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Fiona Foley Provocateur
Dr Fiona Foley is an Aboriginal artist, Badtjala woman, and provocateur, part of a highly influential generation of urban Indigenous artists. Over a career now spanning thirty years she has consistently asked questions about the frontier wars waged against Aboriginal peoples and brought the "hidden histories" of the massacres and dispossession into galleries, public spaces, and a broader, society-wide debate. In recent years, her exposure of the familial threads that join her Aboriginal heritage to the family of white missionaries who came to K'gari/Fraser Island in 1897 emerges as a tour de force. Missionary Ernest Gribble was the brother of Fiona Foley's great great grandmother, Ethel Grib...
Judy Watson
Judy Watson is one of Australia's leading contemporary artists. Her art explores territory that includes the dispossessed Indigenous Australians with whom she shares a family history and heritage. Judy Watson's art is intense and sublime in its physicality. blood language is a beautifully illustrated pictorial exploration of some of Judy Watson's seminal canvases, works on paper, sculptural projects and artist's books. Judy Watson imparts the artist's ideas and writer Louise Martin-Chew gives another insight into the artist's practice. Water, skin, poison, dust and blood, ochre, bones and driftnet are defining themes in an empathetic art that seeks to find a broader geography of belonging. Watson creates highly sophisticated works of beauty that are subtly political and intensely personal.
Courting Blakness
In a groundbreaking exhibition, located in the University of Queensland's Great Court from September 5-28 2014, curator and UQ Adjunct Professor, Fiona Foley, brings together works by Ryan Presley, Archie Moore, Rea Natalie Harkin, Karla Dickens, Christian Thompson, Megan Cope and Michael Cook.
Framing Ned Kelly
Book for young readers introducing Sidney Nolan's Ned Kelly paintings. Each picture is accompanied by a description of the story behind it.
A Preponderance of Aboriginal Blood
This new publication introduces Judy Watson's 2005 limited edition artist book a preponderance of aboriginal blood to a wider readership. Judy Watson heard Loris Williams' lecture 'CASTE-ING THE VOTE: Aboriginal and Torres Strait Islander voting rights in Queensland' at The University of Queensland in 2005. In her lecture Williams, from the Department of Aboriginal and Torres Strait Islander Policy, spoke of the classifications of Aboriginal people used to determine their right to vote. The Aboriginals Protection and Restriction of the Sale of Opium Act 1897 (Qld) - long title "An Act to make Provision for the Better Protection and Care of the Aboriginal and Half-caste Inhabitants of the Col...
Within/Without These Walls
Anthology of short stories by various writers, published in association with Brisbane Open House 2018. Contains 20 short stories and three poems. Each piece relates to a prominent Brisbane building. Includes creative non-fiction, memoir, and imaginative fiction. Stories range from Brisbane's convict-era to contemporary times.
Black Opium
Anthology of Indigenous authored fiction (poetry, short story, short film script and a tweetyarn) by emerging and established writers from around Australia.
Banking Bad
Winner of the 2020 Davitt Award for True Crime/Non-fiction. Against all the odds, Australia held a royal commission into the banking and financial services industries. Its revelations rocked the nation. Even defenders of the banks were blindsided. Few people were more instrumental in bringing about the commission than journalist Adele Ferguson. Through her exposes in print and on television, she pursued the truth about funds mismanagement, fraud, lack of probity, and the hard-sell culture that took over the finance industry after deregulation in the 1980s. But it wasn't just light-touch regulators and crooked bankers growing fat on bonuses she put under the spotlight. It was also their victi...
Bitting the Clouds
The power of history written down can be both lethal and deceptive, and that has long-lasting effects, both for those writing and those being written about. In this groundbreaking work of Indigenous scholarship, nationally renowned visual artist Fiona Foley addresses the inherent silences, errors and injustices from the perspective of her people, the Badtjala of K'gari (Fraser Island). She shines a critical light on the little-known colonial-era practice of paying Indigenous workers in opium and the 'solution' of then displacing them to K'gari. Biting the Clouds - a euphemism for being stoned on opium - combines historical, personal and cultural imagery to reclaim the Badtjala story from the colonisation narrative. Full-colour images of Foley's artwork add further impact to this important examination of Australian history.
APT10
In its tenth anniversary year, one of Australia's longest running and most critically acclaimed contemporary exhibition series, the Asia Pacific Triennial of Contemporary Art (APT), returns to the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) to inspire and delight audiences with its consistently fresh look at new art from across the region. APT10 showcases new and recent work by more than 100 emerging and established artists, collectives and filmmakers from more than 30 countries, including Kaili Chun (Kanaka Oiwi, Hawai'i); Gordon Hookey (Waanyi people, Australia); Kimiyo Mishima (Japan); Salote Tawale (Fiji/Australia); and Grace Lillian Lee and Uncle Ken Thaiday Snr (Meriam Mir ...
