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This book offers the first in-depth study of experimental and popular music scenes in Beirut, looking at musicians working towards a new understanding of musical creativity and music culture in a country that is dominated by mass-mediated pop music, and propaganda. Burkhalter studies the generation of musicians born at the beginning of the Civil War in the Lebanese capital, an urban and cosmopolitan center with a long tradition of cultural activities and exchanges with the Arab world, Europe, the US, and the former Soviet Union. These Lebanese rappers, rockers, death-metal, jazz, and electro-acoustic musicians and free improvisers choose local and transnational forms to express their connect...
Concepts of social capital play a well-established role in a number of academic disciplines and continue to grow in popularity in the discourses of the sciences, as well as those of civil society and social practice. As an element that is fundamental and constitutive of various forms of societal coexistence and wellbeing, social capital apparently generates positive effects. However, it also contributes to inequalities and unequal distribution of power, and is, consequently, a rather controversial subject. This collection of essays represents reflections and case studies from all over the world. They step out of well-known paths of discourse and discuss the phenomenon of social capital in ma...
A Badge of Injury is a contribution to both the fields of queer and global history. It analyses gay and lesbian transregional cultural communication networks from the 1970s to the 2000s, focusing on the importance of National Socialism, visual culture, and memory in the queer Atlantic. Provincializing Euro-American queer history, it illustrates how a history of concepts which encompasses the visual offers a greater depth of analysis of the transfer of ideas across regions than texts alone would offer. It also underlines how gay and lesbian history needs to be reframed under a queer lens and understood in a global perspective. Following the journey of the Pink Triangle and its many iterations, A Badge of Injury pinpoints the roles of cultural memory and power in the creation of gay and lesbian transregional narratives of pride or the construction of the historical queer subject. Beyond a success story, the book dives into some of the shortcomings of Euro-American queer history and the power of the negative, writing an emancipatory yet critical story of the era.
There has been a growing recognition amongst scholars that labour historians need to look beyond national borders in order to place the history of the working classes into a much broader context than has hitherto been the case. Whilst studies focused on individual countries are essential, it is only by comparing and contrasting the experiences across time and space that a true understanding of the subject can be attempted. Professor Marcel van der Linden, has contributed much to the debate on cross-border processes and comparisons. This volume makes available in English a collection of twelve of his most important essays on the theme of transnational labour history. Previously published in a range of journals and volumes, with two original contributions, Transnational Labour History brings them together in a single convenient collection, together with a new introduction. This work will undoubtedly provide an invaluable resource for all students of European labour history.
In Depression: A Public Feeling, Ann Cvetkovich combines memoir and critical essay in search of ways of writing about depression as a cultural and political phenomenon that offer alternatives to medical models. She describes her own experience of the professional pressures, creative anxiety, and political hopelessness that led to intellectual blockage while she was finishing her dissertation and writing her first book. Building on the insights of the memoir, in the critical essay she considers the idea that feeling bad constitutes the lived experience of neoliberal capitalism. Cvetkovich draws on an unusual archive, including accounts of early Christian acedia and spiritual despair, texts co...
Once treated as exclusive spaces for valuable but hidden and under-utilized material, over the past few decades special collections departments have been transformed by increased digitization and educational outreach efforts into unique and highly visible major institutional assets. What libraries must now contemplate is how to continue this momentum by articulating and implementing a dynamic strategic vision for their special collections. Drawing on the expertise of a world-class array of librarians, university faculty, book dealers, collectors, and donors, this collected volume surveys the emerging requirements of today’s knowledge ecosystem and charts a course for the future of special ...
Der Tagungsband „Forschung zwischen Freiheit und Verantwortung“ richtet seinen Fokus auf die historische Dimension der Wissenschaftsethik. Das Streben nach Erkenntnis ist ein Grundelement der conditio humana – der menschlichen Natur. Doch Wissenschaft – die Erkundung neuen Wissens und die Erforschung von Zusammenhängen – ist nicht voraussetzungslos. Sie gelingt vielmehr nur in Selbstbestimmung, und Selbstbestimmung bedeutet immer auch Eigenverantwortung. Der vorliegende Band beschäftigt sich mit ebendieser Dichotomie. Er weist anhand verschiedener historischer und rezenter Beispiele nach, dass „Wissenschaft“ nur dort gedeiht, wo es gelingt, Regeln für gute wissenschaftliche Praxis durchzusetzen und eine „Ethik der (Selbst-)Verantwortung“ zu etablieren. Zudem problematisiert er etwaige externe Kontrollmechanismen.
The focus on concepts of power and domination in societal structures has characterized sociology since its beginnings. Max Weber’s definition of power as “imposing one’s will on others” is still relevant to explaining processes in the arts, whether their production, imagination, communication, distribution, critique or consumption. Domination in the arts is exercised by internal and external rulers through institutionalized social structures and through beliefs about their legitimacy, achieved by defining and shaping art tastes. The complexity of how the arts relate to power arises from the complexity of the policies of artistic production, distribution and consumption—policies whi...
Conchita Wursts Sieg beim Eurovision Song Contest 2014 war ein zentrales diskursives Moment, welches das derzeitige Spannungsfeld zwischen Postgenderismus und Traditionalismus in Russland offenlegte und aufzeigte, wie sehr Geschlecht und Sexualität, nicht zuletzt für das russische Selbstbild und die Konstruktion einer russischen nationalen Identität, instrumentalisiert und politisiert werden und wie sehr Identitätskonzepte den russischen Alltag mitbestimmen. Die Monografie widmet sich der Diskussion um Geschlecht und Sexualität in Russland nach dem Sieg von Conchita Wurst und untersucht das Verhältnis von Diskurs und Identität. Im Vordergrund steht die Funktion von Sprache sowohl für...