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A Cappella
As an intricate choral music lovingly arranged, this gathering makes manifest a rich community of accomplished voices, a community whose immediate concerns are various, whose informing circumstances diverge, but whose common chord remains apprehensible and compelling--a long devotion to peace attaining to a concurrent devotion to beauty. --Scott Cairns.
The Essential Travis Lane
Inspired by nature, science, topics in the news, art and music, New Brunswick poet M. Travis Lane is prolific yet eschews the spotlight. She has won the Atlantic Poetry Prize, the Alden Nowlan Prize for Excellence and the Banff Centre Bliss Carmen Poetry Award, among a host of others. The Essential Travis Lane celebrates her lilting, insightful work by bringing to the fore a selection of her shorter poems—many of them out of print—that demonstrate her signature clear-eyed perceptiveness and rhythmic formal technique. These poems are fine examples of her linguistic mastery, as well as the wisdom and heart that characterize her voice. The Essential Poets Series presents the works of Canada’s most celebrated poets in a package that is beautiful, accessible and affordable. The Essential Travis Lane is the 13th volume in the series.
Basements and Attics, Closets and Cyberspace
Women’s letters and memoirs were until recently considered to have little historical significance. Many of these materials have disappeared or remain unarchived, often dismissed as ephemera and relegated to basements, attics, closets, and, increasingly, cyberspace rather than public institutions. This collection showcases the range of critical debates that animate thinking about women’s archives in Canada. The essays in Basements and Attics, Closets and Cyberspace consider a series of central questions: What are the challenges that affect archival work about women in Canada today? What are some of the ethical dilemmas that arise over the course of archival research? How do researchers re...
Hebrews
Hebrews seems like unpromising material for feminist interpretation, although it is the only New Testament writing for which female authorship has been seriously posited. Mary Ann Beavis and HyeRan Kim-Cragg highlight the similarities between Hebrews and the book of Wisdom/Sophia, which share cosmological, ethical, historical, and sapiential themes, revealing that Hebrews is in fact a submerged tradition of Sophia-Wisdom. They also tackle the sacrificial Christology of Hebrews, concluding that in its ancient context, far from symbolizing suffering and abjection, sacrifice was understood as celebratory and relational. Contributions from Filipina (Maricel and Marilou Ibita), Jewish (Justin Jar...
Margin of Interest
As Shane Neilson writes in Margin of Interest, ‘Maritime poetry is the sum of what’s come before, a unique history, and yes, a unique place.’ In Margin of Interest Neilson examines representation, identity, power, and the politics of literary history, from the creative traditions of the Mi’kmaq to the work of young poets today. He pays due homage to iconic Maritime writers (Milton Acorn, Alden Nowlan, George Elliott Clarke), shines a critical spotlight on lesser-known masters from the region (Travis Lane, Wayne Clifford) and provides a glimpse inside the ‘diverse ecosystem’ of poets under 40 writing in or about the Maritimes (Rebecca Thomas, Lucas Crawford, El Jones). He also combats the prejudices so often applied to writers from Atlantic Canada—stigma associated with mental illness, rigid gendering, vernacular language and even poetic form—and advocates for a long-overdue reappropriation of the regionalist stance, as well as a proper recognition of the region’s writers and their contribution to the Canadian literary landscape. For as Neilson wisely asks, ‘What’s the matter with taking pride in any kind of regional identity that we articulate?’
Reception of Northrop Frye
The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.
Anarchists in the Academy
Dani Spinosa takes up anarchism’s power as a cultural and artistic ideology, rather than as a political philosophy, with a persistent emphasis on the common. She demonstrates how postanarchism offers a useful theoretical context for poetry that is not explicitly political—specifically for the contemporary experimental poem with its characteristic challenges to subjectivity, representation, authorial power, and conventional constructions of the reader-text relationship. Her case studies of sixteen texts make a bold move toward politicizing readers and imbuing literary theory with an activist praxis—a sharp hope. This is a provocative volume for those interested in contemporary poetics, experimental literatures, and the digital humanities. Case Studies Jim Andrews Christian Bök Mez Breeze John Cage Andy Campbell Robert Duncan Kenneth Goldsmith Susan Howe Jackson Mac Low Erín Moure [Erin Mouré] Harryette Mullen bpNichol Vanessa Place Juliana Spahr Brian Kim Stefans W. Mark Sutherland Darren Wershler
Siolence
For more than a decade, a group of feminist writers in the League of Canadian Poets, self-dubbed the Feminist Caucus, have been meeting to wrestle with issues of language and gender, to share revelations and convictions and poems, and to reaffirm their place in the community of people who spend much of their lives working to end the violence of language and the silencing of voices that corrupt our society.
