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In this revised edition of a volume originally published in 1989, Lawrence Broer extends his comprehensive critique of the body of writing by Kurt Vonnegut. Broer offers a broad psychoanalytic study of Vonnegut’s works from Player Piano to Hocus Pocus, taking a decisively new approach to the work of one of America’s most important, yet often misinterpreted writers. A compelling and original analysis, Sanity Plea, explores how Vonnegut incorporates his personal experiences into an art that is not defeatist, but rather creatively therapeutic and life-affirming.
A study of surprising similarities in their lives and works “adds an important element to the existing discussion” of two twentieth-century literary icons (Studies in American Humor). In this original comparative study of Kurt Vonnegut and Ernest Hemingway, Lawrence R. Broer maps the striking intersections of biography and artistry in works by both writers, and compares the ways they blend life and art. Broer views Hemingway as the “secret sharer” of Vonnegut’s literary imagination and argues that the two writers—traditionally considered as adversaries because of Vonnegut’s rejection of Hemingway’s emblematic hypermasculinism—inevitably address similar deterministic wounds ...
In this anthology, outstanding authorities present their assessments of literary madness in a variety of topics and approaches. The entire collection of essays presents intriguing aspects of the Dionysian element in literature.
Often, the decade of the 1920s has been stereotyped with such labels as "The Roaring Twenties," "The Jazz Age," or "The Lost Generation." Historical perspective has forced reevaluation of this decade. Articles in this collection are presented in the most definitive anthology dealing with 1920s America. The contributors have put aside stereotypes to offer a valuable critique of the American dream during a time of major crises. Dancing Fools and Weary Blues also presents its readers a picture of the continual redemption and revitalization of that dream, and reasserts its basic democratic values.
Presents a collection of critical essays about Kurt Vonnegut's Slaughterhouse-five.
This collection of 29 interviews explores the outer reaches of the Kurt Vonnegut universe. Conversations reveal how Robert B. Weide's letter to Kurt led to a long friendship and an acclaimed documentary, how readers in the former Soviet Union fell in love with Vonnegut during the Cold War, how Ryan North and Albert Monteys adapted Slaughterhouse-Five into a graphic novel, how two podcasters introduced him to a new generation of readers, and how Vonnegut's time teaching at the Iowa Writers Workshop helped transform him from an unknown paperback writer into a literary superstar. Also included are eight essays by the author. These cover Vonnegut's thoughts on guns and loneliness, evaluate his posthumous publications, offer a guide to the best Vonnegut videos available online, and ask questions like "Was Kurt Vonnegut secretly a romance writer?" A resource for students, scholars and fans, this book offers windows into Vonnegut's life and art that are often overlooked in standard biographies.
Moving from fiction to biography, the collection concludes with a group of essays about the real women in Hemingway's life--those who cared for him, competed with him, and, ultimately, helped to shape his art.
"Here is the book lover's literary tour of Florida, an exhaustive survey of writers, books, and literary sites in every part of the state. The state is divided into ten areas and each one is described from a literary point of view. You will learn what authors lived in or wrote about a place, which books describe the place, what important movies were made there, even the literary trivia which the true Florida book lover will want to know. You can use the book as a travel guide to a new way to see the state, as an armchair guide to a better understanding of our literary heritage, or as a guide to what to read next time you head to a bookstore or library."--Publisher.
Over the years the bra has been stereotyped as an object of seduction, glamour, and even oppression. In Uplift: A History of the Bra in America Jane Farrell-Beck and Colleen Gau use this item of clothing to gauge the social history of women and to understand the business history of fashion. Viewing fashion as a means to entertainment, self-creation, and everyday art, the authors illuminate the effect the brassiere has had on women's lives—their style, health, and economic opportunity. Rich in examples from advertising, movies, and other areas of popular culture, Uplift moves beyond featherbones and fiberfill to provide a sense of the dynamic relationship of the bra to wider issues in society.
This book approaches Updike's oeuvre by illuminating its ongoing, pervasive conflict between faith and doubt. Concentrating on a trio of Olinger stories, the Rabbit Angstrom tetralogy, In the Beauty of the Lilies, and Rabbit Remembered and dramatizing most emphatically Updike's career-spanning dialogue with his complexly fragile religious beliefs, Bailey interprets the Rabbit saga as fictionalized spiritual autobiography in which, through imposing Harry Angstrom's perceptual limitations upon his own stylistic gifts, Updike set himself the toughest trial of his ethical and aesthetic creed of the spirit-affirming capacities of human perception and expression.