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When it first appeared in 1971, Larry Clark's groundbreaking book Tulsa sparked immediate controversy across the nation. Its graphic depictions of sex, violence, and drug abuse in the youth culture of Oklahoma were acclaimed by critics for stripping bare the myth that Middle America had been immune to the social convulsions that rocked America in the 1960s. The raw, haunting images taken in 1963, 1968, and 1971 document a youth culture progressively overwhelmed by self-destruction -- and are as moving and disturbing today as when they first appeared. Originally published in a limited paperback version and republished in 1983 as a limited hardcover edition commissioned by the author, rare-book dealers sell copies of this book for more than a thousand dollars. Now in both hardcover and paperback editions from Grove Press, this seminal work of photographic art and social history is once again available to the general public.
An artist's book of work from 1962 to 2010 published on the occasion with the exhibition "Larry Clark Kiss the past hello" at the Musee d'Art Moderne de la Ville de Paris/ARC, 8 October 2010 to 2 January 2011.
The founder of Manichaeism, Mani (216-274/277 CE), not only wrote down his teachings to prevent their adulteration, but also created a set of paintings—the Book of Pictures—to be used in the context of oral instruction. That pictorial handscroll and its later editions became canonical art for Mani's followers for a millennium afterwards. This richly illustrated study systematically explores the artistic culture of religious instruction of the Manichaeans based on textual and artistic evidence. It discusses the doctrinal themes (soteriology, prophetology, theology, and cosmology) depicted in Mani’s canonical pictures. Moreover, it identifies 10th-century fragments of canonical picture books, as well as select didactic images adapted to other, non-canonical art objects (murals, hanging scrolls, mortuary banners, and illuminated liturgical manuscripts) in Uygur Central Asia and Tang-Ming China.
A wide-ranging study of the critical roles that women played in the history of the Mongol conquests and empire.
It's the "great American teenage movie" about real kids, quoted by Amy Taubin of "The Village Voice" as a "masterpiece" and "the kind of film that pulls the ground out from under you".
B. Kellner-Heinkele, Hommage a Denis Sinor V. M. Alpatov, Phonetic and Grammatical Units in the European and Japanese Linguistic Traditions A. Birtalan, Dudlaga. A Genre of Mongolian Shamanic Tradition E. V. Boikova, The Mongolian Factor in the History of Russia L. Johanson, "Der Orientalist" als "Turkologe" S. G. Klyashtorny, The Asian Aspect of the Early Khazar History H. Okada, J. Miyawaki-Okada, The Birth of the World History in the Mongol Empire: History Education in Modern Japan T. A. Pang, Three Versions of a Poem Composed by Emperor Qianlong R. Pop, La notion d'allie matrimonial chez les Mongols A. Pozzi, A Birthday Banquet for our Guest of Honour Professor Denis Sinor a la mode of the Ancestors of Manchu People J. Richard, La cooperation militaire entre Francs et Mongols a l'epreuve: les campagnes de Ghazan en Syrie A. Rona-Tas, Etymological Notes on Hungarian gyapju 'wool' V. Rybatzki, Genealogischer Stammbaum der Mongolen A. Sarkozi, Conquering the World: The Linguistic Legerdemain of the Mongols A. M. Shcherbak, Some Words About the Project of an "Etymological Dictionary of the Manchu-Tungus Languages"
This volume introduces the geographical setting of Central Asia and follows its history from the palaeolithic era to the rise of the Mongol empire in the thirteenth century. Distinguished international scholars discuss chronologically the varying historical achievements of the disparate population groups in the region.
All the selections in Richard M. Dorson's Folktales Told around the World were recorded by expert collectors, and the majority of them are published here for the first time. The tales presented are told in Africa, Asia, the Middle East, Europe, North and South America, and Oceania. Unlike other collections derived in large part from literary texts, this volume meets the criteria of professional folklorists in assembling only authentic examples of folktales as they were orally told. Background information, notes on the narrators, and scholarly commentaries are provided to establish the folkloric character of the tales.