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Deep Design
By Libby Lumpkin.
The Life & the Work
It is often assumed that reading about the lives of artists enhances our understanding of their work--and that their work reveals something about them--but the relationship between biography and art is rarely straightforward. In The Life and the Work, art historians Thomas Crow, Charles Harrison, Rosalind Krauss, Debora Silverman, Paul Smith, and Robert Williams address this fundamental if convoluted relationship. Looking to such figures as Andy Warhol, Bob Dylan, Vincent van Gogh, Paul Cézanne, Leonardo da Vinci, and the artists associated with the name Art & Language, the volume's authors have written a set of provocative essays that explore how an artist's life and art are intertwined.
The Politics of Spatial Transgressions in the Arts
This book is an anthology of the varied strategies of spatial transgressions and how they have been implemented through the arts as a means to resist, rejuvenate, reclaim, critique or cohabitate. The book is divided into two sections – Displacements and Disruptions. The first section discusses the ramifications of the spatial displacements of bodies, organizations, groups of people and ethnicities, and explores how artists, theorists and arts organizations have an attentive history of revealing and reacting to the displacement of peoples and how their presence or absence radically reconfigures the value, identity, and uses of place. In the second section, each author considers how aesthetic strategies have been utilized to disrupt expected spatial experiences and logic. Many of these strategies form radical alternative methodologies that include transgressions, geographies of resistance, and psychogeographies. These spatial performances of disruption set into motion a critical exchange between the subject, space and materiality, in which ideology and experience are both produced/spatialized and deconstructed/destabilized.
The Studio Reader
The image of a tortured genius working in near isolation has long dominated our conceptions of the artist’s studio. Examples abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a “factory,” artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. The Studio Reader pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist’s p...
Art History as Social Praxis
Art History as Social Praxis: The Collected Writings of David Craven brings together more than thirty essays that chart the development of Craven’s voice as an unorthodox Marxist who applied historical materialism to the study of modern art. This book demonstrates the range and versatility of David Craven’s praxis as a ‘democratic socialist’ art historian who assessed the essential role the visual arts play in imagining more just and equitable societies. The essays collected here reveal Craven’s lifelong commitment to exposing interstices between western and non-western cultures by researching the reciprocating influences between First- and Third-World artists, critics and historians.
Comic Abstraction
Foreword by Glenn D. Lowry. Text by Roxana Marcoci.
Picturing Las Vegas
Through colorful photogra phs and firsthand narrative detail, Picturing Las Vegas tells the story of a city whose history mirrors that of America itself: a tale of the frontier, of corruption and greed, of beauty and loss and ineffable hope. From its hardscrabble origins, to the Golden Age of the Rat Pack, to today's mind-blowing theme-park casinos, Las Vegas is the city that has it all. Mobsters. Mormons. Elvis and Wayne Newton, Siegfried and Roy. It's a place where change is the one constant, and where the pursuit of happiness is the only law. In the words of writer Chuck Palahniuk, it's the place that "looks the way you'd imagine heaven must look at night." Linda Chase is the author of Surfing Women of the Waves and grew up in Las Vegas. She lives in California. Explores the fascinating story of Sin City, from its origins as a desert outpost to today's eye-popping fantasyland
The Persistence of Sentiment
How can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? In The Persistence of Sentiment, Mitchell Morris gives a critical account of a group of American popular music performers who have dedicated fan bases and considerable commercial success despite the critical disdain they have endured. Morris examines the specific musical features of some exemplary pop songs and draws attention to the social contexts that contributed to their popularity as well as their dismissal. These artists were all members of more or less disadvantaged social categories: members of r...
Goodbye, Little Rock and Roller
Legendary country and rock singer/songwriter Chapman has seen many of her more than 250 songs ("Betty's Bein' Bad," "The Perfect Partner") made famous by other artists like Jimmy Buffett, while her own recording career never went beyond cult status. This wild and woolly memoir deserves to gain her a much wider audience than just her loyal fans. Structured as a series of essays about 12 of her songs "that have the best stories around them," this is a hilarious and entertaining look at life by a fascinating 40-something artist who is not afraid to admit that she wrote one of her favorite songs ("Rode Hard and Put Up Wet") after waking up "around noon facedown in my front yard-which was a veget...
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