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Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymo...
Raymond Roussel, one of the most outlandishly compelling literary figures of modern times, died in mysterious circumstances at the age of fifty-six in 1933. The story Mark Ford tells about Roussel's life and work is at once captivating, heartbreaking, and almost beyond belief. Could even Proust or Nabokov have invented a character as strange and memorable as the exquisite dandy and graphomaniac this book brings to life? Roussel's poetry, novels, and plays influenced the work of many well-known writers and artists: Jean Cocteau found in him "genius in its pure state," while Salvador Dalí, who died with a copy of Roussel's Impressions d'Afrique on his bedside table, believed him to be one of ...
An exuberant, versatile, and complex debut US collection from one of the United Kingdom's most respected poets.
'Intriguing, Funny, Prophetic' ran the New York Review of Books headline to an admiring survey of the poetry of Mark Ford by the American critic Helen Vendler. The same words could describe Enter, Fleeing, the fourth collection of poems from one of the UK's most distinctive poets. The work gathered here displays Ford's power to amuse and startle, to move and disconcert. A number of short poems recreate moments from the poet's peripatetic childhood, while others dramatise more general states of fear and desire, of excitement and anxiety. As Vendler noted, Ford's recent work frequently addresses post-colonial issues arising from the collapse of the British Empire, as well as the paradoxes and information loops of today's globalised economy. Enter, Fleeing is Ford's most exhilarating and powerful volume to date.
The acclaimed art fanzine’s psychogeographic drifts through a ruined city Savage Messiah collects the entire set of Laura Oldfield Ford’s fanzine to date. Part graphic novel, part artwork, the book is both an angry polemic against the marginalization of the city’s working class and an exploration of the cracks that open up in urban space.
Combining fiction and autobiography in a quite unprecedented way, Georges Perec leads the reader inexorably towards the horror that lies at the origin of the post-World War Two world and at the crux of his own identity.
This book tells the story of Ford GT40 Mark II, chassis no. P/1016, one of the trio of cars that crossed the finishing line together at Le Mans in 1966 to score Ford’s first victory in the 24 Hour race. The Mark II was a development of the original Ford GT with a monstrous 7 litre V8 engine. 1016 made its racing debut at Daytona in January 1966 and was entered at Le Mans by Holman & Moody with a distinctive gold and pink color scheme. Driven by Ronnie Bucknum and Dick Hutcherson, it finished in third place behind the similar cars of Bruce McLaren and Chris Amon and Ken Miles and Denny Hulme.
With a voice that is unlike any other on the comtemporary scene, yet blissfully unaware of the fact, Mark Ford does for the 1960s what T.S. Eliot did for the 1890s. Interesting, weird and brief...the funniest book since 77 Dream Songs. Hugo Williams. Whenever I see a new sample of Mark Ford's poems I become instantly immersed in them. He has a voice and consciousness all of his own, both original and gripping; a poem like 'Winter Underwear' is as stylish and sui generis as a Betjeman or a Larkin, yet wholly fresh and new. He is a young poet of real interest. John Bayley. Mark Ford was born in Nairobi, Kenya, in 1962. He attended Oxford and Harvard Universities, and is currently a Visiting Lecturer at Kyoto University in Japan. A selection of his poems was published in New Chatto Poets II (1989); Landlocked is his first full collection.
Gathers the work of four of the 'first generation' of New York poets: Frank O'Hara, John Ashbery, Kenneth Koch and James Schuyler. This anthology provides introductions to the poets' work, and charts an exchange between experiment and the emergence of language poetry.