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My Men
A cross between kiss-and-tell and curse-and-tell, Malika Mokeddem’s memoir of the men in her life presents a mosaic of relationships defining what it is to be a woman, an immigrant, a doctor, and a citizen of an uncertain world. From her childhood days in French colonial Algeria to her later years as a doctor in Paris and a writer in Montpellier, Mokeddem traces the path of a brilliant girl in a world of men. Anorexia, insomnia, financial independence, escapism in books, atheism, self-imposed exile, painting, and the poetics of free love—such are the various ways in which she has responded to discrimination. Mokeddem hauntingly describes how her literary and medical careers blossomed along with her sexuality and her desire to escape the gender bias that shackled Algerian tradition. At once a scathing critique of Algerian patriarchy and a soaring tribute to the men who opened a window on the world, Mokeddem’s story is a fascinating portrait of gender as it is actually felt, lived, and never left behind.
Tactical Silence in the Novels of Malika Mokeddem
Preliminary Material -- Acknowledgements -- Broaching Silence -- Tactics and Strategies in Algerian Letters -- Speaking of Silence -- Manipulating Silence -- Tactical Silence in Reading -- Textual Silences and the Reader's Tactics -- The Threat of Silence -- Bibliography -- Index.
Of Dreams and Assassins
Of Dreams and Assassins is the urgent and rhythmic fourth novel of Malika Mokeddem, her second to appear in English. Born in Algeria to a Bedouin family that had only recently become sedentary, Mokeddem was raised on the stories of her grandmother, who encouraged her education at a time when girls did not go to school. Though raised in a tolerant version of Islam, Mokeddem nevertheless felt the weight of custom and tradition. Of Dreams and Assassins, though not strictly autobiographical, evokes through the beauty and vastness and oppressive heat of the desert Mokeddem's early yearning for freedom. Through its heroine, Kenza, and her simultaneous rebellion and immersion in the literary classi...
The Forbidden Woman
After the war of independence against France, an Algerian woman returns to her village to discover the revolution is being betrayed. Moslem fundamentalists are turning back the clock on women's rights.
The Forbidden Woman
After the war of independence against France, an Algerian woman returns to her village to discover the revolution is being betrayed. Moslem fundamentalists are turning back the clock on women's rights.
Maghrebian Mosaic
When Albert Memmi published the first anthology of francophone Maghrebian literature, he expressed his unhappy belief that francophone writing would quickly be eclipsed by Arabic. To the contrary, this volume demonstrates that the francophone writing of North Africa remains vibrant and prolific.
Polygraphies
Coinciding with the fiftieth anniversary of Algeria's independence, Polygraphies is significant and timely in its focus on autobiographical writings by seven of the most prominent francophone women writers from Algeria today, including Ma ssa Bey, H l ne Cixous, Assia Djebar, and Malika Mokeddem. These authors witnessed both the "before" and "after" of the colonial experience in their land, and their fictional and theoretical texts testify to the lasting impact of this history. From a variety of personal perspectives and backgrounds, each writer addresses linguistic, religious, and racial issues of crucial contemporary importance in Algeria. Alison Rice engages their work from a range of disciplines, striving both to heighten our sensitivity to the plurality inherent in their texts and to move beyond a true/false dichotomy to a wealth of possible truths, all communicated in writing.
Postcolonial Violence, Culture and Identity in Francophone Africa and the Antilles
This collection of essays derives from a conference on Violence, Culture and Identity held in St. Andrews in June 2003. It examines postcolonial cultures and identities by investigating the way in which violence is represented by Francophone creative artists.
Rituals of Memory in Contemporary Arab Women’s Writing
This volume carefully assesses fixed notions of Arab womanhood by exploring the complexities of Arab women’s lives as portrayed in literature. Encompassing women writers and critics from Arab, French, and English traditions, it forges a transnational Arab feminist consciousness. Brinda Mehta examines the significance of memory rituals in women’s writings, such as the importance of water and purification rites in Islam and how these play out in the women’s space of the hammam (Turkish bath). Mehta shows how sensory experiences connect Arab women to their past. Specific chapters raise awareness of the experiences of Palestinian women in exile and under occupation, Bedouin and desert rituals, and women’s views on conflict in Iraq and Lebanon, and the compatibility between Islam and feminism. At once provocative and enlightening, this work is a groundbreaking addition to the timely field of modern Arab women’s writing and criticism and Arab literary studies.
The Transcontinental Maghreb
The writer Gabriel Audisio once called the Mediterranean a “liquid continent.” Taking up the challenge issued by Audisio’s phrase, Edwige Tamalet Talbayev insists that we understand the region on both sides of the Mediterranean through a “transcontinental” heuristic. Rather than merely read the Maghreb in the context of its European colonizers from across the Mediterranean, Talbayev compellingly argues for a transmaritime deployment of the Maghreb across the multiple Mediterranean sites to which it has been materially and culturally bound for millennia. The Transcontinental Maghreb reveals these Mediterranean imaginaries to intersect with Maghrebi claims to an inclusive, democratic...
