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Wonder in South Asia
The experience of wonder—encompassing awe, bewilderment, curiosity, excitement, fear, dread, mystery, perplexity, reverence, surprise, and supplication—and the ineffable quality of that which is wondrous have been entwined in religion and human experience. Yet strangely, wonder in non-western societies, including South Asia, has rarely been acknowledged or understood. This groundbreaking volume brings together historians and ethnographers of South Asia, including leading and emerging scholars, to consider the place and meaning of wonder in such varied joyful, tense, and creative sites and moments as Sufi music performances in Gujarat, Tamil graveyard processions, trans women's charitable practices, Kipling's Orientalist tales, village Kuchipudi dance performances, and Rajasthani healing shrines. Offering a synthetic and scholarly reading of wonder that speaks to the political, aesthetic, and ethical worlds of South Asia, these essays redefine the nature and meaning of wonder and its worlds. Taken together, they provide an invaluable research tool for those in the fields of Asian religion, religion in context, and South Asian religions in particular.
Authenticity, Legitimacy and the Transglobal Yoga Industry
This book is a sociological study of knowledge and knowers and explores the production and perceived value of ‘yogic knowledge,’ how distinction is curated, and how access to this knowledge is gained. The book focuses on the organization Shanti Mandir (SM) in India, a new religious movement, which was founded in 1987 by Swami Nityananda Saraswati. It is a non-profit charity operating within the unregulated and competitive multi-billion dollar global and domestic wellness/spiritual tourism industries, and as a registered education provider within India’s education industry. The main aim of this book is to answer the question how legitimacy is acquired, negotiated and expressed within th...
An Anthropology of Intellectual Exchange
Dialogues, encounters and interactions through which particular ways of knowing, understanding and thinking about the world are forged lie at the centre of anthropology. Such ‘intellectual exchange’ is also central to anthropologists’ own professional practice: from their interactions with research participants and modes of pedagogy to their engagements with each other and scholars from adjacent disciplines. This collection of essays explores how such processes might best be studied cross-culturally. Foregrounding the diverse interactions, ethical reasoning, and intellectual lives of people from across the continent of Asia, the volume develops an anthropology of intellectual exchange itself.
Passages through India
Passages Through India offers a study of the phenomenon of Western Indophilia: romanticised engagements around Hindu ideas of India. It argues that affective practices cultivated between major Indian guru-figures (Gandhi, Tagore and Vivekananda) and their white disciples serviced a larger politics of respectability, tied to exigencies of Indian cultural and nationalist politics. Indophile deployments in transnational projects like the abolition of indentured labour and global Hinduism, while anti-colonial, were not quite emancipatory. Such deployments – in Africa, America, Fiji and India – frequently reproduced deep hierarchies around race, class, caste and gender. Unifying distinct strands of western discipleship within a shared tradition of Indophilia, Passages Through India offers a new methodological framework that situates self and subjectivity as central to processes of global mobility and migration.
Gurus and Media
Gurus and Media is the first book dedicated to media and mediation in domains of public guruship and devotion. Illuminating the mediatisation of guruship and the guru-isation of media, it bridges the gap between scholarship on gurus and the disciplines of media and visual culture studies. It investigates guru iconographies in and across various time periods and also the distinctive ways in which diverse gurus engage with and inhabit different forms of media: statuary, games, print publications, photographs, portraiture, films, machines, social media, bodies, words, graffiti, dolls, sound, verse, tombs and more. The book’s interdisciplinary chapters advance, both conceptually and ethnograph...
Global Sceptical Publics
Global Sceptical Publics is the first major study of the significance of different media for the (re)production of non-religious publics and publicity. While much work has documented how religious subjectivities are shaped by media, until now the crucial role of diverse media for producing and participating in religion-sceptical publics and debates has remained under-researched. With some chapters focusing on locations hitherto barely considered by scholarship on non-religion, the book places in comparative perspective how atheists, secularists and humanists engage with media – as means of communication and forming non-religious publics – but also on occasion as something to be resisted. Its conceptually rich interdisciplinary chapters thereby contribute important new insights to the growing field of non-religion studies and to scholarship on media and materiality more generally.
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Little Red Readings
A significant body of scholarship examines the production of children's literature by women and minorities, as well as the representation of gender, race, and sexuality. But few scholars have previously analyzed class in children's literature. This definitive collection remedies that by defining and exemplifying historical materialist approaches to children's literature. The introduction of Little Red Readings lucidly discusses characteristics of historical materialism, the methodological approach to the study of literature and culture first outlined by Karl Marx, defining key concepts and analyzing factors that have marginalized this tradition, particularly in the United States. The thirtee...
Gurus and Media
The first book dedicated to media and mediation in domains of public guruship and devotion. Illuminating the mediatization of guruship and the guruization of media, this book bridges the gap between scholarship on gurus and the disciplines of media and visual culture studies. It investigates guru iconographies in and across various time periods and also the distinctive ways in which diverse gurus engage with and inhabit different forms of media: statuary, games, print publications, photographs, portraiture, films, machines, social media, bodies, words, graffiti, dolls, sound, verse, tombs, and more. The book's interdisciplinary chapters advance, both conceptually and ethnographically, our un...
Art Attacks
Since the end of the 1980s in India, self-styled representatives of a variety of ascriptive groups—religious, caste, regional, and linguistic—have been routinely damaging artworks, disrupting their exhibition, and threatening and assaulting artists and their supporters. Often, these acts are claimed to be a protest against allegedly ‘hurtful’ or ‘offensive’ artworks, wherein its regularity and brazenness has led to an intensifying sense of fear, frustration, and anger within the art world. Art Attacks tells the story of this phenomenon and maps the concrete political transformations that have informed the dynamic unfolding of violent attacks on artists. Based on extensive interactions with offence-takers, assailants, and artists, the author argues that these attacks are not simply ‘anti-democratic’ but are dependent in perverse ways on the very logics of democracy’s functioning in India. At the same time, they have been contained, at least until now, by this very democratic system, which has prevented the spiralling of attacks into an outright condition of art plunder.
