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Although the Russian novelist and playwright Leonid Leonov had published extensively before 1917 he considered that his literary career began only in 1922 with the short story Buryga. His talent developed rapidly in the comparatively free cultural climate of the first decade of the Revolution and by 1927 his characteristic style and themes were already formed. It was in this year, however, that the Communist Party began to impose its demands on the artists and intellectuals. Leonov's beliefs and values were incompatible with the Soviet version of Marxism but he tried to affirm them indirectly in his work through structure, imagery and allusion, while outwardly conforming to official demands....
The Russian Forest (1953) was acclaimed by the authorities as a model Soviet book on World War II and received the Lenin Prize, but its implication that the Soviet regime had cut down "the symbol of Old Russian culture" caused some nervousness, and Nikita Khrushchev reminded the author that "not all trees are useful ... from time to time the forest must be thinned."
The Badgers is one of Leonov's earlier novels. It covers the period before and after the October Revolution.
The political and social turmoil in Russia in the 1920's is the fascinating subject of this novel about the failure of the Five-Year Plan.
Leonid Leonov (born 1899) belongs to the generation of Soviet writers who began their literary career during the revolution and the civil war and identified themselves with the new life which the revolution inaugurated. Leonov's first novel Badgers (1924) won unanimous appreciation among his contemporaries as a mature work of artistic merit. He became a writer of outstanding reputation in Soviet literature. Author of such popular novels as The Thief, Sot, Skutarevsky, and The Road to the Ocean, the short novel The Capture of Velikoshumsk and the plays An Ordinary Man, Invasion, and The Golden Carriage, Leonov was the first Soviet wrier to be awarded a Lenin Prize for his novel The Russian Forest, written in 1953.The Russian Forest embodies all the most characteristic features of its author's style and manner. In this novel, which reads like a kaleidoscope of the twentieth-century Russian scene, the author emerges with consummate versatility as artist, philosopher, and citizen.
Story of a Russian engineer and the railroad across Siberia to the Pacific.
This book, first published in 1959, contains passages with commentary from 12 of the most important Soviet authors. They are lively and typical passages, written in varying styles, depicting historical events such as the 1917 Revolution, collectivisation and the death of Stalin, as well as the everyday side of Soviet life. They are a key introduction to the Russian language used in the Soviet period, an analysis of the language used by its leading writers, and a snapshot of life in Russia at the time.
Introduces three Russian authors, Fedin, Leonov, and Sholokhov, to share their development as Soviet writers of fiction with a reference to the political, social, and ideological factors in their work.
This wide-ranging interdisciplinary study explores the concept of totalitarianism in western thought from Rousseau to George Orwell, taking its examples from twentieth-century European literature.