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No âmbito da educação, este livro discute a desafiadora tarefa de ensinar e aprender a fazer grupos. Os 16 capítulos nele contidos são um convite, reflexivo e sensível, a conhecer o trabalho grupal em construção permanente com populações diversas - estudantes de graduação, crianças, jovens populares urbanos, mulheres e homens. Referência fundamental para estudantes, profissionais e professores de TO. Textos de Ana Carolina da Costa Savani, Andrea Perosa Saigh Jurdi, Barbara Cristina Mello, Cristina Freire Weffort, Eliane Dias de Castro, Elizabeth Maria Freire de Araújo Lima, Flavia Liberman, Gisela Maria de S. Nigro, Leonardo José Costa de Lima, Letícia Cohen, Livia Barbieri Scandiuzi, Marcia Cabral da Costa, Maria Inês Britto Brunello, Maria Luisa Gazabim Simões Ballarin, Mauricio Lourenção Garcia, Paula Giovana Furlan, Priscilla de Oliveira Luz, Priscilla Feres Spinola, Renata Caruso Mecca, Solange Tedesco, Sonia Maria Leonardi Ferrari, Stella Maris Nicolau, Tainah Iaizzo Longatti, Thaís Valente, Viviane Maximino e Yara de Sá.
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"Brazil was the leading world producer of gold and of diamonds between the mid-18th century and the mid-19th century. At the present time, it is the leading world producer of iron ore, tin and niobium, and an important producer of manganese, aluminium, silicon, tantalum, rare earths, graphite, magnesite and countless other ores.....Brazil is the leading world producer of tourmaline (of all colors), of quartz (colorless, rutilated, amethyst and agate), of beryl (aquamarine, morganite and heliodore, and the second ranking world producer of emerald), of topaz (imperial, blue and colorless), alexandrite, euclase, phenakite and many others" INTRODUCTION.
On its first appearance in 1891, Brahms' Clarinet Quintet was immediately recognised as a remarkable achievement, and a century later it still has the power to claim the hearts and minds of players and audiences alike. Widely regarded as Brahms' supreme achievement in the field of chamber music, the Clarinet Quintet is here placed in the context of the history of the clarinet and its repertory, and of Brahms' own compositions before 1891. The influence of the Meiningen clarinet virtuoso Richard Mühlfeld unleashed a new vein of creativity in Brahms, and this forms a basis for discussion, together with questions of performance practice (in relation to both clarinet and string quartet) and the legacy of Brahms' clarinet music. These chapters are complemented by a comprehensive analysis of the music.
Great masterpieces of intense, appealing originality, complex textures and development, and unprecedented instrumentation. Scores include No. 1 in F Major, No. 2 in F Major, No. 3 in G Major, No. 4 in G Major, No. 5 in D Major, and No. 6 in B-flat Major. Reprinted from definitive Bach-Gesellschaft edition.
Nicholas Kenyon explores the enduring appeal of the classical canon at a moment when we can access all music—across time and cultures Immersed in music for much of his life as writer, broadcaster and concert presenter, former director of the BBC Proms, Nicholas Kenyon has long championed an astonishingly wide range of composers and performers. Now, as we think about culture in fresh ways, Kenyon revisits the stories that make up the classical tradition and foregrounds those which are too often overlooked. This inclusive, knowledgeable, and enthusiastic guide highlights the achievements of the women and men, amateurs and professionals, who bring music to life. Taking us from pianist Myra Hess’s performance in London during the Blitz, to John Adams’s composition of a piece for mourners after New York’s 9/11 attacks, to Italian opera singers singing from their balconies amidst the 2020 pandemic, Kenyon shows that no matter how great the crisis, music has the power to bring us together. His personal, celebratory account transforms our understanding of how classical music is made—and shows us why it is more relevant than ever.
Composed by Antonîn Dvorák, Bagatelles is written for two Violins, Cello, and Piano (or Harmonium).
Joy Manne brings her experience as a psychotherapist, her years of Vipassanna meditation, and her knowledge of Buddhism to a blend of East and West called "Soul Therapy". Her book is based on the premise that true and lasting healing comes from the Soul Quest, or spiritual development.
L'incoronazione di Poppea is the most compelling of all early Italian operas and this has, in part, been responsible for the way in which it has become separated from its social and historical context. In this book, Iain Fenlon and Peter Miller show how an understanding of contemporary Venetian intellectual currents and preoccupations provides a key to the structure of the opera's libretto, the progress of the action and the points of emphasis in both the music and the text.