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Women & Laughter in Medieval Comic Literature
Portrays a range of medieval heroines to ascertain how humor might have been used and enjoyed by medieval women
The Representation of Women's Emotions in Medieval and Early Modern Culture
This collection investigates the social and cultural factors that shaped the representation of women’s emotions in the medieval and early modern periods and explores the consequences of this representation for women’s participation in public and private life. The essays focus on emotions such as sorrow, joy, love, anger, and shame as depicted in a range of texts, including devotional literature, drama, chanson de geste, lyric, theological treatises, and legal texts. As a central component of human behavior and social interaction, emotion is a fundamental catagory of analysis for understanding cultures of the past. Teachers and scholars of medieval history, religion, and literature will f...
Emotions, Communities, and Difference in Medieval Europe
This book of eleven essays by an international group of scholars in medieval studies honors the work of Barbara H. Rosenwein, Professor emerita of History at Loyola University Chicago. Part I, “Emotions and Communities,” comprises six essays that make use of Rosenwein’s well-known and widely influential work on the history of emotions and what Rosenwein has called “emotional communities.” These essays employ a wide variety of source material such as chronicles, monastic records, painting, music theory, and religious practice to elucidate emotional commonalities among the medieval people who experienced them. The five essays in Part II, “Communities and Difference,” explore different kinds of communities and have difference as their primary theme: difference between the poor and the unfree, between power as wielded by rulers or the clergy, between the western Mediterranean region and the rest of Europe, and between a supposedly great king and lesser ones.
Constructing Virtue and Vice
The study examines textual representations of women's laughter and smiling and their imagined connection to female virtue in a wide variety of discourses and contexts of the German Middle Ages, including medieval epic, ecclesiastical texts, conduct literature, lyric, and sculpture. By engaging with the competing, and at times contradictory, views of female laughter, it reaffirms a disputatious nature of medieval culture, in which multiple views of femininity, sexuality, and virtue stood in a conflicting, yet productive, dialogue with one another. The society that emerges when one looks at medieval German texts is always ambivalent: it thrives on and enjoys talking about sensuality and eroticism, while being constrained by the conventions of polite behavior and the fear of sin; it relies on the ritual use of laughter, while marking it as a sign of lust and perdition. Women's laughter thus offers an important way into understanding medieval views of gender because it combines physicality with shifting and conflicting cultural norms.
Slaughterhouse 90210
The perfect book for anyone with a Netflix account and a library card. "Smart, sharp, and hilarious, Slaughterhouse 90210 is the perfect pick-me-up and never-put-me-down book." - Jami Attenburg, bestselling author of The Middlesteins Slaughterhouse 90210 pairs literature's greatest lines with pop culture's best moments. In 2009, Maris Kreizman wanted to combine her fierce love for pop culture with a lifelong passion for reading, and so the blog Slaughterhouse 90210 was born. By matching poignant passages from literature with popular moments from television, film, and real life, Maris' work instantly caught the attention (and adoration) of thousands. And it's easy to see why. Slaughterhouse 9...
The Cycle of Guillaume D'Orange Or Garin de Monglane
Bibliography of all works, not only on the full cycle but also on Le Chanson de Guillaume and the Geste de Monglane. This is the first comprehensive critical bibliography of the Old French epic cycle of Guillaume d'Orange. As well as covering editions and studies of the twenty principal poems of the full cycle, including fragments, the bibliography includes works on La Chanson de Guillaume, the fifteenth-century prose romance derived from the cycle, and the four poems conserved only in the so-called Geste de Monglane. It offers exhaustive coverage of material published between the mid-nineteenth century and the year 2000, including book reviews. As well as listing and commenting on editions and studies of individual poems the bibliography has sections dealing with manuscript studies, studies of the cycle as a whole and groups of poems, thematic studies of characters, motifs, geography and history related to the poems. For ease of consultation it is completed by an index of scholars and an index of authors, titles and themes. PHILIP BENNETT is Reader in French, Edinburgh University.
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