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In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of textiles in Mexico, Guatemala, Ecuador, Peru, and Bolivia from Precolumbian times to the present. Originally published in 1991 by Garland Publishing, the book grew out of a 1987 symposium held in conjunction with the exhibit "Costume as Communication: Ethnographic Costumes and Textiles from Middle America and the Central Andes of South America" at the Haffenreffer Museum of Anthropology, Brown University.
Informative and beautifully illustrated.... It is both a detailed anthropological study, which delves into aspects of Mayan culture and examines historical and sociological forces brought to bear on Mayan communities of Guatemala, and a catalog of the stunning collections, containing descriptions of techniques, dying processes, and textile production. -- Booklist
Published in association with the Fine Arts Museums of San Francisco, this book features 18th-, 19th-, and 20th-century indigenous textiles woven by the Aymara and Quechua peoples of the Andean Mountains. The elaborately patterned pieces are all drawn from the previously unpublished Jeffrey Appleby Collection and include everyday and ceremonial textiles of all types. 178 illus. 147 in color.
The name "maguey" refers to various forms of the agave and furcraea genus, also sometimes called the century plant. The fibers extracted from the leaves of these plants are spun into fine cordage and worked with a variety of tools and techniques to create textiles, from net bags and hammocks to equestrian gear. In this fascinating book, Kathryn Rousso, an accomplished textile artist, takes a detailed look at the state of maguey culture, use, and trade in Guatemala. She has spent years traveling in Guatemala, highlighting maguey workers’ interactions in many locations and blending historical and current facts to describe their environments. Along the way, Rousso has learned the process of t...
In the coll. of the Haffenreffer Museum of Anthropology, Brown Univ., Bristol, Rhode Island
The Maya Textile Tradition provides an in-depth look at the life and art of the Maya of southern Mexico and Central America. Some 145 stunning images, made by the award-winning photographer Jeffrey Jay Foxx and arranged in breathtaking color portfolios, capture the glorious Maya arts and culture as preserved since ancient times. The photographs combine with artful line drawings made especially for this book, an introduction by Linda Schele, co-author of the groundbreaking study of Maya civilization The Blood of Kings, and texts by four leading Mayanists to provide a unique portrait of these proud and vital people. Ecologist James D. Nations introduces us to the history and ecology of the Maya world; Guatemalan author and curator Linda Asturias de Barrios discusses how the old ways still guide the people in their farming, marketing, and weaving; textile specialist Margot Blum Schevill writes on innovation and change in Maya textile art; and anthropologist Robert S. Carlsen discusses ceremony and ritual in the Maya world.
Lila O'Neale's Yurok-Karok Basket Weavers, first published in 1932, remains one of the finest and most comprehensive books devoted to American Indian basketry. In contrast to the typical treatment of tribal arts in her day, which saw them as homogeneous, anonymous, and conservative, O'Neale regarded the weavers as individuals, with personal styles and outlooks and a capacity for innovation. A pioneer in the study of Native American art, she presented the art from the weaver's point of view. In addition to an introduction by O'Neale scholar Margot Schevill, this edition includes an appendix listing the identities and tribal affiliations of O'Neale's 43 consultants.
Guatemala is one of the few places on earth where traditional textile arts from ancient cultures survive: Mayan spinners and weavers still produce the traditional motifs developed by their ancestors, but modern dyes add brilliant, luminous color to their textiles. This book presents 150 superb photographs by Gianni Vecchiato, providing a magnificent view of the textiles people, and daily life of Guatemala. It is truly a feast for the eye and spirit.
Increasingly popular in the United States and Europe, Andean panpipe and flute music draws its vitality from the traditions of rural highland villages and of rural migrants who have settled in Andean cities. In Moving Away from Silence, Thomas Turino describes panpipe and flute traditions in the context of this rural-urban migration and the turbulent politics that have influenced Peruvian society and local identities throughout this century. Turino's ethnography is the first large-scale study to concentrate on the pervasive effects of migration on Andean people and their music. Turino uses the musical traditions of Conima, Peru as a unifying thread, tracing them through the varying lives of ...