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The Languages of Difference
Focusing on American culture of the late nineteenth and early twentieth centuries, The Languages of Difference studies the pervasive and potent notion of the primitive - a notion with dubious colonialist backgrounds and intricate involvement with ideas of color and race, civilization and culture. Human difference and the relationship to the Other were highstakes issues both globally and within societies like the U.S., but this key defining term, the primitive, often provided only a crude amalgam of perceived difference, ethnic and personal bias, and indiscriminate classification of a variety of unfamiliar customs and characteristics. Its uses and significations, like the attitudes it projected, were various and changing.
Modern American Literature
A compilation of representative critical comments provides critical portraits of important late-nineteenth- and twentieth-century American writers, with bibliographies for all included authors.
Modern American Literature
A collection of critical excerpts, chronologically arranged under each author, provide an overview of each author's career.
Congressional Record
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
The Young Vermeer
Johannes Vermeer (1632-1675) is world-famous for his scenes of daily life, such as a kitchen maid pouring milk, a woman having a music lesson, or a lady writing a letter. However, when Vermeer began painting around the age of 21, he focused primarily on traditional subjects derived from the Bible and classical mythology. Not only do these early works differ greatly from his later paintings in terms of subject matter, they also differ in style.The exhibition unites three paintings from the beginning of Vermeer's artistic career: the Mauritshuis' Diana and her nymphs of c. 1653-1654, is joined by Christ in the house of Martha and Mary (c. 1655) from the National Gallery of Scotland in Edinburgh, and The Procuress (1656) from the Staatliche Kunstsammlungen in Dresden. These three paintings afford an image of the artist seeking his own style. All three paintings have recently been restored."
