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Vincent? A New Method of Identifying the Artist and His Work and of Unmasking the Forger and His Products
  • Language: en
Vincent?
  • Language: en
  • Pages: 146

Vincent?

  • Categories: Art
  • Type: Book
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  • Published: 1953
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  • Publisher: Unknown

None

Pictology
  • Language: en
  • Pages: 191

Pictology

  • Type: Book
  • -
  • Published: 1973
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  • Publisher: BRILL

None

Pictology
  • Language: en
  • Pages: 200

Pictology

  • Type: Book
  • -
  • Published: 1973
  • -
  • Publisher: Unknown

None

A Regulatory Framework for the Art Market?
  • Language: en
  • Pages: 324

A Regulatory Framework for the Art Market?

  • Categories: Law

This book addresses practical issues in connoisseurship and authentication, as well as the legal implications that arise when an artwork’s authenticity is challenged. In addition, the standards and processes of authentication are critically examined and the legal complications which can inhibit the expression of expert opinions are discussed. The notion of authenticity has always commanded the attention of art market participants and the general art-minded public alike. Coinciding with this, forgery is often considered to be the world’s most glamorous crime, packed with detective stories that are usually astonishing and often bizarre. The research includes findings by economists, sociolo...

Faking it
  • Language: en
  • Pages: 260

Faking it

  • Categories: Art
  • Type: Book
  • -
  • Published: 1987
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  • Publisher: Unknown

None

Analytical Chemistry for the Study of Paintings and the Detection of Forgeries
  • Language: en
  • Pages: 521

Analytical Chemistry for the Study of Paintings and the Detection of Forgeries

Forgeries present a daunting problem to art historians, museums, galleries and curators who face challenges in determining the authenticity of paintings. Recent progress in science has led to the development of new methods for investigating works of art, and can provide new insights into the materials found in paintings. The rise in the value of paintings together with the knowledge and skills of forgers highlights the need to develop reliable scientific procedures to identify fakes. Given the complexity of materials in paintings and the convergence of various disciplines, a methodological approach for nvestigations of paintings is based on art historical, curatorial, aesthetic, technical an...