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Triangulated Visions
This broad-ranging collection, the first of its kind, gathers essays on the representation of women in recent German cinema, as well as recent interviews with German women filmmakers.
At the Roots of Christian Bioethics
At the Roots of Christian Bioethics explores Professor H. Tristram Engelhardt, Jr.'s pursuit for the decisive ground of the meaning of human existence and knowledge of appropriate moral choice. Engelhardt has been the most influential, cogent, but critical voice within bioethics of the past several decades. The essays in this volume compass epistemological, methodological and topical contributions to bioethics, political theory, and Christian theology. Each explores Engelhardt's diagnosis of the contemporary social and cultural crisis, seeking to make sense of the decidedly post-Christian and often openly anti-Christian ethics that dominates public morality and politic policy. Each author investigates Engelhardt's personal and tireless enquiry to secure ultimate moral foundations as well as to recognize the full implications of the results of his investigations: that Christian bioethics does not originate in human reason but in the command of God.
Continuity and Crisis in German Cinema, 1928-1936
New essays examining the differences and commonalities between late Weimar-era and early Nazi-era German cinema against a backdrop of the crises of that time.
The A to Z of German Cinema
German film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures. Outlining the richness of German film, The...
Other Germanies
Explores notions of personal and cultural identity, and offers an introduction to the work of women in literature, film, dance, and visual art in Germany.
Hitler - Films from Germany
The first book-length study to critically examine the recent wave of Hitler biopics in German cinema and television. A group of international experts discuss films like Downfall in the context of earlier portrayals of Hitler and draw out their implications for the changing place of the Third Reich in the national historical imagination.
The Cosmopolitan Screen
Explores German cinema's enthusiasm for and anxiety about the blurring of postwar cultural boundaries
The Art of the Real
Art of the Real is devoted to registering the materialist turn of contemporary theory in visual studies. For many years, visual studies was dominated by post-structuralist theory and its attendant nominalism. More recently, however, the materialism of Slavoj Žižek, the realism of Gilles Deleuze, especially as imputed by Manuel de Landa, and Alain Badiou has disrupted this status quo. Today, we are more likely to take for granted the relevance of biology and the natural sciences, while the return of Marx has been more serious than countenanced by Derrida or Foucault. This book considers visual studies and the questions that have led to the new materialism, its ontology and its relation to c...
German Jewish Literature After 1990
Edited volume tracing the development of a new generation of German Jewish writers, offering fresh interpretations of individual works, and probing the very concept of "German Jewish literature."
Writing the Holocaust
An overview of the key themes and major theoretical developments which continue to permeate the activity of writing about the history of the Holocaust.
