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A Comparative History of Literatures in the Iberian Peninsula
"A Comparative History of Literatures in the Iberian Peninsula" is the second comparative history of a new subseries with a regional focus, published by the Coordinating Committee of the International Comparative Literature Association. As its predecessor for East-Central Europe, this two-volume history distances itself from traditional histories built around periods and movements, and explores, from a comparative viewpoint, a space considered to be a powerful symbol of inter-literary relations. Both the geographical pertinence and its symbolic condition are obviously discussed, when not even contested.Written by an international team of researchers who are specialists in the field, this history is the first attempt at applying a comparative approach to the plurilingual and multicultural literatures in the Iberian Peninsula. The aim of comprehensiveness is abandoned in favor of a diverse and extensive array of key issues for a comparative agenda."A Comparative History of Literatures in the Iberian Peninsula" undermines the primacy claimed for national and linguistic boundaries, and provides a geo-cultural account of literary inter-systems which cannot otherwise be explained.
Music for Piano and Orchestra
Suitable for all admirers of the piano, this work brings together more than 3,000 works for piano and orchestra. It comes with a supplement containing over 200 new entries.
Yearbook
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Lari Pittman
The incredible detail and scale of Lari Pittman's mesmerizing paintings are gloriously recreated in this lushly-illustrated retrospective book. One of the most prolific and exuberant painters of the past three decades, Lari Pittman creates works that mirror the social fabric of his time. This volume follows Pittman's trajectory as his visual language evolved and his technical mastery grew ever more sophisticated. From his early works--defiant affirmations of identity in the increasingly conservative 1980s--to his more recent subjects that feature emblems of cultural regression and commercialism, Pittman's paintings are uniquely operatic and ambitious. This book features over sixty paintings ...
The Miles Davis Reader
If you ever needed proof that a magazine can have a love affair with a musician, you're holding it in your hands. For DownBeat, the preeminent publication of the jazz world, Miles Dewey Davis was one of its most cherished subjects. Since it began covering the jazz scene in 1939, no other artist has been more diligently chronicled in its pages than Davis. The beauty of this collection is seeing the development of an artist over time. The reviews of his music go from quietly introducing a new talent to revering, perhaps, the greatest jazz artist of his generation. The feature articles begin with a very young, very polite Davis lamenting, “I've worked so little. I could probably tell you wher...
Notes from Africa
A musical journey around the continent in the company of Senegalese superstar Youssou N'Dour
The Roots Of The Blues
I went to Africa to find the roots of the blues. So Samuel Charters begins the extraordinary story of his research. But what began as a study of how the blues was handed down from African slaves to musicians of today via the slave ships, became something much more complex. For in Africa Samuel Charters discovered a music which was not just a part of the past but a very vital living part of African culture. The Roots of the Blues not only reveals Charters's remarkable talent in discussing African folk music and its relationship with American blues; it demonstrates his power as a descriptive and narrative writer. Using extensive quotations of song lyrics and some remarkable photographs of the musicians, Charters has created a unique contribution to our understanding of both African and American cultures and their music.
