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Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, ; Walravens, Hartmut; Olejniczak, Ursula; Schmiedecke, Käthe: Internationale Bibliographie der Bibliographien 1959-1988 (IBB). Personennamenregister / A - Günther.
Includes entries for maps and atlases.
The origins of the telescope have been discussed and debated since shortly after the instrument's appearance in The Hague in 1608. Civic and national pride have led local dignitaries, popular writers, and numerous scholars to search the archives and to construct sharply divergent histories. Did the honor of the invention belong to the Dutch, to the Italians, to the English, or to the Spanish? And if the city of Middelburg in the Netherlands was, in fact, the cradle of the instrument, was the "true inventor" Hans Lipperhey or his rival Zacharias Jansen? Or was the instrument there before anyone knew it? Over the past several decades, a group of historians and scientists have sought out new documents, re-examined familiar ones, and tested early lenses and telescopes. This volume contains the proceedings of a symposium held in Middelburg in September 2008 to mark 400 years of the telescope. The essays in it, taken as a whole, present a new and convincing account of the origins of the instrument that changed mankind's vision of the universe.
Catalog of an exhibition held at the Joslyn Art Museum, Sept. 13Nov. 2, 1997, the Arkansas Art Center, Nov. 20, 1997Feb. 6, 1998, and the John and Mable Ringling Museum of Art, Feb. 27Apr. 24, 1998.
Das Künstlerporträt im Zeitraum des 15. bis zum 17. Jahrhundert hat vielfältige Erscheinungsformen. Nicht zwangsläufig trat der Maler alleine dem Betrachter in einem inszenierten Programm entgegen, sondern häufig erweiterte er sein Selbstporträt um das Bildnis seiner Ehefrau. Diese Bildtradition, die sich in integrierten und autonomen Zeugnissen niedergeschlagen hat, darf als eine Porträtgattung des Nordens gelten. Neben der "Geißblattlaube" von Peter Paul Rubens, der sich mit seiner Gattin kurz nach der Eheschließung in nahezu beispielsloser Weise verewigte, sind in dieser Studie weniger bekannte Beispiele katalogisiert und entsprechend typologisch bearbeitet worden. Wesentliche An...
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
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