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It’s all Mediating
  • Language: en
  • Pages: 112

It’s all Mediating

  • Categories: Art

It’s all Mediating: Outlining and Incorporating the Roles of Curating and Education in the Exhibition Context brings together thinkers and practitioners in the fields of exhibition curating and gallery education from different corners of Europe. The publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity – both committed to “mediating” between art and its audience – have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have developed into separate professions and have become the responsibility of spec...

Shifting Interfaces
  • Language: en
  • Pages: 333

Shifting Interfaces

  • Categories: Art

Early 21st century media arts are addressing the anxieties of an age shadowed by ubiquitous surveillance, big-data profiling, and globalised translocations of people. Altogether, they tap the overwhelming changes in our lived experience of self, body, and intersubjective relations. Shifting Interfaces addresses current exciting exchanges between art, science, and emerging technologies, highlighting a range of concerns that currently prevail in the field of media arts. This book provides an up-to-date perspective on the field, with a considerable representation of art-based research gaining salience in media art studies. The collection attends to art projects interrogating the destabilisation...

Space, Place and Hybridity in the National Imagination
  • Language: en
  • Pages: 386

Space, Place and Hybridity in the National Imagination

This volume explores space, place and hybridity in today’s multicultural societies with a strong emphasis on the role of art and spatial representations, in order to map out the complexity of modern nations and celebrate the creative powers of their highly dynamic communities and cultures. It considers how the very idea of the nation has evolved since the emergence and development of the idea of the nation-state at the end of the eighteenth century, and how art can reinvigorate representations of nation-states worldwide without relegating their minorities to the margin. Instead of merely focusing on the role of place and land in national representations, the book adopts a wider and more critical approach to space in the arts by investigating the notions of both hybridity and Bhabha’s “Third Space” in the fields of aesthetics, film studies and literature, with a particular emphasis on postcolonial literature.

Museum education / Médiation culturelle - éducation muséale / Educación museal - mediación cultural
  • Language: en
  • Pages: 388

Museum education / Médiation culturelle - éducation muséale / Educación museal - mediación cultural

ICOM Education is the annual journal issued by CECA, the international Committee for Education and Cultural Action of the International Council of Museums (ICOM) network. The journal publishes papers written by museum professionals as well as academic researchers around the world in order to foster the reflection on the themes which are the committee's raison d'être: museum education, cultural action and audience research. This issue is dedicated to museum education, looking into the different meanings and understandings of the words as well as the various implementations in the museums all over the world.

The Participator in Contemporary Art
  • Language: en
  • Pages: 280

The Participator in Contemporary Art

  • Categories: Art

The early 21st century has seen contemporary art make continued use of audience participation, in which the spectator becomes part of the artwork itself. In this book, Kaija Kaitavuori claims that the `participator' is a new artistic role that does not fall under the auspices of artist or spectator and in proving such she devises a four-group typology of involvement. Her classification distinguishes between different forms of engagement and identifies their specific features. The key criteria she proposes are how concepts of authorship and ownership shift in relation to collectively created work, how contracts regulating the use and production of shared work are arranged and the extent to which involvement in making art can be regarded as democratic. This highly original book thus offers students and teachers the tools with which to improve their understanding of participatory art and removes the confusing terminology that has characterized so many other discussions.

Socializing Art Museums
  • Language: en
  • Pages: 400

Socializing Art Museums

  • Categories: Art

Art museums today face the challenge of opening themselves up as institutions to a changing society. This publication offers new perspectives on museological trends that are developing in various countries and cultures. Through increasingly flexible, inclusive and unexpected museum typologies, institutions aim to give their visitors greater access to art. The essays define the role of the museum as a medium of social change, as a protagonist in an education process and as a technologically innovative platform. Art historians, but also practitioners from the museum world – including curators, architects and psychologists – examine what is expected of art museums using case studies and against the background of the humanities and social sciences.

Form Function Finland
  • Language: en
  • Pages: 278

Form Function Finland

  • Type: Book
  • -
  • Published: 2003
  • -
  • Publisher: Unknown

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Index of Patents Issued from the United States Patent and Trademark Office
  • Language: en
  • Pages: 1896

Index of Patents Issued from the United States Patent and Trademark Office

  • Type: Book
  • -
  • Published: 1990
  • -
  • Publisher: Unknown

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Näin tehdään ihme
  • Language: fi
  • Pages: 183

Näin tehdään ihme

Miten voit ylittää itsesi ja tehdä mahdottomasta mahdollista? Jokaisen itsensä, tiiminsä tai yrityksensä kehittämisestä kiinnostuneen pitää kääntää katseensa Suomen cheerleadingmaajoukkueeseen. Miksi? Koska sen valmentaja Maria Walhroos tietää kuinka tehdään ihme. Suomen cheerleadingmaajoukkue teki mahdottomasta totta päihittämällä MM-kisoissa lajin ikuisen ykkösen USA:n huolimatta valtavasta erosta harrastajamäärissä ja resursseista. Seuraavana vuonna joukkue teki sen uudestaan. Historialliset maailmanmestaruudet voitettiin Maria Wahlroosin positiivisella johtamisfilosofialla, joka perustui itsensä ylittämiseen. Jokainen joukkueen jäsen uskoi mahdottomaan pääm...

Strengthening collaboration and coordination between biodiversity and chemicals and waste clusters
  • Language: en
  • Pages: 98

Strengthening collaboration and coordination between biodiversity and chemicals and waste clusters

Available online: https://pub.norden.org/temanord2022-513/ There is a great urgency to address biodiversity loss and chemicals and waste pollution. These global challenges are intertwined in many ways. Pollution is identified as one of the main drivers of biodiversity loss. Therefore, it is important to look at these challenges and solutions in a synergistic way in order to address them effectively. Efforts to date have mainly focused on cooperation and synergies within the same thematic cluster. This review looks at the opportunities that may exist for working across thematic clusters, specifically focusing on strengthening collaboration and coordination between biodiversity and chemicals and waste clusters. The review provides options for action that can help implementation in particular at the national level, but also at the regional and global levels through enhancement of collaboration between biodiversity and chemicals and waste clusters.