's most brilliant strategists, must use all his skills to outmaneuver the Imperial fleet - including commanders who were taught his tactics! Can he overcome the challenges surrounding the creation of a rebel base on Yavin IV? Darth Vader is on the hunt for the stolen Death Star plans, but he doesn't expect to cross paths with Princess Leia or Darth Maul! And Imperial pilot Biggs Darklighter is on the run. Discover how Biggs became one of the Rebellion's greatest X-Wing pilots! Plus: The comics adaptation of A New Hope and more!