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Welcome to Fear City
Analyzes how location-shot crime films of the 1970s reflected and influenced understandings of urban crisis. The early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with contemporary scenes from urban streets. Welcome to Fear City argues that the location-shot crime films of the 1970s were part of a larger cultural ambivalence felt toward urban life, evident in popular magazines, architectural discourse, urban sociology, and visual cu...
The Routledge Companion to Media and the City
Bringing together leading scholars from around the world and across scholarly disciplines, this collection of 32 original chapters provides a comprehensive exploration of the relationships between cities and media. The volume showcases diverse methods for studying media and the city and posits "media urbanism" as an approach to the co-construction and interactions among media texts and technologies, media users, media industries, media histories, and urban space. Chapters serve as a guide to humanities-based ways of studying urban imaginaries, infrastructures and architectures, development and redevelopment, and strategies and tactics as well as a provocation toward new lines of inquiry that...
Third Coast Atlas
Measuring over 10,000 miles, the Great Lakes coastline, known as the “third coast,” is longer than the Atlantic and Pacific coastlines of the United States combined. It is difficult to overstate the history and future of the region as both a contested and opportunistic site for urbanism. Envisaged as a comprehensive “atlas,” this publication comprises in-depth analysis of the landscapes, hydrology, infrastructure, urban form, and ecologies of the region, delivered through a series of analytical cartographies supported by scholarly and design research from internationally renowned scholars, photographers, and practitioners from the disciplines of architecture, landscape, geography, planning, and ecology. This publication was awarded with a grant from the Graham Foundation for Advanced Studies in the Fine Arts.
Architecture, Media, Populism... and Violence
The ‘Storming of the Capitol’ was, for many, the culminating media performance of the four-year presidency of Donald Trump. His presidency and its ‘final act’, bore all the hallmarks of a 21st century form of populism and media-politico spectacle that may yet come to dominate the political scene in the US, and worldwide, for years to come. The questions that such events raise are complex, varied and operative across a multitude of disciplines. This book engages with these vexed questions in the broad fields of politics and media, but does so, uniquely, through the prism of architecture. This book does not, however, limit its view to the recent events in Washington DC or the United St...
Decline and Reimagination in Cinematic New York
Decline and Reimagination in Cinematic New York examines the cinematic representation of New York from the mid-1960s through the mid-1980s, placing the dominant discourse of urban decline in dialogue with marginal perspectives that reimagine the city along alternative paths as a resilient, adaptive, and endlessly inspiring place. Drawing on mainstream, independent, documentary, and experimental films, the book offers a multifaceted account of the power of film to imagine the city’s decline and reimagine its potential. The book analyzes how filmmakers mobilized derelict space and various articulations of “nature” as settings and signifiers that decenter traditional understandings of the city to represent New York alternately as a desolate wasteland, a hostile wilderness, a refuge and playground for outcasts, a home to resilient and resourceful communities, a studio for artistic experimentation, an arcadia conducive to alternative social arrangements, and a complex ecosystem. This book will be of interest to scholars and students of film studies, media studies, urban cinema, urban studies, and eco-cinema.
Building Institution
»Building Institution« chronicles the expansion of architecture as a profession and discipline in the postmodern era. Kim Förster traces the compelling history of the Institute for Architecture and Urban Studies, which was active in New York from 1967 to 1985. Drawing on extensive archival research and oral histories, he constructs a collective biography that details the Institute's diverse roles and the dynamic interplay between research and design, education, culture, and publishing. By exploring the transformation of cultural production into a practice as well as the culturalization and global postmodernization of architecture, the volume contributes significantly to the institutional history of architecture.
With(Out) Trace: Interdisciplinary Investigations into Time, Space and the Body
This book, With(out) Trace: Inter-Disciplinary Investigations into Time, Space and the Body, unpacks many of the issues that surround the idea of trace: what we intentionally, an unintentionally, leave behind as well as how trace can help us to move forward. In particular this volume looks at how interdisciplinarity can suggest new ways of seeing and, subsequently, exploring interconnections between time, space and the body.
There Are No Facts
The entanglements of people and data, code and space, knowledge and power: how data and algorithms shape the world—and shape us within that world. With the emergence of a post-truth world, we have witnessed the dissolution of the common ground on which truth claims were negotiated, individual agency enacted, and public spheres shaped. What happens when, as Nietzsche claimed, there are no facts, but only interpretations? In this book, Mark Shepard examines the entanglements of people and data, code and space, knowledge and power that have produced an uncommon ground—a disaggregated public sphere where the extraction of behavioral data and their subsequent processing and sale have led to t...
Imaginary Apparatus
During John V. Lindsay's Mayoral tenure in New York 1966-73, the city created innovative policy intended to draw on-location media production to New York's streets. Simultaneously, the New York City Planning Commission and associated offices produced a wealth of documents that reflect conceptual and aesthetic influences of various visual media. American architect McLain Clutter undertook to analyse to what remarkable extent the effects of these two areas of political ambition were interrelated. In his new book Imaginary Apparatus, Clutter describes the relationship between New York City and its mediated representation at the conjuncture of these circumstances, tracing the interrelation of th...
