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On Brick Lane
Brick Lane today is a place of extremes – a street that's constantly reinventing itself. Blending history and reportage with personal testimony and urban myths, and interspersing these with maps and photography, On Brick Lane is a one-of-a-kind chronicle of one of London's most remarkable streets. Bringing to life the memories and realities of Brick Lane's many communities, Rachel Lichtenstein harnesses the voices of the famous, the infamous and the obscure, merging memoir, reportage, poetry, photography and local history. The result is as vibrant and fascinating as the neighbourhood it so movingly celebrates.
God's Geography
Don Gutteridge approaches his home town of Point Edward, Ontario, with an array of listening and recording devices, mixing poetry, documentary newspaper collage, interviews and photography. A milestone in the documentary poem. "A unique and intriguing book." -- Quill & Quire
Ecology and Literatures in English
In all latitudes, writers hold out a mirror, leading the reader to awareness by telling real or imaginary stories about people of good will who try to save what can be saved, and about animals showing humans the way to follow. Such tales argue that, in spite of all destructions and tragedies, if we are just aware of, and connected to, the real world around us, to the blade of grass at our feet and the star above our heads, there is hope in a reconciliation with the Earth. This may start with the emergence, or, rather, the return, of a nonverbal language, restoring the connection between human beings and the nonhuman world, through a form of communication beyond verbalization. Through a journ...
Things We Do Not Tell the People We Love
'A deft, satisfying and poignant collection of stories . . . I loved it' Pandora Sykes 'Huma Qureshi is a writer I know I'll be reading for years and years and years' Natasha Lunn, author of Conversations on Love A breathtaking collection of stories about our most intimate relationships, and the secrets, misunderstandings and silences that haunt them. A daughter asks her mother to shut up, only to shut her up for good; an exhausted wife walks away from the husband who doesn't understand her; on holiday, lovers no longer make sense to each other away from home. Set across the blossoming English countryside, the stifling Mediterranean and the bustling cities of London and Lahore, Things We Do Not Tell The People We Love illuminates the parts of ourselves we rarely reveal. *Longlisted for the Jhalak Prize* *Longlisted for the Edge Hill Prize* 'These are stories of fierce clarity and tenderness - I loved them' Lucy Caldwell, author of Intimacies
Poetic Inquiry
Poetic Inquiry: Vibrant Voices in the Social Sciences, co-edited by Monica Prendergast, Carl Leggo and Pauline Sameshima, features many of the foremost scholars working worldwide in aesthetic ways through poetry. The contributors (from five countries) are all committed to the use of poetry as a way to collect data, analyze findings and represent understandings in multidisciplinary social science qualitative research investigations. The creativity and high aesthetic quality of the contributions found in the collection speak for themselves; they are truly, as the title indicates, "vibrant voices". This groundbreaking collection will mark new territories in qualitative research and interpretive inquiry practices at an international level. Poetic Inquiry will contribute to many ongoing and energetic debates in arts-based research regarding issues of evaluation, aesthetics, ethics, activism, self-study, and practice-based research, while also spelling out some innovative ways of opening up these debates in creative and productive ways. Instructors and students will find the book a clear and comprehensive introduction to poetic inquiry as a research method.
Brick Lane
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Spitalfields Life
"I am going to write every single day and tell you about my life here in Spitalfields at the heart of London..." Drawing comparisons with Pepys, Mayhew and Dickens, the gentle author of Spitalfields Life has gained an extraordinary following in recent years, by writing hundreds of lively pen portraits of the infinite variety of people who live and work in the East End of London. Everything you seek in London can be found here - street life, street art, markets, diverse food, immigrant culture, ancient houses and history, pageants and parades, rituals and customs, traditional trades and old family businesses. Spend a night in the bakery at St John, ride the rounds with the Spitalfields milkman, drop in to the Golden Heart for a pint, meet a fourth-generation paper bag seller, a mudlark who discovers treasure in the river Thames, a window cleaner who sees ghosts and a master bell-founder whose business started in 1570. Join the bunny girls for their annual reunion, visit the wax sellers of Wentworth Street and discover the site of Shakespeare's first theatre. All of human life is here in Spitalfields Life.
Always Now: From elsewhere ; Winter sun ; The dumbfounding ; Translations
The three volumes of Always Now contain all of Margaret Avison's published books of poetry. The author has removed a very few poems: `Public Address' (from Winter Sun), `The Two Selves' and `In Eporphyrial Harness' (from The Dumbfounding), `Highway in April', `The Evader's Meditation', and `Until Christmas' (from sunblue), `Living the Shadow', `Insomnia' and `Beginning Praise' (from No Time), `Having Stopped Smoking' and `Point of Entry' (from Selected Poems). The opening section of volume one, `From Elsewhere', is arranged according to date of publication, from 1932 to 1991, the date of Selected Poems. `From Elsewhere' includes the `Uncollected' and `New Poems' of that book, except for the two noted above and `The Butterfly', which is here in its original form. All of the poems in Always Now having been considered and reconsidered, and small corrections having been made, the book contains definitively all of the published poems up to 2002 that Margaret Avison wishes to preserve.
Souwesto Home
The poems in Souwesto Home are fresh, youthful meditations on such diverse subjects as the Little Lakes near Stratford, Ontario, the flora of Elgin County, the Donnelly feud, lichens, a Department Store Jesus, and so on. The collection ranges widely in tone and technique, from the lyrical to the satirical, from the direct and straightforward to the linguistically playful. As ever, Reaney's signature voice, his inimitable combination of sophistication and child-like simplicity, may be heard in every line. Like his contemporaries, P.K. Page, Margaret Avison and Colleen Thibaudeau (his wife), he has lost nothing of his poetic prowess to advancing years
Touch Monkeys
All too often Nonsense is relegated to the nursery. Marnie Parsons argues that, rather than being mere child's play, nonsense is a major force in poetic language. In Touch Monkeys she presents us with an original approach to a much-maligned linguistic pursuit. Parsons distinguishes between nonsense language and Nonsense, the genre. Her major chapters work towards a vision of nonsense language as palimpsestic - as involving the overlaying of several ways of making meaning on a verbal sense system, and the consequent disruption of that system. This reading of nonsense is itself an intersection, bringing together historical and contemporary criticism of literary Nonsense and a wide range of poe...
