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Between the Avant-garde and the Everyday
The wave of anti-authoritarian political activity associated with the term “1968” can by no means be confined under the rubric of “protest,” understood narrowly in terms of street marches and other reactions to state initiatives. Indeed, the actions generated in response to “1968” frequently involved attempts to elaborate resistance within the realm of culture generally, and in the arts in particular. This blurring of the boundary between art and politics was a characteristic development of the political activism of the postwar period. This volume brings together a group of essays concerned with the multifaceted link between culture and politics, highlighting lesser-known case studies and opening new perspectives on the development of anti-authoritarian politics in Europe from the 1950s to the fall of Communism and beyond.
A People's Music
Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
Jazz auf AMIGA
Die nunmmehr vorliegende Discographie von Mathias Brüll schließt eine Lücke in der Dokumentation der Jazzmusik in Deutschland in der zweiten Hälfte des 20. Jahrhunderts. Sämtliche nach 1945 in der Sowjetischen Besatzungszone (SBZ) und der späteren DDR sowie darüberhinaus produzierten Jazzplatten und -CDs auf dem Label AMIGA, seinen Schwester- und Nachfolgelabels werden hier erstmals discographisch erfaßt.
