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Mark Cohen is the quintessential street photographer, using an aggressive approach in which he closes in on strangers with a camera and flash before they’re aware of being photographed. His stark images made on the streets of Wilkes-Barre and other working-class Pennsylvania towns capture moments, gestures, and emotions that, because they might be invisible to others’ sensibilities, testify to Cohen’s innately superior perception, his gift of precise and ingenious visual ordering. His work received early recognition, with a one-person show at the Museum of Modern Art in 1973 when he was just thirty, and it has garnered critical acclaim ever since. Today, Cohen’s work is held in over ...
This volume brings together articles on the cultural, religious, social and commercial interactions among Jews, Christians and Muslims in the medieval and early modern periods. Written by leading scholars in Jewish studies, Islamic studies, medieval history and social and economic history, the contributions to this volume reflect the profound influence on these fields of the volume’s honoree, Professor Mark R. Cohen.
Between the 1880s and 1920s, a broad coalition of American dissidents, which included rabble-rousing cartoonists, civil liberties lawyers, socialist detectives, union organizers, and revolutionary martyrs, forged a culture of popular radicalism that directly challenged an emergent corporate capitalism. Monopoly capitalists and their allies in govern-ment responded by expanding conspiracy laws and promoting conspiracy theories in an effort to destroy this anti-capitalist movement. The result was an escalating class conflict in which each side came to view the other as a criminal conspiracy. In this detailed cultural history, Michael Mark Cohen argues that a legal, ideological, and representational politics of conspiracy contributed to the formation of a genuinely revolutionary mass culture in the United States, starting with the 1886 Haymarket bombing. Drawing on a wealth of primary sources, The Conspiracy of Capital offers a new history of American radicalism and the alliance between the modern business corporation and national security state through a comprehensive reassessment of the role of conspiracy laws and conspiracy theories in American social movements.
Presents data from nineteen different regions before, during, and after agricultural transitions, analyzing populations in Africa, Asia, the Middle East, Europe, and South America while primarily focusing on North America. A wide range of health indicators are discussed, including mortality, episodic stress, physical trauma, degenerative bone conditions, isotopes, and dental pathology.
Civilized nations popularly assume that "primitive" societies are poor, ill, and malnourished and that progress through civilization automatically implies improved health. In this provocative new book, Mark Nathan Cohen challenges this belief. Using evidence from epidemiology, anthropology, and archaeology, Cohen provides fascinating evidence about the actual effects of civilization on health, suggesting that some aspects of civilization create as many health problems as they prevent or cure. " This book] is certain to become a classic-a prominent and respected source on this subject for years into the future. . . . If you want to read something that will make you think, reflect and reconsid...
This Reader in Gender Archaeology presents nineteen current, controversial and highly influential articles which confront and illuminate issues of gender in prehistory. The question of gender difference and whether it is natural or culturally constructed is a compelling one. The articles here, which draw on evidence from a wide range of geographic areas, demonstrate how all archaeological investigation can benefit from an awareness of issues of gender. They also show how the long-term nature of archaeological research can inform the gender debate across the disciplines. The volume: * organizes this complex area into seven sections on key themes in gender archaeology: archaeological method and theory, human origins, division of labour, the social construction of gender, iconography and ideology, power and social hierarchies and new forms of archaeological narrative * includes section introductions which outline the history of research on each topic and present the key points of each article * presents a balance of material which rewrites women into prehistory, and articles which show how the concept of gender informs our understanding and interpretation of the past.
Jane Smythe, a math professor specializing in fractal geometry, is shocked to learn that three professors with the same specialty have died amid mysterious circumstances. That's where Pepper Keane, an ex-Marine turned PI with an encyclopedic knowledge of rock 'n' roll, comes in. He finds himself attracted to Professor Smythe and is determined to discover the root of these incidents. At first, he can't find any evidence that the three dead mathematicians even knew each other. But Keane, with the help of his hacker best friend and exercise guru brother, continues to dig. Suspects begin to appear and then multiply as they race through the rocky terrain of Colorado to Mexico, Boston, and Nebraska - with the main suspect an FBI agent who is also Keane's worst enemy.
Examines the comedian's life, discussing his rapid fame and decline into obscurity.
He was amazing. "A little man with a Napoleonic penchant for the colossal and magnificent, Billy Rose is the country's No. 1 purveyor of mass entertainment," Life magazine announced in 1936. The Times reported that with 1,400 people on his payroll, Rose ran a larger organization than any other producer in America. "He's clever, clever, clever," said Rose's first wife, the legendary Fanny Brice. "He's a smart little goose." Not Bad for Delancey Street: The Rise of Billy Rose is the first biography in fifty years of the producer, World's Fair impresario, songwriter, nightclub and theater owner, syndicated columnist, art collector, tough guy, and philanthropist, and the first to tell the whole ...
After more than thirty years the heir apparent to the street photography of the 60s presents for the first time his complex and influential body of work. Cohen's photography confronts the viewer with a startling beauty, rapidly shifting from rough and confrontational to quiet and respectful. In these images emerges a cluttered world of visceral, sexualised encounters with the human body. This is one of the more complex bodies of street photography around and Cohen's work will open your eyes as wide as they can go and keep you flipping the pages for years to come.