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Literary Style, and Other Essays
Reprint of the original, first published in 1881.
Using Computers in the Translation of Literary Style
This volume argues for an innovative interdisciplinary approach to the analysis and translation of literary style, based on a mutually supportive combination of traditional close reading and ‘distant’ reading, involving corpus-linguistic analysis and text-visualisation. The book contextualizes this approach within the broader story of the development of computer-assisted translation -- including machine translation and the use of CAT tools -- and elucidates the ways in which the approach can lead to better informed translations than those based on close reading alone. This study represents the first systematic attempt to use corpus linguistics and text-visualisation in the process of tra...
The Master ́s Violin
Reproduction of the original: The Master ́s Violin by Myrtle Reed
Style
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Translating Style
Arising from a dissatisfaction with blandly general or abstrusely theoretical approaches to translation, this book sets out to show, through detailed and lively analysis, what it really means to translate literary style. Combining linguistic and lit crit approaches, it proceeds through a series of interconnected chapters to analyse translations of the works of D.H. Lawrence, Virginia Woolf, James Joyce, Samuel Beckett, Henry Green and Barbara Pym. Each chapter thus becomes an illuminating critical essay on the author concerned, showing how divergences between original and translation tend to be of a different kind for each author depending on the nature of his or her inspiration. This new and thoroughly revised edition introduces a system of 'back translation' that now makes Tim Parks' highly-praised book reader friendly even for those with little or no Italian. An entirely new final chapter considers the profound effects that globalization and the search for an immediate international readership is having on both literary translation and literature itself.
Marx's Literary Style
In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an "architectonic" unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, includ...
Literary Style
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Questions of Style
Dealing with the central issue of style in literature, this groundbreaking study is a must for sinologists, but also for all students of comparative literature. Michel Hockx takes as a point of departure the observation that most writers of the Republican period adhered to a distinctly traditional practice of gathering in literary societies, while at the same time displaying a marked preference for publishing their works through the modern medium of the literary journal. The first part of the book analyses different types of societies and their journals. The case studies in part two convey the wider impact of literary collectives and journal publications on literary practice. Convincingly breaking with the 'May Fourth' paradigm, the author proposes a radically new way of understanding the relationship between New Literature and other styles of modern Chinese writing.
The Sense of Style
Bad writing can't be blamed on the Internet, or on 'the kids today'. Good writing has always been hard: a performance requiring pretense, empathy, and a drive for coherence. In The Sense of Style, cognitive scientist and linguist Steven Pinker uses the latest scientific insights to bring us a style and usage guide for the 21st century. What do skilful writers know about the link between syntax and ideas? How can we overcome the Curse of Knowledge, the difficulty in imagining what it's like not to know something we do? And can we distinguish the myths and superstitions from rules that enhance clarity and grace? As Pinker shows, everyone can improve their mastery of writing and their appreciation of the art (yes, 'their').
