You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Linda Ambrose, Matt Bray, Sara Burke, Donald Dennie, et Guy Gaudreau The fascinating story of Laurentian University's growth and innovations in post-secondary education.
None
Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.
At the turn of the century Sudbury was a town set on the railway line, with a population of about 2,000. The community was smaller than Sault Ste. Marie and Copper Cliff to the west, and to the east, North Bay and Pembroke. Now, nearly 100 years later, Sudbury is the largest city in northeastern Ontario. it is also the centre of many governmental, business, social, educational, media, medical, and other professional services in the region. Sudbury: Rail Town to Regional Capital, which honours the centenary of the community's incorporation as a town in 1893, analyses Sudbury decade by decade, describing the ongoing changes in the community and their impact on citizens. The book also examines the forces that shaped the city's destiny and argues that Sudbury is far more than a single-industry town based on mining. Grounded in new research and written in an accessible style by a team of local scholars, the book, with numerous maps and photographs will appeal to urban historians as well as the general reader both within and beyond the city.
This tome is an extensive record of Canada's treasures including art, architecture, historical sites, and spots of natural beauty.
None
Few contemporary artists have worked in the sheer variety of styles that Joe Fafard has perfected -- and won such acclaim for their efforts. Born in 1942 in a remote farming hamlet in Saskatchewan, the idiosyncratic artist early on chose a radically different direction from the prevailing modernistic aesthetic of the early 1960s, boldly exploring new media and new imagery. Gaining fame initially as a ceramic sculptor of oversize animals and people, in the early 1980s he turned to laser-steel and bronze work, along the way adding painting to his repertoire. This dual biography and critical study features a wealth of illustrations from Fafard's long career, generously sampling both the monumental sculptures done as public and private commissions, and the more intimate studies of people and prairie that reside in museums worldwide and in the private collections of Oprah Winfrey, Bill Cosby, and others.
Who's Who of Canadian Women is a guide to the most powerfuland innovative women in Canada. Celebrating the talents and achievement of over 3,700 women, Who's Who of Canadian Women includes women from all over Canada, in all fields, including agriculture, academia, law, business, politics, journalism, religion, sports and entertainment. Each biography includes such information as personal data, education, career history, current employment, affiliations, interests and honours. A special comment section reveals personal thoughts, goals, and achievements of the profiled individual. Entries are indexed by employment of affilitation for easy reference. Published every two years, Who's Who of Canadian Women selects its biographees on merit alone. This collection is an essential resource for all those interested in the achievements of Canadian women.