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Luis Vélez de Guevara
This volume seeks to offer the basis for further study of the Spanish seventeenth century playwright, poet, and prose writer Luis Velez de Guevara, whose literary and historical weight have yet to be fully determined. While Guevara was an idol of the popular theatre scene in his day, and garnered praise from the most lofty of his contemporaries, the centuries have seen him diminished in stature to a second rate writer. To the purpose of furthering the resuscitation of this gem of the Golden Age, Mary Hauer's bibliography includes treatments of Guevara by his contemporaries--Cervantes, Lope de Vega, Quevedo, Montalban, Claramonte, and others--as well as those published through the eighteenth, nineteenth, and twentieth centuries.
Antigüedad Y Actualidad de Luis Vélez de Guevara
Esta colección de estudios críticos se ha compilado con el propósito de revalorar al genial comediógrafo del siglo XVII, Luis Vélez de Guevara (1579-1644), y, posiblemente, restablecerlo como figura de importancia en la historia del teatro español.
The Mountain Girl from La Vera
This edition presents The Mountain Girl from La Vera (1613) for the first time in English. The extraordinary protagonist, Gila, calls herself a man, takes pride in doing things men do, and falls in love with a queen. Her betrayal by an army captain who she has humiliated leads to tragedy. Gila has been described as feminist, lesbian, queer, and transgender. It is a vibrant, relevant play and a great piece of theatre.
El Diablo Cojuelo
Allgorical Spanish satire of the laws and customs of 16th and 17th C. Spain, made all the more humorous and ingenious by the illustrations of Ernesto Joan. Brown color type on glossy paper.
Baroque Spain and the Writing of Visual and Material Culture
By examining the pictorial episodes in the Spanish baroque novella, this book elucidates how writers create pictorial texts, how audiences visualise their words, what consequences they exert on cognition and what actions this process inspires. To interrogate characters’ mental activity, internalisation of text and the effects on memory, this book applies methodologies from cognitive cultural studies, Classical memory treatises and techniques of spiritual visualisation. It breaks new ground by investigating how artistic genres and material culture help us grasp the audience’s aural, material, visual and textual literacies, which equipped the public with cognitive mechanisms to face restrictions in post-Counter-Reformation Spain. The writers examined include prominent representatives of Spanish prose —Cervantes, Lope de Vega, María de Zayas and Luis Vélez de Guevara— as well as Alonso de Castillo Solórzano, Gonzalo de Céspedes y Meneses and an anonymous group in Córdoba.
Unruly Women
In the first in-depth study of the interconnected relationships among public theatre, custodial institutions, and women in early modern Spain, Margaret E. Boyle explores the contradictory practices of rehabilitation enacted by women both on and off stage. Pairing historical narratives and archival records with canonical and non-canonical theatrical representations of women’s deviance and rehabilitation, Unruly Women argues that women’s performances of penitence and punishment should be considered a significant factor in early modern Spanish life. Boyle considers both real-life sites of rehabilitation for women in seventeenth-century Madrid, including a jail and a magdalen house, and women onstage, where she identifies three distinct representations of female deviance: the widow, the vixen, and the murderess. Unruly Women explores these archetypal figures in order to demonstrate the ways a variety of playwrights comment on women’s non-normative relationships to the topics of marriage, sex, and violence.
