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Violent Affect
Countering previous studies of violent images based on representational and, consequently, moralistic assumptions, which, the author argues, inevitably reinforce the very violence they critique. He explains how violent images work upon the world.
The Collapse of the Conventional
"Bringing together many of the most important scholars of German film, this hugely significant collection offers a fascinating and subtle account of the contours of the political in the post-Wall cinematic landscape."---Paul Cooke, professor of German cultural studies in the School of Modern Languages and Cultures, University of Leeds --Book Jacket.
Chinese-German Female-Themed Art Film Culture in the Context of Globalization
In the context of globalization, this book explores female-themed art films from China and Germany, in order to seek and illustrate how the cultural difference between the ways of representing women and narrating women's themes is shown in the films of both countries.
Trauma, Memory, and Narrative in the Contemporary South African Novel
The contributions to this volume probe the complex relationship of trauma, memory, and narrative. By looking at the South African situation through the lens of trauma, they make clear how the psychic deformations and injuries left behind by racism and colonialism cannot be mended by material reparation or by simply reversing economic and political power-structures. Western trauma theories – as developed by scholars such as Caruth, van der Kolk, Herman and others – are insufficient for analysing the more complex situation in a postcolony such as South Africa. This is because Western trauma concepts focus on the individual traumatized by a single identifiable event that causes PTSD (Post T...
The Financial Image
The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life.
More in Time
Nebraska Book Award, Special Poetry recognition More in Time is a celebration and tribute to Ted Kooser, two-time U.S. Poet Laureate, winner of the Pulitzer Prize for Poetry, and Presidential Professor of the University of Nebraska. Through personal reflections, essays, and creative works both inspired by and dedicated to Kooser, this collection shines a light on the many ways the midwestern poet has affected others as a teacher, mentor, colleague, and friend, as well as a fellow writer and observer-of-the-world. The creative responses included in this volume are reflective of the impact Kooser has had in his connections to other writers, while also revealing glimpses of his distinct way of seeing.
Preventing and Reducing Violence in Schools and Society
In recent years, different regions of the world have been unfortunately experiencing an increase in violent acts within various communities. For example, the United States has seen an emergence of severe violence within schools over the past two decades. This tragic phenomenon is causing administrators and practitioners to rethink teaching techniques and implement concepts of violence prevention within schools and other social organizations. Preventing and Reducing Violence in Schools and Society is a collection of innovative research on the evolution and implementation of nonviolence concepts within social settings in order to repent oppression and violence among global communities. The boo...
Generic Histories of German Cinema
Offers a fresh approach to German film studies by tracing key genres -- including horror, the thriller, Heimat films, and war films -- over the course of German cinema history
American Obscurantism
American Obscurantism argues for a salutary indirection in US culture. Critiquing the impulse to see history in seminal works like Griffith's Birth of a Nation and the residual positivism of New Historicist methodology, the book challenges this shared visual epistemology . It traces meaningful exceptions to this pattern across canonical figures from US literature and film.
Post-Unification Turkish German Cinema
This book offers a post-representational approach to a range of fiction and non-fiction films that deal with labour migration from Turkey to Germany. Engaging with materialist philosophies of process, it offers analyses of films by Thomas Arslan, Christian Petzold, Aysun Bademsoy, Seyhan Derin, Harun Farocki, Yüksel Yavuz and Feo Aladag. Shifting the focus from the longstanding concerns of integration, identity and cultural conflict, Gozde Naiboglu shows that these films offer new expressions of lived experience under late capitalism through themes of work, social reproduction, unemployment and insecure work, exhaustion and precarity, thereby calling for a rethinking of the established ideas of class, community and identity.
