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A Companion to Venetian History, 1400-1797
The field of Venetian studies has experienced a significant expansion in recent years, and the Companion to Venetian History, 1400-1797 provides a single volume overview of the most recent developments. It is organized thematically and covers a range of topics including political culture, economy, religion, gender, art, literature, music, and the environment. Each chapter provides a broad but comprehensive historical and historiographical overview of the current state and future directions of research. The Companion to Venetian History, 1400-1797 represents a new point of reference for the next generation of students of early modern Venetian studies, as well as more broadly for scholars work...
A brief History of Palazzo Grimani dall’Albero d’Oro in Venice
Palazzo Grimani dall’Albero d’Oro opens its doors to culture, art and all those who wish to discover the history of this sumptuous building on the Grand Canal. The book offers a fascinating journey through time, the city and the lives of the illustrious guests who have lived in this patrician residence. With a personal “ narrated” tour and a narrative that never loses sight of scientific rigour, the authors take us through the magnificent rooms in a journey that weaves together, with careful reconstruction, the history of the families and collections once hosted in the palazzo. Massimo Favilla has taught Urban and Territorial Design at the IUAV University of Venice and the History of Architecture at the University of Padua. Ruggero Rugolo is responsible for publishing at the Istituto Veneto di Scienze, Lettere ed Arti and has taught the History of Modern Art at the University of Modena and Reggio and at Ca’ Foscari University in Venice. Their studies focus on Veneto art, in particular of the seventeenth and eighteenth centuries, and have led to the publication of numerous monographs, conference proceedings, exhibition catalogues and articles in academic journals.
Cittadini of Venice
In this volume Giulia Zanon sheds new light on our grasp of social hierarchy and the possibilities for social mobility in pre-modern Italy. By adopting an interdisciplinary approach that combines deep archival research with a multitude of artistic and architectural artefacts, this work breaks new ground by contextualizing the part played by social relationships and the arts in publicly affirming and displaying the prestige of the middling sorts, the cittadini, in early modern Venice.
War, Communication, and the Politics of Culture in Early Modern Venice
Weaving together cultural history and critical imperial studies, this book shows how war and colonial expansion shaped seventeenth-century Venetian culture and society. Anastasia Stouraiti tests conventional assumptions about republicanism, commercial peace and cross-cultural exchange and offers a novel approach to the study of the Republic of Venice. Her extensive research brings the history of communication in dialogue with conquest and empire-building in the Mediterranean to provide an original interpretation of the politics of knowledge in wartime Venice. The book argues that the Venetian-Ottoman War of the Morea (1684-1699) was mediated through a diverse range of cultural mechanisms of patrician elite domination that orchestrated the production of popular consent. It sheds new light on the militarisation of the Venetian public sphere and exposes the connections between bellicose foreign policies and domestic power politics in a state celebrated as the most serene republic of merchants.
Happiness or Its Absence in Art
The concept of ‘happiness’ is central to most civilized cultures. This volume investigates the many ways in which Western art has visualized the concept from the early Middle Ages to the present. Employing different methodological approaches, the essays gathered here situate the concept of human happiness within discourses on gender, religion, intellectual life, politics and ‘New-Age’ culture. Operating as a cultural agent, art communicates the idea of happiness as both a physical and spiritual condition by exploiting specific formulae of representation. This volume combines art history, cultural analyses and intellectual studies in order to explore the complexities of iconographic programs that represent various forms of happiness, or its explicit absence, and to expose the implications embedded in the artistic works in question. Through innovative readings, the ten authors presented in this book survey different artistic and/or cultural paradigms and offer new interpretations of happiness or of its absence.
Architectures of Festival in Early Modern Europe
This fourth volume in the European Festival Studies, 1450–1700 series breaks with precedent in stemming from a joint conference (Venice, 2013) between the Society for European Festivals Research and the PALATIUM project supported by the European Science Foundation. The volume draws on up-to-date research by a Europe-wide group of academic scholars and museum and gallery curators to provide a unique, intellectually-stimulating and beautifully-illustrated account of temporary architecture created for festivals of the sixteenth and seventeenth centuries, together with permanent architecture pressed into service for festival occasions across major European locations including Italian, French, ...
Discourses of Decline
This volume explores the relevance of decline within the republican tradition. While scholarship on republicanism thrives, the idea of decline, which has been prominent in republican theory since antiquity, has received relatively little attention. The essays in this volume take a broad cultural perspective and study a wide variety of authors and (con)texts to situate decline among the key concepts in the history of republicanism. Most contributions focus on the Dutch Republic during the Age of Enlightenment and Revolutions, the area of expertise of Wyger Velema, to whom this volume is dedicated. Other case studies include early modern Spain and Venice, the German Enlightenment, and the Weimar Republic. Contributors are: Remieg Aerts, Hans Erich Bödeker, Wiep van Bunge, Lisa Kattenberg, Wessel Krul, Matthijs Lok, Alessandro Metlica, Ida Nijenhuis, Eleá de la Porte, Jan Rotmans, Niek van Sas, Freya Sierhuis, and Lina Weber.
Artistic Practices and Cultural Transfer in Early Modern Italy
For too long, the ?centre? of the Renaissance has been considered to be Rome and the art produced in, or inspired by it. This collection of essays dedicated to Deborah Howard brings together an impressive group of internationally recognised scholars of art and architecture to showcase both the diversity within and the porosity between the ?centre? and ?periphery? in Renaissance art. Without abandoning Rome, but together with other centres of art production, the essays both shift their focus away from conventional categories and bring together recent trends in Renaissance studies, notably a focus on cultural contact, material culture and historiography. They explore the material mechanisms fo...
Appunti su palazzo Grimani dall’Albero d’Oro a Venezia
Palazzo Grimani dall’Albero d’Oro spalanca le proprie porte alla cultura, all’arte e a tutti coloro che desiderano scoprire la storia di questo sontuoso edificio sul Canal Grande. Il volume propone un avvincente viaggio nel tempo, nella città e tra le vite degli illustri ospiti che hanno abitato la dimora patrizia. Con una personale visita ‘raccontata’ e con una narrazione che non perde mai di vista il rigore scientifico, gli autori ci accompagnano attraverso le magnifiche sale, in un percorso che intreccia, con un’attenta ricostruzione, la storia delle famiglie e delle collezioni un tempo ospitate a palazzo. Massimo Favilla ha insegnato Progettazione Urbana e Territoriale press...
Esquisse historique du palazzo Grimani dall’Albero d’Oro à Venise
Le palais Grimani dall’Albero d’Oro ouvre ses portes à la culture, à l’art et à tous ceux qui souhaitent découvrir l’histoire de ce somptueux édifice sur le Grand Canal. Ce livre offre un voyage fascinant à travers le temps, la ville et la vie des hôtes illustres qui ont vécu dans cette résidence patricienne. Grâce à une visite personnalisée “racontée” et à un récit qui ne perd jamais de vue la rigueur scientifique, les auteurs nous accompagnent à travers les salles splendides de cette demeure et nous guident tout au long d’un parcours qui reconstitue avec minutie l’histoire des familles et des collections que ce palazzo abritait dans le passé. Massimo Favill...
