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Winterreise
  • Language: en
  • Pages: 232

Winterreise

The author, a photographer and storyteller, travels in winter across the dark landscape of Russia and looks into the private face of the country's moral and social crisis.

Luc Delahaye
  • Language: en

Luc Delahaye

  • Type: Book
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  • Published: 2011
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  • Publisher: Unknown

"( ) there has to be a photograph in the newspaper. Or an image which emerges from reading an article. The journalistic way of relating facts, which is to say incompletely, without affect or commentary, is the best stimulus for the imagination: it lets me see situations. Nothing which happens during these first moments can help me later on, except by setting something off, but that's still where everything begins." In this way Luc Delahaye's pictures are often made at sites and events from which newspapers report everyday. They indicate an approach that is both direct and detached, where the unromantic clarity of the documentary style contradicts and enhances the dramatic intensity of the "tableau" form. Within their visual coherence, they express a nub of formal tensions and invite the beholder to reflect on the relationship between art, history and information through a distanced contemplation. "

History
  • Language: en
  • Pages: 30

History

  • Type: Book
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  • Published: 2003-01-01
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  • Publisher: Unknown

None

The Pleasures of Good Photographs
  • Language: en
  • Pages: 264

The Pleasures of Good Photographs

  • Type: Book
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  • Published: 2010
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  • Publisher: Unknown

The Pleasures of Good Photographs showcases primarily new essays, with a couple of classics thrown in for good measure, making it an important addition to the canon of photographic writing.

Why Photography Matters as Art as Never Before
  • Language: en
  • Pages: 409

Why Photography Matters as Art as Never Before

  • Categories: Art
  • Type: Book
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  • Published: 2008
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  • Publisher: Unknown

From the late 1970s onward, serious art photography began to be made at large scale and for the wall. Michael Fried argues that this immediately compelled photographers to grapple with issues centering on the relationship between the photograph and the viewer standing before it that until then had been the province only of painting. Fried further demonstrates that certain philosophically deep problems—associated with notions of theatricality, literalness, and objecthood, and touching on the role of original intention in artistic production, first discussed in his contro­versial essay “Art and Objecthood” (1967)—have come to the fore once again in recent photography. This means that ...

The World Atlas of Street Photography
  • Language: en
  • Pages: 401

The World Atlas of Street Photography

Collects street photographs from noted photographers of cities around the world, from New York and Sao Paolo to Paris and Sydney.

Luc Delahaye
  • Language: en
  • Pages: 50

Luc Delahaye

  • Type: Book
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  • Published: 2011
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  • Publisher: Steidl Dap

Catalogue de l'exposition présentée à la galerie Nathalie Obadia à Paris en janvier 2011. Il s'agit de la première exposition personnelle de Luc Delahaye dans sa galerie parisienne. Luc Delahaye présente dix nouvelles photographies de grand format réalisées au cours des quatre dernières années. Les photographies de Luc Delahaye, souvent prises sur les théâtres de l'actualité, témoignent d'une approche à la fois directe et détachée, et leur puissance narrative est soutenue par la forme spectaculaire du tableau de grand format. Le texte du catalogue, bilingue français-anglais, est constitué d'une conversation avec Quentin Bajac.

The Media and the Rwanda Genocide
  • Language: en
  • Pages: 480

The Media and the Rwanda Genocide

  • Type: Book
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  • Published: 2007-01-20
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  • Publisher: IDRC

Explores the role of the media in the Rwandan genocide -- within the country and beyond.

Paysages photographies
  • Language: fr
  • Pages: 706

Paysages photographies

None

Strangers
  • Language: en
  • Pages: 260

Strangers

  • Categories: Art
  • Type: Book
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  • Published: 2003
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  • Publisher: Steidl

Presenting the works of 50 contemporary artists and photographers from around the world, Strangers explores the different roles the camera now plays in negotiating the boundaries between public and private life, trust and fear, intimacy and isolation. Accompanying the first recurring exhibition of its kind devoted to photography and related media at the International Center of Photography in New York, Strangers investigates the social world through images that have been created as a result of encounters with people unknown to one another. In addition to the more personal and psychological aspects of estrangement, the artists in Strangers also engage with the theme of globalization and diaspo...