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Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in his...
A study of place, identity, music, politics and regionalism which calls for a radical restructuring of the British Isles. In the early twenty-first century, "Englishness" suddenly became a hot topic. A rash of art exhibitions, pop albums and coffee table books arrived on the scene, all desperate to recover England’s lost national soul. But when we sweep away the patriotic stereotypes, we begin to see that England is a country that does not — and perhaps should not — exist in any essential sense. In this provocative text combining polemic and memoir, Alex Niven argues that the map of the British Isles should be torn apart completely as we look towards a time of radical political reform. Rejecting outdated nationalisms, Niven argues for a renovated model of culture and governance for the islands — a fluid, dynamic version of regionalism preparing the way for a new "dream archipelago".
"A must read guaranteed to give newbies a clear and complete understanding of the Monster's murders and of the various investigative theories. The book could also be a great reference for “experts” who believe they know everything on the subject, as it uncovers valuable clues and revelations about the murders and the investigations” (Gabriele Basilica, Thriller Magazine). “Those passionate about true crime stories will certainly appreciate the analysis of the murders of the Monster of Florence. Brunoro and Pezzan write about everything, from Vincenzo Spalletti to the Sardinian Lead, from Pietro Pacciani to the picnicking friends, and finally from the esoteric theory to the Narducci s...
Maggie's encounter with Michael Othaya, the young heir to a multi-billion-shilling fashion empire, marked the beginning of a cataclysmic cycle of events that would involve sex, manipulation, conspiracy...and first-degree murder. To be sure, the Sultans of Fashion had had their fair share of scandals and intrigues in the past. Overly ambitious and genetically predisposed towards greed, the rich and famous Othayas were no strangers to controversy. But it wasn't until Michael and Maggie - a ghetto princess - started romancing that the feuding family's civil war reached its climax... Easily digested and written with a handle on humour, When the Whirlwind Passes is doubtless one of the best crime novels to ever come out of Africa. 'Alex Nderitu is one of a handful of young, brilliant writers to come off the Kenyan terrain in the recent past. His books (hoping there will be many more)...are pure commercial escapism, and brilliantly written at that.' - Daily Nation
Mysterious Press presents three classic novels--"Blood on the Moon, Because the Night", and "Suicide Hill"--in one hardcover edition from the author of "L.A. Confidential".
All three gritty, pulse-pounding PRIME SUSPECT CASES, featuring DCI JANE TENNISON, available in one stunning volume from multi-million copy bestseller and master of the crime drama, LYNDA LA PLANTE. * PRIME SUSPECT When a prostitute is found murdered in her bedsit, the Metropolitan police set to work finding the perpetrator of this brutal attack. For Detective Chief Inspector Jane Tennison, this is the perfect opportunity to get herself noticed. But when every one of her colleagues is willing her to trip up, and the case is far from clear cut, will she be able to prove her mettle. PRIME SUSPECT 2: A FACE IN THE CROWD The coroner's report identifies the body as young, black, female, and impos...
Meet the Scruffians, workhouse tykes and street arabs scrobbled by the Waiftaker General, dragged to the Institute and put to the Stamp that writes your very soul into your skin. Meet the waifs of Ripper Vicky's Empire, Fixed forever as they are, never ageing, never starving, ever bouncing back to exactly how they were Fixed... the perfect child labour. Now escaped from their chimney sweep and mill owner masters, hiding out in their rookery cribs, surviving as thieves and beggars... and fighting back. Meet Flashjack the hellion and Puckerscruff the urchin; Squirlet Nicely and Vermintrude Toerag; Yapper, the Scruffian who learned to speak Dog; Whelp, the dog Fixed as a Scruffian; and Rake Jake Scallion, not a Scruffian, but the finest friend any scruff ever had. Meet Gobfabbler, the fabbler of this here crib, with his fabbles of Christmas spirit, canine spifflication, and why, only the most important fabble of em all... the fabble of how the Scruffians took the Stamp!
Our culture values striving, purpose, achievement, and accumulation. This book asks us to get sidetracked along the way. It praises aimlessness as a source of creativity and an alternative to the demand for linear, efficient, instrumentalist thinking and productivity. Aimlessness collects ideas and stories from around the world that value indirection, wandering, getting lost, waiting, meandering, lingering, sitting, laying about, daydreaming, and other ways to be open to possibility, chaos, and multiplicity. Tom Lutz considers aimlessness as a fundamental human proclivity and method, one that has been vilified by modern industrial societies but celebrated by many religious traditions, philosophers, writers, and artists. He roams a circular path that snakes and forks down sideroads, traipsing through modernist art, nomadic life, slacker comedies, drugs, travel, nirvana, and oblivion. The book is structured as a recursive, disjunctive spiral of short sections, a collage of narrative, anecdotal, analytic, and lyrical passages—intended to be read aimlessly, to wind up someplace unexpected.
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This book seeks to narrow two gaps: first, between the widespread use of case studies and their frequently 'loose' methodological moorings; and second, between the scholarly community advancing methodological frontiers in case study research and the users of case studies in development policy and practice. It draws on the contributors' collective experience at this nexus, but the underlying issues are more broadly relevant to case study researchers and practitioners in all fields. How does one prepare a rigorous case study? When can causal inferences reasonably be drawn from a single case? When and how can policy-makers reasonably presume that a demonstrably successful intervention in one context might generate similarly impressive outcomes elsewhere, or if massively 'scaled up'? No matter their different starting points – disciplinary base, epistemological orientation, sectoral specialization, or practical concerns – readers will find issues of significance for their own field, and others across the social sciences. This title is also available Open Access.