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Everything Preserved
The remarkable discovery of Landis Everson, first winner of The Poetry Foundation's Emily Dickinson First Book Award I stay upright. Nothing makes me go down dusty roads to change my style. I don't believe in love anymore, the foghorn blasted it out of me. —from "Coronado Poet" "Why did Landis Everson stop writing poetry for forty-three years?" asks The New York Times in a recent feature article. This question permeates Everson's extraordinary first book, Everything Preserved, which collects poems written between 1955 and 1960 and, after a long silence, poems written between 2003 and 2005. A friend of the poets Robin Blaser, Robert Duncan, and Jack Spicer, Everson became a significant figu...
Poet Be Like God
The first biography of poet Jack Spicer (1925-1965), a key figure in San Francisco’s gay cultural scene and in the development of American avant garde poetries.
THE "I" OF THE STORM
We cannot explain why people kill themselves. There are no necessary or sufficient causes for suicide, so rather than explaining suicide (looking for causes), perhaps we can understand suicide, at least in one individual, a phenomenological approach. This book begins by examining the diaries from eight individuals who killed themselves. Using qualitative analyses, supplemented in some cases by quantitative analyses, Lester seeks to uncover the unique thoughts and feelings that led these individuals to take their own lives. Lester has also studied suicide notes, the poems of those who died by suicide (both famous poets and unpublished poets), the letters written by suicides, blogs and twitter feeds, and one tape recording of a young man who killed himself just an hour or so after he recorded the tape. This book will give you insights into the “I” of the storm, the suicidal mind. David Lester has PhD’s from Cambridge University (UK) and Brandeis University (USA). He is a former President of the International Association for Suicide Prevention and a leading scholar on suicide, murder, the fear of death and other topics and thanatology.
The Astonishment Tapes
"The Astonishment Tapes is the edited transcript of revealing autobiographical audiotapes recorded by the groundbreaking poet Robin Blaser, a founding member of the Berkeley contingent of the San Francisco Renaissance in New American Poetry"--
Robert Duncan, The Ambassador from Venus
This definitive biography gives a brilliant account of the life and art of Robert Duncan (1919–1988), one of America’s great postwar poets. Lisa Jarnot takes us from Duncan’s birth in Oakland, California, through his childhood in an eccentrically Theosophist household, to his life in San Francisco as an openly gay man who became an inspirational figure for the many poets and painters who gathered around him. Weaving together quotations from Duncan’s notebooks and interviews with those who knew him, Jarnot vividly describes his life on the West Coast and in New York City and his encounters with luminaries such as Henry Miller, Anaïs Nin, Tennessee Williams, James Baldwin, Paul Goodman, Michael McClure, H.D., William Carlos Williams, Denise Levertov, Robert Creeley, and Charles Olson.
Robert Duncan
This volume in the Collected Writings of Robert Duncan series gathers a far-reaching selection of Robert Duncan’s prose writings including most of his longer and more well-known essays along with other prose that has never been widely available. Ranging in original publication dates between 1940 and 1985, the forty-one titles reveal a great deal about Duncan’s life in poetry—including his impressions of poets whose work he admires, both contemporaries and precursors. Evocative and eclectic, this work delineates the intellectual contexts and sources of Duncan’s poetics, and opens a window onto the literary communities in which he participated.
Never by Itself Alone
Through its comprehensive history of post-war queer writing in Boston and San Francisco from the 1940s through the 21st century, Never By Itself Alone provides a new view of queer history. Grundy intertwines analysis of lesbian, gay, and queer literature of the time, centering voices which have not yet before been explored in existing criticism. The book elevates the underrepresented work of writers of color and those with gender-nonconforming identities, underscores the link between activism and literature, and insists upon the vital importance of radical accounts of race, class and gender in any queer studies worthy of the name
Guys Like Us
Guys Like Us considers how writers of the 1950s and '60s struggled to craft literature that countered the politics of consensus and anticommunist hysteria in America, and how notions of masculinity figured in their effort. Michael Davidson examines a wide range of postwar literature, from the fiction of Jack Kerouac to the poetry of Gwendolyn Brooks, Frank O'Hara, Elizabeth Bishop, and Sylvia Plath. He also explores the connection between masculinity and sexuality in films such as Chinatown and The Lady from Shanghai, as well as television shows, plays, and magazines from the period. What results is a virtuoso work that looks at American poetic and artistic innovation through the revealing lenses of gender and history.
My Vocabulary Did This to Me
“An extraordinary collection . . . Like the work of Emily Dickinson and W. B. Yeats, Spicer’s poems still seem to come from somewhere else.” —Publishers Weekly (starred review) Winner of the Northern California Independent Booksellers Award for Poetry (2009) Winner of the American Book Award (2009) In 1965, when the poet Jack Spicer died at the age of forty, he left behind a trunkful of papers and manuscripts and a few copies of the seven small books he had seen to press. A West Coast poet, his influence spanned the national literary scene of the 1950s and ’60s, though in many ways Spicer’s innovative writing ran counter to that of his contemporaries in the New York School and th...
The Best American Poetry 2007
The twentieth edition of theBest American Poetryseries celebrates the rich and fertile landscape of American poetry. Renowned poet Heather McHugh loves words and the unexpected places they take you; her own poetry elevates wordplay to a species of metaphysical wit. For this year's anthology McHugh has culled a spectacular group of poems reflecting her passion for language, her acumen, and her vivacious humor.Graced with McHugh's fascinating introduction, the book includes the poets' valuable comments on their work, as well as series editor David Lehman's engaging foreword that limns the necessity of poetry.The Best American Poetry 2007is an exciting addition to a series committed to covering the American poetry scene and delivering great poems to a broad audience.
