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The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life.
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Points towards the difficulty encountered in research and development carried out by laboratories to reach the users. This book aims at alerting developers so that they pay attention to the outcome of their work. Inventive research and technologies which have a high potential in the field of Assistive Technology are described in this publication.
This novel is a work of extraordinary imagination and wide range. Its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love and yet our compulsion to go on trying.
This book consitutes the refereed proceedings of the 9th International Conference on Computers Helping People with Special Needs, ICCHP 2004, held in Paris, France in July 2004. The 172 revised contributions presented were carefully reviewed and selected for inclusion in the book. The papers evaluate how various fields in computer science can contribute to helping people with various kinds of disabilities. Among the technical fields evaluated are information systems, Web and Internet, the information society, computer-assisted education, human-computer interaction, interface design, virtual reality, mobile computing, ubiquitous computing, pervasive computing, assistive technology, multimedia, display technology, haptic computing, audio interfaces, ad societal and administrative issues.
Building on a long tradition in German-language literature and culture, this volume focuses on contemporary engagements with ethical concerns in literary texts, essays, and films. There has been an "ethical turn" in the literature, culture, and theory of recent years. Questions of morality are urgent at a time of increasing global insecurities. Yet it is becoming ever more difficult to make ethical judgments in multicultural, relativist societies. The European economic meltdown has raised further ethical difficulties, widening the gap between rich and poor. Such divisions and difficulties heighten the widespread fear of "the other"in its various manifestations. And in the German context espe...
This book constitutes the thoroughly refereed post-proceedings of the 7th ERCIM Workshop on User Interfaces for All, held in Paris, France, in October 2002. The 40 revised full papers presented were carefully reviewed and selected during two rounds of refereeing and revision. The papers are organized in topical sections on user interfaces for all: accessibility issues, user interfaces for all: design and assessment, towards an information society for all, novel interaction paradigms: new modalities and dialogue style, novel interaction paradigms: accessibility issues, and mobile computing: design and evaluation.
This book examines the careers of three of Nazi cinema's preeminent movie actresses, painting a unique portrait of mass entertainment and stardom under Nazi rule. Bruns uses undiscovered sources and a new approach, which integrates visual analysis within a thorough political and social context, to trace how the Nazis tried to use films and stars to build National Socialism. This analysis focuses on female stars - an important but largely unexplored area - because they were mostly responsible for Nazi cinema's spectacular commercial success and political failure. Challenging earlier studies, which view Nazi cinema as an effective propaganda instrument that helped turn Germans into devoted "Aryan" mothers and tough warriors, the book shows that the Nazi regime's liaison with the cinema was ambivalent. Films failed to disseminate a coherent political message and to Nazify German society. However, they helped the regime maintain power by diverting people's attention from the brutality of Hitler's rule and, eventually, from impending defeat.
Master's Thesis from the year 2008 in the subject History of Germany - Modern History, University of Newcastle upon Tyne (School of History, Classics and Archaeology), course: MLitt History, language: English, abstract: Several historians and film scholars have dealt with the German Heimatfilm. They mainly concentrated on the films' reception in the 1950s, when they served as a form of distraction from reality. Large audience figures were attracted to go to the movies to see peaceful villages, mountains, lakes or woods. The reasons for the genre's success were revealed by several researchers. But, when switching on television today, it becomes clear that the phenomenon of Heimat is still of ...
A case for literary critics and other humanists to stop wallowing in their aestheticized helplessness and instead turn to poetry, comedy, and love. Literary criticism is an agent of despair, and its poster child is Walter Benjamin. Critics have spent decades stewing in his melancholy. What if, instead, we dared to love poetry, to choose comedy over Hamlet’s tragedy, or to pursue romance over Benjamin’s suicide on the edge of France, of Europe, and of civilization itself? Paul A. Bové challenges young lit critters to throw away their shades and let the sun shine in. Love’s Shadow is his three-step manifesto for a new literary criticism that risks sentimentality and melodrama and eschew...