Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Roadscapes, a Sociopoetics of the Road
How do we imagine the road? If the road inspires freewheeling adventure in the spirit of Jack Kerouac, it can also be a site of our vulnerabilities. This collection highlights the work of artists, writers, and filmmakers from the Anglophone world who have drawn upon the road as a cultural landscape. The road reveals our sense of curiosity, our anxieties, our sorrows, and our disquiet with modern technology or the power dynamics of class and gender. This volume, with a foreword by Jeremy Bassetti, host of the award-winning podcast “Travel Writing World,” brings together international researchers and writers, including two original poems by the French-New Zealander poet, Lynette Thorstensen. This book will be of interest to students and scholars interested in 20th and 21st century art and culture, particularly road narratives.
Novel Stages
The essays in Novel Stages examine the myriad intersections between drama and the novel in nineteenth-century France, a period when the two genres were in constant engagement with one another. The collection is unified by common intellectual concerns: the inscription of theatrical esthetics within the novel; the common practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. The essays provide insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Their distinct perspectives form an overview of the literary landscape of nineteenth-century France, and demonstrate many ways in which all major nineteenth-century French novelists, including Hugo, Flaubert, Sand, and Zola, participated in the theatrical culture of their century.
Decadent Aesthetics and the Acrobat in French Fin de siècle
In his discussion of clowns in nineteenth-century French painting from Jean-Léon Gérôme’s 1857 La Sortie du bal masqué to Georges Rouault, art historian Francis Haskell wondered why they are so sad. The myth of the sad clown as an allegory for the unappreciated artist found echoes in the work of literary counterparts like Charles Baudelaire and his "Vieux saltimbanque" who seeks in vain a responsive public. For some, the attraction of the acrobatic clown for the creative imagination may have been his ability to embody the plight of the artist: these artistes generally led an ambulatory and uncertain existence. Other artists and writers, however, particularly the Decadents, perceived in...
Back and Forth
This seminal book examines the dramatic implications of the grotesque in Romantic aesthetics. There are currently no book-length studies exploring the drama of the Romantic grotesque, a category that accentuates multiplicity and hybridity. The post-Kantian philosophy backing Friedrich Schlegel’s Romantic irony provides the most decisive rationalisation of this plurality through theatrical play, and forms the theoretical framework for this study. Poetry and philosophy are merged in Schlegel’s attempt to create Romantic modernity out of this self-conscious blurring of inherited perspectives and genres – a mixing and transgressing of past demarcations that simultaneously create the condit...
French XX Bibliography
Provides the listing of books, articles, and book reviews concerned with French literature since 1885. This is a reference source in the study of modern French literature and culture. It contains nearly 8,800 entries.
Guy de Maupassant
Maupassant occupe une place à part dans les lettres françaises. S’il jouit d’une grande popularité auprès du lectorat et des élèves de l’enseignement secondaire où ses contes et romans sont beaucoup étudiés, il semble moins intéresser l’université et les institutions françaises. En dehors des célébrations de sa mort et de sa naissance, rares sont les numéros de revues et les ouvrages collectifs qui lui ont été consacrés. Cependant, l’œuvre du nouvelliste et du romancier est l’une des plus traduites et des plus lues à l’étranger. Il était donc nécessaire de s’interroger sur la position actuelle de Maupassant dans le monde et dans la recherche hors de l...
George Sand. La Dame de Nohant. Les romans châmpetresa
Esta recopilación de trabajos nos permite conocer mejor el trabajo de la escritora y el alcance de su influencia en el siglo XIX, la cual continúa siendo profunda en siglos posteriores. No es sólo una mujer con vida turbulenta, enamorada de libertad, sino también una gran escritora, consciente de su trabajo, de su valor y quien mide su imagen y domina la lengua, dotando la voz femenina de una resonancia muy particular.
Die Legende als Kunstform
Sabine Narr erschließt ein Forschungsfeld, das in der französischen Literaturwissenschaft, Literatur- und Mediengeschichte bisher kaum wahrgenommen wurde. Zeitgenössische Kunstprojekte wie die Lichtinstallationen in Chartres oder die Makrophotographien von Kirchenfenstern mit Legendendarstellungen sind Ausdruck eines innovativen, die neuen Medien einbeziehenden Umgangs mit religiöser Kunst und insbesondere mit Legendendarstellungen, der ohne die Entwicklung im 19. Jahrhundert nicht denkbar wäre. In der Literatur des 19. Jahrhunderts wird die Legende zu einer Kunstform erhoben, in deren Mittelpunkt eine Auseinandersetzung mit den anderen Künsten steht.
