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In a unique collaboration between Artangel and Living Architecture, a dwelling was built on top of London's Queen Elizabeth Hall. The dwelling was a boat, Roi de Belges, inspired by the Thames and by Joseph Conrad's Heart of Darkness. Writers and artists were given short residencies and wrote about the strange experience of staying in a boat overlooking the river. This book, a collection of their pieces responding to Conrad's masterpiece, is a result of that collaboration. From Juan Gabriel Vsquez's meditation on belonging, identity and the otherness of London to Michael Ondaatje's piercing reflections on history and literature, via Jeanette Winterson's lyrical, impressionistic musings and Caryl Philips's supple and poetic observations, this is Joseph Conrad, the Thames and the capital city as you have never experienced them before.
Sited in a converted library building on a promontory overlooking the ocean in the town of Stykkish�lmur on the west coast of Iceland, VATNASAFN / LIBRARY OF WATER incorporates many of Roni Horn's abiding artistic concerns with water and weather, reflection and illumination, and the fluid nature of identity. Twenty-four glass columns containing water from glaciers around Iceland refract and reflect the day into a rubber floor embedded with words used to describe weather, inside or out. VATNASAFN / LIBRARY OF WATER also offers a space for community gatherings, a studio for writers, and it houses an oral archive of weather reports gathered from people who live in and around Stykkish�lmur. This book surveys the interconnecting elements of Roni Horn's long-term project on the island through a series of image sequences and texts. It also includes a selection of writings by the artist inspired by her experience of being in Iceland.
Traditional depictions of London at night have imagined a lawless orgy of depravity and pestilence. But is Britain’s capital after dark now as bland and unthreatening as an evening in any new provincial town? Sukhdev Sandhu journeys across the city to find out whether the London night really has been rendered insipid by street lighting and CCTV. Night Haunts seeks to reclaim the mystery and romance of the city—to revitalize the great myth of London for a new century.
In 1993, Rachel Whiteread created a work of art which was hailed as one of the greatest public sculptures made by an English artist in the twentieth century. Whiteread's concrete and plaster cast of an entire house in the East End of London provoked equal measures of praise, wonder and controversy. Her monumental sculpture, on view when she won the Turner Prize, attracted some 3,000 visitors a day before it was demolished in January 1994. This book, made in collaboration with the Artangel Trust, provides a unique chronicle of this remarkable work. Photographs and working drawings chart the house's life from construction to demolition. Six key figures in art journalism contribute their thought-provokingly diverse responses: in turn, the book surveys the whole spectrum of critical reaction to the work.
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"Seizure is Roger Hiorns's most ambitious sculpture within an urban context to date. Writers J. J. Charlesworth, Brian Dillon and Tom Morton reflect on their experiences of the work, and Roger Hiorns discusses his interest in architecture, authorship and crystals in an extensive interview with Artangel Co-Director James Lingwood. The publication includes an introductory section of notations, sketches and research notes which chart the genesis of the project, and an extended sequence of photographs of the completed work at 159 Harper Road, London SE1."--BOOK JACKET.
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The 13 writers of this book respond to Joseph Conrad's 'Heart of Darkness' in a series of essays, some haunting, some charming and all fascinating.
Talks about artist Gregor Schneider's extension of the original work, a document and exploration of Schneider's obsession with repression, reproduction, and repetition in images and text. Internationally renowned for his unnerving presentation of normality, Schneider's medium is the room - kitchen, living room, bedroom, bathroom, and cellar.
Rodinsky's world was that of the East European Jewry, cabbalistic speculation, an obsession with language as code and terrible loss. He touched the imagination of artist Rachel Lichtenstein, whose grandparents had left Poland in the 1930s. This text weaves together Lichtenstein's quest for Rodinsky - which took her to Poland, to Israel and around Jewish London - with Iain Sinclair's meditations on her journey into her own past and on the Whitechapel he has reinvented in his own writing. Rodinsky's Room is a testament to a world that has all but vanished, a homage to a unique culture and way of life.