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Heart of the Heartless World
Margot Heinemann, who died in 1992, was one of British's foremost scholars of the Renaissance period. As a prominent Marxist, she inspired generations of students, in Britain and abroad, through her commitment to the notion that cultural activity is central to the continuing struggle against oppression. Literature in its many forms can make the transformation of reality seem both possible and desirable. This radical notion informs contributions to Heart of the Heartless World. From a broad range of perspectives, fifteen distinguished writers - including Christopher Hill, Inga-Stina Ewbank and Victor Kiernan - follow Margot Heinemann's lead in considering culture as an area of struggle and resistance. Ranging across history, poetry, fiction and drama, the studies offer a significant understanding of the major problems of cultural theory and clarify how cultural analysis, as well as the cultural products themselves can be part of a changing world.
British Marxist Criticism
British Marxist Criticism provides selective but extensive annotated bibliographies, introductory essays, and important pieces of work from each of eight British critics who sought to explain literary production according to the principles of Marxism.
Puritanism and Theatre
The closing of the theatres by Parliament in 1642 is perhaps the best-known fact in the history of English drama. As the Parliamentary Puritans were then in power, it is easy to assume that all opponents of the theatre were Puritans, and that all Puritans were hostile to the drama. The reality was more interesting and more complicated. Margot Heinemann looks at Thomas Middleton's work in relation to the society and social movements of his time, and traces the connections this work may have had with radical, Parliamentarian or Puritan groups or movements. In the light of the recent work of seventeenth-century historians we can no longer see these complex opposition movements as uniformly anti-theatre or anti-dramatist. The book suggests fresh meanings and implications in Middleton's own writings, and helps towards rethinking the place of drama in the changing life of early Stuart England.
Contemporary Women's Writing
This wide-ranging study provides a historically grounded account of women's fiction in the 1960s and the 1970s, relating changes in the social structure of Britain and the United States to the literary representations of women's experience.
Political Shakespeare
1. Shakespeare, cultural materialism and the new historicism-2. Renaissance authority and its subversion, Henry IV and Henry V.- 3. This thing of darkness I acknowledge mine: The Tempest and the discourse of Colonialism. - 4. Transgressioon and surveillance in Measure for Measure. - 5. The patriarchal bard: feminist criticism and Shakespeare: King Lear and Measure for Measure. - 6. Strategies of State and political plays: A Midsummer Nights̀ Dream, Henry V, Henry VIII. - 7. Shakespeare understudies: the sodomite, the prostitute, the transvestite and their critics. - 8. Introduction: Reproductions, interventions. - 9. Givee an account of Shakespeare and Education, showing why you think they are effective and what you have appreciated about them. Support your comments with precise references. - 10. Royal Shakespeare: theatre and the making of ideology. - 11. Radical potentiality and institutional closure:Shakespeare in film and television. - 12. How Brecht read Shakespeare. - 13. Heritage and the market, regulation and desublimation.
The Cambridge History of Early Modern English Literature
This 2003 book is a full-scale history of early modern English literature, offering perspectives on English literature produced in Britain between the Reformation and the Restoration. While providing the general coverage and specific information expected of a major history, its twenty-six chapters address recent methodological and interpretive developments in English literary studies. The book has five sections: 'Modes and Means of Literary Production, Circulation, and Reception', 'The Tudor Era from the Reformation to Elizabeth I', 'The Era of Elizabeth and James VI', 'The Earlier Stuart Era', and 'The Civil War and Commonwealth Era'. While England is the principal focus, literary production in Scotland, Ireland and Wales is treated, as are other subjects less frequently examined in previous histories, including women's writings and the literature of the English Reformation and Revolution. This history is an essential resource for specialists and students.
Postwar British Fiction
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1962.
British Women and the Spanish Civil War
Through oral and written narratives, this book examines the interaction between women and the war in Spain, their motivation, the distinctive form of their involvment and the effect of the war on their individual lives. These themes are related to wider issues, such as the nature of memory and the role of women within the public sphere. The extent to which women engaged with this cause surpasses by far other instances of female mobilization in peace-time Britain. Such a phenomenon therefore can offer lessons to those who would wish to encourage a greater degree of interest amongst women in political activities today.
Community-Making in Early Stuart Theatres
Twenty-two leading experts on early modern drama collaborate in this volume to explore three closely interconnected research questions. To what extent did playwrights represent dramatis personae in their entertainments as forming, or failing to form, communal groupings? How far were theatrical productions likely to weld, or separate, different communal groupings within their target audiences? And how might such bondings or oppositions among spectators have tallied with the community-making or -breaking on stage? Chapters in Part One respond to one or more of these questions by reassessing general period trends in censorship, theatre attendance, forms of patronage, playwrights’ professional...
The Theatrical City
A collection of interdisciplinary essays on the 'theatrical' in Renaissance London.
