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Theatrical Translation and Film Adaptation
Translation and film adaptation of theatre have received little study. This text draws on experiences of theatrical translators and on movie versions of plays from various countries. It looks into such concerns as the translation of bilingual plays and the choice between subtitling and dubbing of film.
Juana of Castile
Focusing on pictorial, literary, screen, and operatic representations of Juana of Castile, this is the first interdisciplinary book that incorporates both sides of the coin (history and myth; fact and fiction) that shaped the enigmatic image of this much maligned Spanish queen. Even though the fictional reinvention of Juana of Castile has been the subject of sporadic articles, this is the first time that an English-language reader has access to a book that takes an in-depth look at the panorama of literary, pictorial, musical, and cinematic recreations of this historical character. The editors' aim is to incorporate works of authors from different countries (Spain, Mexico, the Dominican Republic, France) and an entire spectrum of literary genres (narrative, poetry, theater, essay), as well as opera and the visual arts. --From publisher's description.
Premodern Rulers and Postmodern Viewers
Pop culture portrayals of medieval and early modern monarchs are rife with tension between authenticity and modern mores, producing anachronisms such as a feminist Queen Isabel (in RTVE’s Isabel) and a lesbian Queen Christina (in The Girl King). This book examines these anachronisms as a dialogue between premodern and postmodern ideas about gender and sexuality, raising questions of intertemporality, the interpretation of history, and the dangers of presentism. Covering a range of famous and lesser-known European monarchs on screen, from Elizabeth I to Muhammad XII of Granada, this book addresses how the lives of powerful women and men have been mythologized in order to appeal to today’s audiences. The contributors interrogate exactly what is at stake in these portrayals; namely, our understanding of premodern rulers, the gender and sexual ideologies they navigated, and those that we navigate today.
Questioning Racinian Tragedy
Noting significant differences between the individual tragedies of Racine and the many current notions of what "Racinian tragedy" is deemed to imply, John Campbell explores the identity and meaning of the modern "Racine." He asks if any one critical parad
The Modern Spain Sourcebook
Incorporating a wide range of visual and translated written sources, The Modern Spain Sourcebook documents Spain's history from the Enlightenment to the present. The book is thematically arranged and includes six key primary sources on ten significant areas of Spanish history, including the arts, work, education, religion, politics, sexuality and empire. As well as the book's overarching introduction, there are theme-specific introductions and vital historical context sections provided for the sources that are presented. There are also useful suggested analytical questions and helpful web link lists included throughout. The Modern Spain Sourcebook covers political and economic history, but moves beyond this to provide a more complete picture of Spanish history through the sources selected with gender history, social history and cultural history coming to the fore. This is a crucial text containing a vital trove of primary material for all students of Spain and its history.
The Leper in Blue
Drawing on contemporary debates surrounding performance, gender and latin American studies, this book examines representations of performance within dramatic texts. It explores the work of individual playwrights such as Vicente Lenero, and topics including ritual game playing.
The Charm of Catastrophe
Published in two parts in 1548 and 1552, Le Quart Livre is Rabelais's last book of certain authenticity and his most difficult and mysterious work. In it, Pantagruel and Panurge undertake a sea voyage and a quest for "the word of the Divine Bottle," but the islands they visit along the way are inhabited by strange beings whose nature and physiognomy defy natural categories. Expressing the elderly writer's despair at the failure of all his dreams as a young humanist, the voyage traces the last phase of the heroic quest, the cycle of old age and death. It is a descent into the underworld, but one that is undertaken hopefully, for the Quart Livre continues the search for a wife and for paternity begun in the Tiers Livre. Ultimately, all of these strivings may be associated with the writer-physician who faces misfortunes in order to cure them. In the end, the Quart Livre affirms the healing power of wine, laughter, and words.
