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Louis Rubin's people on his father's side were odd, inscrutable, and remarkable. In contrast to his mother's family, who were "normal, good people devoid of mystery," the ways of the Rubins both puzzled and attracted him. In My Father's People, Rubin tells "as best I can about them all -- my father, his three brothers, and his three sisters." It is a searching, sensitive story of Americanization, assimilation, and the displacement -- and survival -- of a religious heritage. Born between 1888 and 1902 in Charleston, South Carolina, their father an immigrant Russian Jew, the Rubin children suffered dire poverty, humiliation, and separation when their parents became incapacitated. Three of the ...
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In A Writer’s Companion, Louis D. Rubin, Jr., has drawn on his years of accumulated wisdom—as well as the advice of some fifty prominent writers from various fields—to put together in a single volume a vast array of information. Organized in such a way as to make it exceptionally easy to use, and enhanced by Rubin’s graceful and witty prose, A Writer’s Companion will merit a place on the desk of every serious wordsmith. It is also a book that will bring endless hours of pleasure to anyone who enjoys reading simply for the sake of gaining new knowledge. As Casey Stengel said, “You could look it up.”
The author, a literary critic and historian, uses over 100 of his own photographs to recall his life-long love of trains.
"Examines the problems facing the American literary scene, including creative writing programs, sports writing, Southern literature, publishing, and poetry, with references to William Faulkner, Eudora Welty, James Joyce, Thomas Wolfe, Mark Twain, Joyce Carol Oates, T. S. Eliot, William Wordsworth, Samuel Taylor Coleridge, Herman Melville, and Ernest Hemingway"--Provided by publisher.
I take...an outward route, arguing that the Agrarian project was and must be seen as a willed campaign on the part of one elite to establish and control 'the South' in a period of intense cultural maneuvering. The principal organizers of I'll Take My Stand knew full well there were other 'Souths' than the one they touted; they deliberately presented a fabricated South as the one and only real thing. In Inventing Southern Literature Michael Kreyling casts a penetrating ray upon the traditional canon of southern literature and questions the modes by which it was created. He finds that it was, indeed, an invention rather than a creation. In the 1930s the foundations were laid by the Fugitive-Ag...
The flowering of literary imagination known as the American Renaissance had few roots in the South. While Hawthorne, Emerson, Melville, Thoreau, and Whitman were creating a body of work that would endure, the only southern writer making a lasting contribution was Edgar Allan Poe. This failure on the part of antebellum southern writers has long been a subject of debate among students of southern history and literature. Now one of the region's most distinguished men of letters offers a cogently argued and gracefully written account of the circumstances that prevented early southern writers from creating transcendent works of art. Louis D. Rubin, Jr., brings forty years of critical integrity an...
Growing up in Charleston in the 1930s and 1940s, accomplished storyteller Louis Rubin witnessed firsthand the subtle gradations of caste and class among neighborhoods, from south of Broad Street where established families, ancestral glories, and traditional mores held sway, to the various enclaves of Uptown in which middle-class and blue-collar families went about their own diverse lives and routines. Changing circumstances within his own family impelled his absorption in what seemed to be two separate worlds, and granted him a remarkable perspective into Charleston's evolving identity as an historic seaport on the cusp of modernity during the Great Depression and the onset of World War II. ...
The most witty and insightful things ever said about America's favorite pastime.
Louis D. Rubin's first novel paints in golden light the spring and summer of a boy's thirteenth year in Charleston, South Carolina, in 1936. Rubin catches not only the passage from childhood to adolescence - and its attendant woes and triumphs - but also the streets, sounds, sights, and people of his native city in an era now past but made luminous in the language of time revisited. During the long, hot summer of the seventy-fifth anniversary of the firing on Fort Sumter, Omar Kohn experiences his first love, builds a boat, learns how not to write poetry, and begins to see the flaws in his boyhood heroes. Along his journey to summer's end we meet vivid characters: the Marvelous Ringgold, str...