You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Going beyond a biography, this text uses the life of blacklisted Hollywood writer and director Abraham Lincoln Polonsky to help us understand the relationship between art and politics in American culture and to uncover the effects of US anticommunism and anti-Semitism.
Examines the ways in which the frontier myth influences American culture and politics, drawing on fiction, western films, and political writing
In 1969--the counter-cultural moment when Easy Rider triggered a "youthquake" in audience interests--Westerns proved more dominant than ever at the box office and at the Oscars. It was a year of masterpieces--The Wild Bunch, Butch Cassidy and the Sundance Kid, Once Upon a Time in the West and True Grit. Robert Redford achieved star status. Old-timers like John Wayne, Gregory Peck and Robert Mitchum appeared in two Westerns apiece. Raquel Welch took on the mantle of Queen of the West. Clint Eastwood and Lee Marvin tried their hand at a musical (Paint Your Wagon). New directors like George Roy Hill reinvigorated the genre while veteran Sam Peckinpah at last found popular approval. Themes included women's rights, social anxieties about violence and changing attitudes of and towards African-Americans and Native Americans. All of the 40-plus Westerns released in the U.S. in 1969 are covered in depth, offering a new perspective on the genre.
The American World War II film depicted a united America, a mythic America in which the average guy, the girl next door, the 4-F patriot, and the grieving mother were suddenly transformed into heroes and heroines, warriors and goddesses. The Star-Spangled Screen examines the historical accuracy—or lack thereof—of films about the Third Reich, the Resistance, and major military campaigns. Concerned primarily with the films of the war years, it also includes discussions of such postwar movies as Battleground (1949), Attack! (1956), The Bridge on the River Kwai (1957), and Patton (1970). This revised edition includes new material covering recent films such as Saving Private Ryan (1998), Pearl Harbor (2001), Dunkirk (2017), and JoJo Rabbit (2019), and their place in the war movie tradition. The Star-Spangled Screen makes a major contribution to popular culture by re-creating an era that, for all its tragedy, was one of the most creative in the history of American film.
How forty-one women—including Dorothy Parker, Gypsy Rose Lee, and Lena Horne—were forced out of American television and radio in the 1950s “Red Scare.” At the dawn of the Cold War era, forty-one women working in American radio and television were placed on a media blacklist and forced from their industry. The ostensible reason: so-called Communist influence. But in truth these women—among them Dorothy Parker, Lena Horne, and Gypsy Rose Lee—were, by nature of their diversity and ambition, a threat to the traditional portrayal of the American family on the airwaves. This book from Goldsmiths Press describes what American radio and television lost when these women were blacklisted, ...
Thunderbirds, Stingray, Fireball XL5, Captain Scarlet and the Mysterons, UFO and Space:1999 just some of the TV series produced by Gerry and Sylvia Anderson that have thrilled generations of people worldwide from the 1960s right into the 21st Century. As the new series Thunderbirds Are Go! updates the exploits of International Rescue for a new era, Ian Fryer, film historian and editor of Gerry Anderson s official appreciation society magazine, brings an in-depth look into the making of the iconic television shows that inspired it. The background to the making of the Supermarionation series, and the live action science fiction classics that followed, is brought to life along with the turbulent times for British film making in which they were made. A fascinating read for fans of the Anderson puppet and live action series and for anyone interested in film and television history."
Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Autho...
Raoul Walsh (1887–1980) was known as one of Hollywood's most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors—along with John Ford and Howard Hawks—who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh's generation invented a Hollywood that made movies seem bigger than life itself. In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh's life and achievements in a career that spanned more than half a...
With his rugged features and earthy sex appeal, Victor Mature ushered in a new breed of postwar Hollywood actor, far removed from the debonair matinee idols of the 1930s. Following success as an upbeat leading man in the early 1940s Fox musicals, opposite the likes of Betty Grable and Rita Hayworth, he went on deliver two of his most powerful performances in My Darling Clementine (1946) and Kiss of Death (1947). But it was in the biblical epics such as Samson and Delilah (1949), The Robe (1953) and Demetrius and the Gladiators (1954) that his heartfelt acting and statuesque, larger than life screen presence finally secured his place as a Hollywood icon. Beginning with a concise biography, this work covers Mature's film career in its entirety, featuring synopses, anecdotes from cast and crew, and review commentary.
Interviews with the Oscar-nominated screenwriter of Body and Soul and the director of Force of Evil and Tell Them Willie Boy Is Here