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Sympathy of Things
We have to find our way back to beauty," writes Lars Spuybroek in the introduction to The Sympathy of Things. In this book Spuybroek argues that we must "undo" the twentieth century - the age in which the sublime turned from an art category into a technical reality. This leads him to the aesthetical insights of the nineteenth-century English art critic John Ruskin, from which he distils pointers for our time. In The Sympathy of Things, the old romantic notion of sympathy, a core concept in Ruskin's aesthetics, is re-evaluated as the driving force of the aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century. Spuybroek addresses the five central dual themes of Ruskin in turn: the Gothic and work, ornament and matter, sympathy and abstraction, the picturesque and time, ecology and design. He wrests each of these themes from the Victorian era and compares them with the related ideas of later aestheticians and philosophers like William James and Bruno Latour.
Grace and Gravity
How do we live well? The first sentence of Grace and Gravity raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its inhabitants, where economy is not based on shortage, where religion cannot be explained by its followers, and where technology works far beyond its own principles. According to Lars Spuybroek, the prize-winning former architect, this marks the point where the “paradoxical machine” of grace reveals its powers, a point where we...
NOX
A comprehensive exploration of the methods and techniques behind the digital architecture of NOX studio discusses the impact of technology on the creator's experimental works, documenting twenty-three key projects as surveyed in the essays of such critics as Manual De Landa, Detlef Mertins, and Andrew Benjamin. Original.
The Architecture of Continuity
"That buildings are made of elements doesn't mean that architecture should be based on elementarism; on the contrary, we should strive for an architecture of continuity that fuses tectonics with textile, abstraction with empathy, and matter with expressivity." This is the crux of the argument Lars Spuybroek makes in this book, the first fully theoretical account of his innovative work. The state of contemporary architecture is the product of a 150-year battle between the Polytechnique and Beaux-Arts schools of design, which has forced us into a stalemate between the radically opposed positions of high-tech and sculpturism. Spuybroek aims to do no less than mend this rift through rethinking t...
Vital Beauty
Philosophers, anthropologists, political thinkers and artists take a closer look at what the idea of beauty can mean to their disciplines, in an effort to redefine what beauty is and what it means to the design practice and art. The book focuses on the question of how the age-old notion of beauty can regain an importance appropriate to the 21st century.
The Sympathy of Things
'If there is one thing we can learn from John Ruskin, it is that each age must find its own way to beauty' writes Lars Spuybroek in The Sympathy of Things, his ground-breaking work which proposes a radical new aesthetics for the digital era. Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first centur...
Textile Tectonics
Textile tectonics" reveals how natural, ornamental and folkloristic patterns - from the veins of leaves to Gothic rose windows, from foam formations to traditional styles of hair braiding and from Celtic knotwork to knitting patterns - can be digitally elaborated into breathtaking, programmable and architecturally viable structures. Internationally renowned architect and researcher Lars Spuybroek has been investigating the relationships between art, architecture and information technology. His students in the Georgia Institute of Technolgy, School of Architecture have contributed their projects in this second book in research and design.
The Politics of the Impure
Summary: It is crucial to understand that our progression through the twentieth century towards our contemporary global Crystal Palace (Peter Sloterdijk) of purity and transparency has been constantly accompanied by an almost physical desire for the pure, not just Mondrian's crystalline structures, but also the addictive taste of white sugar and white bread. This book investigates this urge for the pure, but also advocates a much deeper need for the impure, not to reinstate a new organicism, one more back-to-nature movement, but to trace that progression to a point where all modernist values reverse, where technology becomes an agent for the impure and the imperfect. Technology, long an agent for homogeneity and purity, is now turning into one for heterogeneity and global contingency.
Research & Design
Examines popular elements of modern architectural design, offering insight into the extensive research that informs the latest innovations in design and construction, in an essay-complemented, lavishly illustrated account that places an emphasis on the trend in mass-customization.
The Autopoiesis of Architecture, Volume I
Take a theoretical approach to architecture with The Autopoiesis of Architecture, which presents the topic as a discipline with its own unique logic. Architecture's conception of itself is addressed as well as its development within wider contemporary society. Author Patrik Schumacher offers innovative treatment that enriches architectural theory with a coordinated arsenal of concepts facilitating both detailed analysis and insightful comparisons with other domains, such as art, science and politics. He explores how the various modes of communication comprising architecture depend upon each other, combine, and form a unique subsystem of society that co-evolves with other important autopoieti...
