Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
WALTER LEISTIKOW.
None
Heligoland
On 18 April 1947, British forces set off the largest non-nuclear explosion in history. The target was a small island in the North Sea, fifty miles off the German coast, which for generations had stood as a symbol of Anglo-German conflict: Heligoland. A long tradition of rivalry was to come to an end here, in the ruins of Hitler's island fortress. Pressed as to why it was not prepared to give Heligoland back, the British government declared that the island represented everything that was wrong with the Germans: 'If any tradition was worth breaking, and if any sentiment was worth changing, then the German sentiment about Heligoland was such a one'. Drawing on a wide range of archival material,...
Theodor Fontane and the European Context
On the centenary of Fontane’s death and at the turn of the century these essays take a new look at this supreme chronicler of Prussia and of the Germany that emerges after 1871. Written by scholars from different countries and disciplines, they focus on novels and theatre reviews from the perspectives of philosophy, sociology, comparative literature and translation theory, and in the contexts of topography and painting. Connections and crosscurrents emerge to reveal new aspects of Fontane’s poetics and to produce contrasting but complementary readings of his novels. He appears in the company of predecessors and contemporaries, such as Scott, Thackeray, Saar, Ibsen, Turgenev, but also in that of writers he has rarely, if ever, been seen beside, such as E.T.A. Hoffmann, Stendhal, Trollope, Henry James and Edith Wharton, Beckett and Faulkner. The historical novel and the social position of women are each a recurring focus of interest. Fontane emerges as receptive to other voices, as a precursor of developments in modern narrative, and confirmed as the novelist who brings the nineteenth-century German novel closest to the broad traditions of European realism.
Dictionary of Women Artists: Introductory surveys ; Artists, A-I
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Self-Portrait in Words
One of the most important German artists of the twentieth century, Max Beckmann was labeled a "degenerate artist" by the Nazis and chose exile. His artistic production encompassed the realism and figural themes of his early works to the provocatively blunt portraiture, critical urban views, and richly layered symbolic works for which he is now universally recognized. Although he was a prolific writer, his written work has never before been collected and translated into English. Beckmann is known for the depth, pungency, and tremendous sensuous force of his works; only in the last twenty years have we come to learn more about his personal life. Self-Portrait in Words maps out Beckmann's life and draws attention to the occasions on or for which he produced his writings, to the importance writing had for him as a form of expression, and to both the contemporary and personal references of his ideas and images.
Woman's Art Journal
None
Reading Berlin 1900
In this study of the newspaper page, Fritzsche analyzes how reading & writing dramatized Imperial Berlin & anticipated the modernist sensibility that celebrated discontinuity, instability, & transience.
1979-1990
None
Stark Impressions
This volume explores the vast array of printmaking activity in Germany during a period of profound social transformation. Between the end of World War I and the Nazi ascendancy to power, printmaking took on an unprecedented significance in Germany. Printmakers created works in a wide variety of styles to satisfy the already established art market for quality art prints and the rising new market for prints that communicated political ideology.
