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Matta
Catalog of an exhibition held at the McMullen Museum of Art, Boston College, Feb. 1-May 24, 2004.
Fragmented Devotion
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Pollock Matters
Legendary abstract expressionist painter Jackson Pollock (1912–56) is most famous for the frenetic, highly textured works created through his trademark “drip” technique in which he poured paint from its can directly onto the canvas. Pollock Matters explores, for the first time, the personal and artistic interrelationship between the notorious artist and noted Swiss-born photographer and graphic designer Herbert Matter. Published to coincide with an exhibition at Boston College’s McMullen Museum of Art, Pollock Matters traces a close friendship that spanned almost two decades, beginning in 1936 when the men’s future wives, painters Lee Krasner and Mercedes Carles, met after being se...
Original Visions
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Courbet
Gustave Courbet (1819-77) was a French artist whose work heralded the realist movement of the nineteenth century and his paintings have had a profound influence on other artists from around the world, including Claude Monet, James McNeill Whistler, and Paul Cézanne. This catalog is published to accompany an exhibition of the same name at the McMullen Museum, Boston College, in the autumn of 2013, which was put together in tandem with the Royal Museums of Fine Arts of Belgium. Approaching its subject from a unique perspective, Courbet: Mapping Realism looks at the artist's reception on both sides of the Atlantic, and includes paintings by Courbet himself, as well as Belgian and American realist-influenced artists. American and Belgian scholars, including Jeffery Howe, Claude Cernuschi, Dominique Marechal, and Katherine Nahum, contribute essays that explore Courbet's art in light of this expanded view of his career. Complete with color illustrations, Courbet: Mapping Realism showcases artwork from both the United States and Belgium that are rarely exhibited or published together.
Nature's Mirror
Issued in conjunction with the exhibition of the same name held at the McMullen Museum of Art, Boston College, September 10-December 10, 2017.
Saints & Sinners
This exhibition at Boston College's McMullen Museum of Art (February-May 1999) takes an interdisciplinary approach to studying the style, subject matter, and functions of religious art in Italy between 1580-1680. The conceptual centerpiece of the exhibition is Caravaggio's recently rediscovered The Taking of Christ. The catalogue reproduces in color all of the paintings in the exhibition and includes a collection of essays that analyze how some of the period's most important artistic, religious, and social concerns are encapsulated within the various images. Contributors include Franco Mormando (Exhibition Organizer and Catalogue Editor), Gauvin Bailey, Noel Barber, Sergio Benedetti, Pamela Jones, John W. O'Malley, John Varriano, Josephine von Henneberg, and Thomas Worcester.
Edvard Munch
"My art is rooted in a single reflection: why am I not as others are?"—Edvard Munch Published in conjunction with a major exhibit at the McMullen Museum of Art at Boston College, Edvard Munch: Psyche, Symbol and Expression includes nine essays from scholars representing a variety of disciplines. From themes of love, sexuality, gender and anxiety to comparisons with Ibsen and Kierkegaard, the catalog explores the meanings of Munch's imagery, his sources in Symbolist art, and his legacy for German Expressionism within the context of his contemporaries' developments in psychology, literature, and philosophy. The volume of over 200 pages includes more than 60 color plates and 130 black and white illustrations, many from rarely seen private collections and some never exhibited before.
Beyond Words
Featuring illuminated manuscripts from nineteen Boston-area institutions, Beyond Words provides a sweeping overview of the history of the book in the Middle Ages and Renaissance, as well as a guide to its production, illumination, functions, and readership. With over 150 manuscripts on display, Manuscripts for Pleasure & Piety at the McMullen Museum focuses on lay readership and the place of books in medieval society. The High Middle Ages witnessed an affirmation of the visual and, with it, empirical experience. There was an explosion of illumination. Various types of images, whether in prayer or professional books, attest to the newfound importance of visual demonstration in matters of faith and science alike."--
Secular Sacred
"Published in conjunction with an exhibition of the same title at the McMullen Museum of Art from February 19 to June 4, 2006, this volume explores multiple ways in which medieval and early modern objects communicated both sacred and secular messages to their audiences. Focusing on paintings, illuminated texts, tapestries, silks, sculptures, ceramics and metalwork, many previously unpublished, from the collections of two distinguished Boston institutions, the authors of the volume's thirteen essays take an inventive and interdisciplinary approach to the study of the subjects, functions, and receptions of works of art from the eleventh through the sixteenth century. By re-thinking scholars' traditional division of objects into secular and sacred categories and by examining the history of these classifications, the authors decode images from various perspectives, revealing how lines between the two categories blur for individual works."--BOOK JACKET.
