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28 year-old Sylvie is about to meet her father after many years apart, to ask him to give her away at her wedding. Although she has a promising career as a photographer and a steady, secure relationship with her fiancé Jack, Sylvie feels restless and unsettled and, as she prepares for the reunion with her father, her thoughts turn increasingly to their final, fateful summer together when she was twelve and visiting his commune just outside Florence. The events of that holiday cast their long shadow over her teenage years, and now also threaten her happiness as an adult. In deft and compelling prose, Lily Dunn tells the parallel stories of Sylvie's present and past - the anxious week in London waiting for her father, and the summer in Italy that started so promisingly, but ended with such betrayal and loss of innocence.
When Lily Dunn was just six years old, her father left the family home to follow his guru to India, trading domestic life for clothes dyed in oranges and reds and the promise of enlightenment with the cult of Bhagwan Shree Rajneesh. Since then he has been a mystery to her. She grew up enthralled by the image of him; effervescent, ambitious and elusive, a writer, publisher and entrepreneur, a man who would appear with gifts from faraway places, and with whom she spent the long, hot summers of her teenage years in Italy, in the company of his wild and wealthy friends.Yet he was also a compulsive liar, a delinquent, a man who abandoned his responsibilities in a pursuit of transcendence that took him from sex addiction, via the Rajneesh cult, to a relentless chase of money, which ended in ruin and finally addiction to alcohol and prescription drugs.A detective story that charts two colliding narratives, Sins of My Father is a daughter's attempt to unravel the mysteries of a father who believed himself to be beyond reproach. A dazzling work of literary memoir, it asks how deep legacies of shame and trauma run, and if we can reconcile unconditional love with irreparable damage.
Featuring a foreword by Will Self We’ll all experience recovery at some point in our lives, whether from addiction, physical illness, mental health issues or loss. Many of us heal, and we may discover ways to live with our changed selves, to reclaim a life. We may find a new voice, or unearth a voice that has been submerged. Vitally, recovery can mean community. This anthology – which grew out of a small creative writing class run by Lily Dunn at Hackney Recovery Service, and was later broadened into a nationwide call for submissions by Dunn and her teaching partner, Zoe Gilbert – represents a community of writers: new, unheard voices alongside emerging and established authors. Theirs are stories from the dark back alleys, the deep crevices of the mind, and from the wild, ecstatic heights of life before, during and after recovery. These are voices that urgently need to be heard, in all their variety.
Landscapes is a timely and well-written analysis of the meaning of cultural landscapes. The book delves into the layers of meaning that are invested in ordinary landscapes as well as landscapes of spectacle and power. Landscapes is a powerful and vivid application of the new cultural geography to case studies not previously visited within cultural geography texts.
Nell Dunn's scenes of London life, as it was lived in the early Sixties in the industrial slums of Battersea, have few parallels in contemporary writing. The exuberant, uninhibited, disparate world she found in the tired old streets and under the railway arches is recaptured in these closely linked sketches; and the result is pure alchemy. In the space of 120 perfect pages, we witness clip–joint hustles, petty thieving, candid sexual encounters, casual birth and casual death. She has a superb gift for capturing colloquial speech and the characters observed in these pages convey that caustic, ironic, and compassionate feeling for life, in which a turn of phrase frequently contains startling flashes of poetry. Battersea, that teeming wasteland of brick south of the Thames, has found its poet in Nell Dunn and Up the Junction is her touchingly truthful and timeless testimonial to it.
National Book Award Finalist • Here is the unforgettable story of the Binewskis, a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities—with the help of amphetamines, arsenic, and radioisotopes. One of The Atlantic’s Great American Novels of the Past 100 Years Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious—and dangerous—asset. As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.
In the tradition of Wild and Tracks, one woman's story of how she left the city and found her soul. Disillusioned and burnt out by her job, Claire Dunn quits a comfortable life to spend a year off the grid in a wilderness survival program. Her new forest home swings between ally and enemy as reality – and the rain – sets in. Claire's adventure unfolds over four seasons and in the essential order of survival: shelter, water, fire and food. She arrives in summer, buoyant with idealism, and is initially confronted with physical challenges: building a shelter, escaping the vicious insects and making fire without matches. By winter, however, her emotional landscape has become the toughest ter...
'Thought-provoking essays, interviews and poetry by high-profile writers detail experiences of creating art while engaging in the compelling, exhausting, exhilaratng work of motherhood' --backcover.
Longlisted for the 2019 Baillie Gifford Prize for Non-Fiction The destiny I put down in my novel has become mine. I am now under arrest like the hero I created years ago. I await the decision that will determine my future, just as he awaited his. I am unaware of my destiny, which has perhaps already been decided, just as he was unaware of his. I suffer the pathetic torment of profound helplessness, just as he did. Like a cursed oracle, I foresaw my future years ago not knowing that it was my own. Confined in a cell four metres long, imprisoned on absurd, Kafkaesque charges, novelist Ahmet Altan is one of many writers persecuted by Recep Tayyip Erdogan's oppressive regime. In this extraordinary memoir, written from his prison cell, Altan reflects upon his sentence, on a life whittled down to a courtyard covered by bars, and on the hope and solace a writer's mind can provide, even in the darkest places.
A captivating, magical and haunting debut novel of breathtaking imagination, from the winner of the 2014 Costa Short Story Award LONGLISTED FOR THE 2019 INTERNATIONAL DYLAN THOMAS PRIZE 'That rare thing: genuinely unique' OBSERVER 'Will win you over ... Magical' THE TIMES 'Absolutely stunning. I loved it' MADELINE MILLER, AUTHOR OF CIRCE On the remote island of Neverness, the villagers' lives are entwined with nature: its enchantments, seductions and dangers. There is May, the young fiddler who seeks her musical spirit; Madden Lightfoot, who flies with red kites; and Verlyn Webbe, born with a wing for an arm. Over the course of a generation, their desires, gossip and heartbreak interweave to create a staggeringly original world, crackling with echoes of ancient folklore.