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The Science of Tornadoes
Hundred-mile winds and sky-high funnel clouds can mean only one thing: a tornado is coming. Readers will learn everything they need to know about tornadoes, from what they are and why and when they happen, to what remains after they rip through an area. Age-appropriate content thoroughly explains tornado activity in the United States and abroad, and real-life examples give readers insight into how communities cope with one of nature’s most destructive forces. The book includes fast facts about the biggest and most destructive tornadoes in history, and a section entitled “Survivors Speak” features survivors’ stories in their own words. Through stories about scientists and real-life storm chasers, readers will discover the fascination with tornadoes while also understanding the danger and destruction they bring. Stunning photographs and captions accompany the text, giving readers an eye-opening look at one of our world’s most incredible natural disasters.
Being Modern
In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increasing attention in different historical specialties. Being Modern builds on this recent scholarly interest to explore engagement with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields including the cultural study of science and technology, art and architecture, English culture and literature examine the issues involved. The book will be a valuable resource for students, and a spur to scholars to further examination of culture as an interconnected web of which science is a critical part, and to supersede such tired formulations as 'Science and culture'.
Points and Lines
This text collates Stan Allen's writings and projects that propose architectural strategies for the contemporary city. It presents speculative texts outlining Allen's general principles with specific projects created by his office in an interplay of theory and practice. Projects include: the Cardiff Bay Opera House, Wales; the Korean-American Museum of Art, Los Angeles; the Museo del Prado, Madrid; and White Columns Gallery, New York. Each project is accompanied by explanatory text as well as drawings, models, photographs and computer renderings.
The Documented Image
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Roth Time
Sculptor, poet, diarist, graphic designer, pioneer artist's book maker, performer, publisher, musician, and, most of all, provocateur, Dieter Roth has long been beloved as an artist's artist. Known for his mistrust of all art institutions and commercial galleries--he once referred to museums as funeral homes--he was also known for his generosity to friends, his collaborative spirit, and for including his family in his art making. Much to the frustration of any gallery that tried to exhibit his work (supposedly none more than once), Roth thumbed his nose at those who valued high purpose and permanence in art. Constantly trying to undo his art education, he would set up systems that discourage...
Constructing Architecture
Now in its second edition: the trailblazing introduction and textbook on construction includes a new section on translucent materials and an article on the use of glass.
What Do You Know About Evolution and Classification?
Earth is home to billions of life-forms, and scientists discover new species all the time. How do we keep track of all these living things? This immersive book gives readers a firsthand look at evolution and classification. They'll learn about the scientific method through Ask, Test, Observe, and Measure boxes that guide them through each experiment. "What's Next?" sections encourage readers to continue exploring each essential concept. As they complete each project, they'll develop Next Generation Science Standards skills, such as how to ask testable questions. Accessible, fun, and full of amazing photographs, this engaging look at evolution and classification will be an important tool in any science curriculum.
Empowered Believers
This thesis by Gonzalo Haya-Prats, written in the Catholic interpretive tradition under the supervision of Johannine scholar Ignace de la Potterie at the Gregorian University in Rome, reflects a faith tradition that historically remained open to the miraculous and resisted regulations on activities of the Holy Spirit in the Book of Acts. Accordingly, Haya-Prats interprets the workings of the Spirit from a perspective of narrative sensitivity. He is deliberately diligent to exercise due care so as not to obscure narrative flow and connectivity, despite any ecclesial or interpretive precedents that might be of influence to the contrary. His exegetical method is to let the original meaning be d...
The Art Public
A brief intellectual history of the idea of the art public. The Art Public explores the history of efforts to imagine a collective, general audience for art in the world. Oskar Bätschmann explores both written and pictorial evidence of the development of the “art public” as an idea and disentangles connections between art production, audiences, and actual reception. Two aspects shape the narrative: the transformation of the audience from passive recipient to active agent as well as satirical jabs at audiences by the likes of Cruikshank, Rowlandson, and Daumier. This sweeping account connects the ancient Greeks with Renaissance painters, modern writers, and contemporary movie stars in a deft survey of the ways we imagine art’s immediate impact on audiences and its afterlives in museums, galleries, and the world.
Music in German Philosophy
Though many well-known German philosophers have devoted considerable attention to music and its aesthetics, surprisingly few of their writings on the subject have been translated into English. Stefan Lorenz Sorgner, a philosopher, and Oliver Fürbeth, a musicologist, here fill this important gap for musical scholars and students alike with this compelling guide to the musical discourse of ten of the most important German philosophers, from Kant to Adorno. Music in German Philosophy includes contributions from a renowned group of ten scholars, including some of today’s most prominent German thinkers, all of whom are specialists in the writers they treat. Each chapter consists of a short biographical sketch of the philosopher concerned, a summary of his writings on aesthetics, and finally a detailed exploration of his thoughts on music. The book is prefaced by the editors’ original introduction, presenting music philosophy in Germany before and after Kant, as well as a new introduction and foreword to this English-language addition, which places contemplations on music by these German philosophers within a broader intellectual climate.
