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Violence as Usual
Slaps in the face, kicks, beatings, and other forms of run-of-the-mill violence were a quotidian part of life in German Southwest Africa at the beginning of the twentieth century. Unearthing this culture of normalized violence in a settler colony, Violence as Usual uncovers the workings of a powerful state that was built in an improvised fashion by low-level state representatives. Marie A. Muschalek's fascinating portrayal of the daily deeds of African and German men enrolled in the colonial police force called the Landespolizei is a historical anthropology of police practice and the normalization of imperial power. Replete with anecdotes of everyday experiences both of the policemen and of ...
Genocidal Empires
Based on extensive archival research and the newest jurisprudence in international law, this book inquires which of the events in Germany's colonies fulfil the criteria of genocide under current international law and whether there was a link between these events and the policies of the Third Reich in Central and Eastern Europe during World War II.
Environing Empire
Even leaving aside the vast death and suffering that it wrought on indigenous populations, German ambitions to transform Southwest Africa in the early part of the twentieth century were futile for most. For years colonists wrestled ocean waters, desert landscapes, and widespread aridity as they tried to reach inland in their effort of turning outwardly barren lands into a profitable settler colony. In his innovative environmental history, Martin Kalb outlines the development of the colony up to World War I, deconstructing the common settler narrative, all to reveal the importance of natural forces and the Kaisereich’s everyday violence.
General Labour History of Africa
The first comprehensive and authoritative history of work and labour in Africa; a key text for all working on African Studies and Labour History worldwide.
Poetic Transformations
In the eighteenth century, multiple migratory groups with competing political ambitions converged on the Mekong plains. In the frontier region, literati‐officials of a territorially-expanding Vietnamese state crossed paths with a network of diasporic Chinese Ming loyalists closely affiliated with the coastal trading network. Drawing on vernacular Vietnamese and classical Chinese sources, Claudine Ang identifies the different ways two leading statesmen of the time employed literature to transform the frontier region. In their rival cultural projects, we see the clash between the aspirations of Vietnamese and Chinese migrants. Ang shows how a bawdy play, in which a lascivious monk turns his charms on an unsuspecting nun, acted as a vehicle for differentiating Vietnamese lowlanders from their neighbors, and she uncovers in a suite of landscape poems coded messages aimed at founding a new Ming loyalist stronghold on the Mekong delta. Through its close reading of satirical drama and landscape poetry, Poetic Transformations captures a historical moment of overlapping visions, frustrated schemes, and contested desires on the Mekong plains.
Forged in Genocide
Forged in Genocide traces the early history of colonial capitalism in Namibia with a central focus on migrants who came to be key to the economy during and as a result of the German genocide of the Herero and Nama (1904-1908). It posits that Namibia, far from being a colonial backwater of the early 20th century, became highly integrated into the labor flows and economies of West and Southern Africa, and even for a time was one of the most sought-after regions for African migrants because of relatively high wages and numerous opportunities resulting from the war’s demographic devastation paired with an economic frenzy following the discovery of diamonds. In highlighting the life stories of migrants in Namibia from regions as diverse as the Kru coast of Liberia, the Eastern Cape of South Africa, and the Ovambo polities of Northern Namibia, this work integrates micro-history into larger African continental trends. Building off of written sources from migrants themselves and utilising the Namibian Worker Database constructed for this project, this book explores the lives of workers in early colonial Namibia in a way that has hereto not been attempted.
Decolonizing German and European History at the Museum
How do museums confront the violence of European colonialism, conquest, dispossession, enslavement, and genocide?
Rethinking the Colonial State
This volume addresses the analytical challenges of the colonial state from a variety of theoretical and thematic angles, and across a range of empirical cases that stretch over a vast span historically and geographically, to provide a new approach to analyzing the colonial state and its governmental practices.
An Imperial Homeland
At the turn of the twentieth century, depictions of the colonized world were prevalent throughout the German metropole. Tobacco advertisements catered to the erotic gaze of imperial enthusiasts with images of Ovaherero girls, and youth magazines allowed children to escape into “exotic domains” where their imaginations could wander freely. While racist beliefs framed such narratives, the abundance of colonial imaginaries nevertheless compelled German citizens and settlers to contemplate the world beyond Europe as a part of their daily lives. An Imperial Homeland reorients our understanding of the relationship between imperial Germany and its empire in Southwest Africa (present-day Namibia...
Working Through Colonial Collections
Reckoning with colonial legacies in Western museum collections What are the possibilities and limits of engaging with colonialism in ethnological museums? This book addresses this question from within the Africa department of the Ethnological Museum in Berlin. It captures the Museum at a moment of substantial transformation, as it prepared the move of its exhibition to the Humboldt Forum, a newly built and contested cultural centre on Berlin’s Museum Island. The book discusses almost a decade of debate in which German colonialism was negotiated, and further recognised, through conflicts over colonial museum collections. Based on two years of ethnographic fieldwork examining the Museum’s ...
