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Issued in conjunction with the exhibition of the same name held at the McMullen Museum of Art, Boston College, September 10-December 10, 2017.
Featuring illuminated manuscripts from nineteen Boston-area institutions, Beyond Words provides a sweeping overview of the history of the book in the Middle Ages and Renaissance, as well as a guide to its production, illumination, functions, and readership. With over 150 manuscripts on display, Manuscripts for Pleasure & Piety at the McMullen Museum focuses on lay readership and the place of books in medieval society. The High Middle Ages witnessed an affirmation of the visual and, with it, empirical experience. There was an explosion of illumination. Various types of images, whether in prayer or professional books, attest to the newfound importance of visual demonstration in matters of faith and science alike."--
"My art is rooted in a single reflection: why am I not as others are?"—Edvard Munch Published in conjunction with a major exhibit at the McMullen Museum of Art at Boston College, Edvard Munch: Psyche, Symbol and Expression includes nine essays from scholars representing a variety of disciplines. From themes of love, sexuality, gender and anxiety to comparisons with Ibsen and Kierkegaard, the catalog explores the meanings of Munch's imagery, his sources in Symbolist art, and his legacy for German Expressionism within the context of his contemporaries' developments in psychology, literature, and philosophy. The volume of over 200 pages includes more than 60 color plates and 130 black and white illustrations, many from rarely seen private collections and some never exhibited before.
An engaging guide to over 150 art museums and more throughout New England
Issued in conjunction with the exhibition of the same name organized by the Charles S. and Isabella V. McMullen Museum of Art, Boston College, Feb. 10-July 22, 2007.
"Roman in the Provinces: Art on the Periphery of Empire" accompanies an exhibition of the same name that will open at Yale University Art Gallery in August 2014 and will travel to the McMullen Museum of Art at Boston College in February 2015. With objects assembled primarily from Yale University Art Gallery s world-class Roman and Byzantine collection and including a few significant loans from other institutions, "Roman in the Provinces" explores the varied ways in which different individuals, groups, and regions across the empire reacted to being Roman. Drawing especially on materials from Yale University s excavations at Gerasa and Dura-Europos, the exhibit presents material chronologicall...
"Paul Klee: Philosophical Vision, From Nature to Art is the first exhibition and catalogue to focus on the relationship between philosophy and Klee's prolific artistic oeuvre, and to reveal the broad impact the artist has hadon recent philosophical thought. The catalogue demonstrates how Klee's groundbreaking theories-of nature, words, and music as developed in his writings and lectures-are translated into form, line, and color in his works of art. Paul Klee: Philosophical Vision includes essays contributed by fifteen distinguished philosophers and art historians. It features color reproductions of each work in the exhibition as well as a new translation of Klee's famous lecture, ''On Modern Art.''" -- Publisher's description.
Legendary abstract expressionist painter Jackson Pollock (1912–56) is most famous for the frenetic, highly textured works created through his trademark “drip” technique in which he poured paint from its can directly onto the canvas. Pollock Matters explores, for the first time, the personal and artistic interrelationship between the notorious artist and noted Swiss-born photographer and graphic designer Herbert Matter. Published to coincide with an exhibition at Boston College’s McMullen Museum of Art, Pollock Matters traces a close friendship that spanned almost two decades, beginning in 1936 when the men’s future wives, painters Lee Krasner and Mercedes Carles, met after being se...
"Published in conjunction with an exhibition of the same title at the McMullen Museum of Art from February 19 to June 4, 2006, this volume explores multiple ways in which medieval and early modern objects communicated both sacred and secular messages to their audiences. Focusing on paintings, illuminated texts, tapestries, silks, sculptures, ceramics and metalwork, many previously unpublished, from the collections of two distinguished Boston institutions, the authors of the volume's thirteen essays take an inventive and interdisciplinary approach to the study of the subjects, functions, and receptions of works of art from the eleventh through the sixteenth century. By re-thinking scholars' traditional division of objects into secular and sacred categories and by examining the history of these classifications, the authors decode images from various perspectives, revealing how lines between the two categories blur for individual works."--BOOK JACKET.
"This publication is issued in conjunction with the exhibition 'Eaglemania: Collecting Japanese art in Gilded Age America' in the Daley Family Gallery at the McMullen Museum of Art, Boston College, February 11-June 2, 2019"--Title page verso.