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International authority control will soon be a reality. Examine the projects that are moving the information science professions in that direction today! In Authority Control in Organizing and Accessing Information: Definition and International Experience, international experts examine the state of the art and explore new theoretical perspectives. This essential resource, which has its origins in the International Conference on Authority Control (Italy, 2003), addresses standards, exchange formats, and metadata—with sections on authority control for names, works, and subjects. Twenty fascinating case examples show how authority control is practiced at institutions in various nations around...
This book addresses a range of topics in design, such as universal design; design for all; digital inclusion; universal usability; and accessibility of technologies regardless of users’ age, financial situation, education, geographic location, culture and language. It especially focuses on accessibility for people with auditory, cognitive, neurological, and visual impairments, ageing populations, and mobility for those with special physical needs. The book explores some of the overlaps between inclusive design and web accessibility to help managers, designers, developers, policy makers, and researchers optimize their efforts in these areas. Based on the AHFE 2019 International Conference on Design for Inclusion, held on July 24-28, held in Washington D.C., USA, it discusses new design technologies and highlights the disparate needs of the individuals within a community. Thanks to its multidisciplinary approach, it provides readers with various backgrounds with a timely, practice-oriented guide to design for inclusion.
Tuscany is a landscape whose cultural construction is complicated and multi-layered. It is this very complexity that this book seeks to untangle. By revealing hidden histories, we learn how food, landscape and architecture are intertwined, as well as the extent to which Italian design and contemporary consumption patterns form a legacy that draws upon the Romantic longings of a century before. In the process, this book reveals the extent to which Tuscany has been constructed by Anglos — and what has been distorted, idealized and even overlooked in the process.
This book is the result of a research project designed and carried out at the Department of Architecture, University of Florence. This book discusses urban public spaces and, more specifically, run-down, inactive micro-spaces that are barely used due to their location, dimensions, morphology or semantic characteristics. In literature, these spaces are often defined as “residual urban spaces.” A large abandoned industrial area on the outskirts of a town or a small interstitial space in a historical centre can be residual. With respect to such a broad subject matter, the book seeks to radically limit the field, concentrating on public residual spaces found in the oldest parts of cities. The book reflects on this theme and introduces a method for reading and assessment of the residuality of public spaces in historical contexts (Residuality Assessment Process) which was tested in the historical centre of Florence. It is the authors’ view that residual spaces, above all if designed according to a system logic, can go from being problems to potential activators of urban and social regeneration processes, offering a useful contribution to improve city life.
The volume presents the research experience of young researchers and PhD candidates, dealing with the Italian scientific area 08-C1 (Design and Technology of Architecture), with a discussion about scientific issues and methodologies applied. The aim is to express the methodological and investigation features of the issues faced by the researchers, along with the effectiveness of their researches design, giving the reader an immediate overview of the 08-C1 doctoral experience. Beside young researchers statements as witnesses of this research path, the volume collects professors critical contribution, to enrich the comprehensive picture of the progression and methodologies of the doctoral researches presented.
How and why has the city of Florence, one of the great treasure houses of western civilization, been reduced to little more than a Renaissance Disneyland for tourists? Florence, once a center of national intellectual creativity, has become a city with two separate lives. Its historic center caters to and profits from tourists, while the periphery houses a population that endures overcrowding, decaying infrastructure, and an exorbitant cost of living. In Politics in a Museum, James Miller investigates Florence's losing struggle with modern times. He traces the city's story from its bloody liberation in 1944 through a reconstruction led by Communist and Catholic saints, the flood of 1966, the booms and busts of the 1970s, 1980s, and 1990s. In the process, Miller provides an analysis of the defects of Italy's national political system, as well as a meticulous reconstruction of the men and events that have placed Florence alongside Venice in the unenviable status of museum city.
The most beautiful Tuscan gardens seen through the work of the photographer, Massimo Listri, with descriptive and historical texts from a team of experts. Forty-two gardens are examined: eighteen of which are in Florence: Boboli, Torrigiani Garden, Villa i Tatti, Villa Gamberaia, Fonte Lucente, Villa Demidoff Park, Villa La Pietra and others. The whole history of the gardens of Tuscany is retraced by Mariella Zoppi in the introduction. Texts by: Gilberto Bedini, Chiara Bichi, Andrea Boscu Bianchi Bandinelli, Enrica Buccioni, Marco Cei, Cesare Cunaccia, Giorgio Galletti, Massimo Gregorini, Biagio Guccione, Alberto Giuntoli, Isabella Lapi Ballerini, Paola Maresca, Litta Medri, Rosetta Ragghianti, Ines Romitti, Vieri Torrigiani, Luigi Zangheri, Mariella Zoppi.